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E-grāmata: Contemporary Clay and Museum Culture

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  • Formāts: 246 pages
  • Izdošanas datums: 17-Jun-2016
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317160861
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  • Formāts: 246 pages
  • Izdošanas datums: 17-Jun-2016
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317160861
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This groundbreaking book is the first to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture. Ceramic objects form a major part of museum collections, with connections to anthropology, archaeology and other disciplines that engage with the cultural and social history of humankind. In recent years museums have provided the impetus for cutting-edge artistic practice, either as a response to particular collections, or as part of exhibitions. But the question of how museums have staged contemporary ceramics and how ceramic artists respond to museum collections has not been the subject of published research to date. This book examines how ceramic artists have, over the last decade, begun to animate museum collections in new ways, and reflects on the impact that these new initiatives have had in the broad context of visual culture. Ceramics in the Expanded Field is the culmination of a three-year AHRC funded project, and reflects its major findings. It brings together leading international voices in the field of ceramics, research undertaken throughout the project and papers delivered at the concluding conference. By examining the benefits and constraints of interventions and the dialogue between ceramics and museological practice, this book will bring focus to an area of museology that has not yet been theorized, and will contribute to policy debates and art practice.

Recenzijas

This volume exemplifies cutting-edge thinking about ceramics, and benefits from the strong research culture in British crafts more generally. Editors Brown, Twomey and Stair skillfully work from their basis in practice to propose important new ideas about this dynamic artistic field. Glenn Adamson, Museum of Arts and Design, New York, USA

"Contemporary Clay and Museum Culture is the first book of its kind to provide a critical overview of the relationship between contemporary ceramics and curatorial practice in museum culture" Ceramic Review, 2017

List of figures
ix
Notes on contributors xii
Preface and acknowledgements xvii
Introduction: Ceramics in a place of cultural discourse 1(4)
Clare Twomey
PART I The expanded field
5(50)
1 Productive friction: Ceramic practice and the museum since 1970
7(10)
Laura Breen
2 The walls come tumbling down
17(14)
Martina Margetts
3 Damaging the historic fabric: Keith Harrison at the Victoria and Albert Museum
31(14)
Alun Graves
4 Out of the studio
45(10)
Tanya Harrod
PART II The museum as context
55(40)
5 Ceramics on show: Domesticity, destruction and manifestations of risk-taking
57(9)
Laura Gray
6 Ceramics process in the museum: Revolution or recidivism?
66(7)
Glen R. Brown
7 The anatomy of a home: Saarinen House
73(13)
Anders Ruhwald
8 Jung's amphora: Ceramics, collections and the collective unconscious
86(9)
Mella Shaw
PART III Audience engagement
95(38)
9 Ceramic art in social contexts
97(8)
Tessa Peters
10 A show of hands: The spectacle of apprenticeship
105(10)
Kimberley Chandler
Stephen Knott
11 Cotton fields and baseball fields
115(6)
Theaster Gates
12 Crinson jug from clay to the grave (and beyond): Exploring the ceramic object as a gathering point
121(12)
Christopher McHugh
PART IV Process and material
133(42)
13 The art of appropriation
135(11)
Jorunn Veiteberg
Douglas Ferguson
14 Collected activity: Making in the museum
146(8)
Phoebe Cummings
15 We claim the bowl in the name of craft
154(11)
Namita Gupta Wiggers
16 Love notes to Buddhas: Are you land or water?
165(10)
Linda Sormin
PART V Curation and authorship
175(48)
17 Possibilities regained: Transitions through clay
177(9)
James Beighton
18 Edmund de Waal at Waddesdon
186(10)
Juliet Carey
19 Queering the museum
196(13)
Matt Smith
20 Ego and salve in the Gardiner Museum
209(14)
Rachel Gotlieb
Index 223
Christie Brown is an artist, researcher and Professor of Ceramics at the University of Westminster, UK.

Julian Stair is a potter and writer.

Clare Twomey is an artist and curator and Researcher at the Ceramics Research Centre, University of Westminster, UK.