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E-grāmata: Contemporary Literature-Music Relationship: Intermedia, Voice, Technology, Cross-Cultural Exchange

(University of Western Sydney, Australia)
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This book explores the relationship between words and music in contemporary texts, examining, in particular, the way that new technologies are changing the literature-music relationship. It brings an eclectic and novel range of interdisciplinary theories to the area of musico-literary studies, drawing from the fields of semiotics, musicology, psychoanalysis, music cognition, emotion and affect, cosmopolitanism, globalization, ethnicity, and biraciality. Chapters range from critical analyses of the representation of music and the musical profession in contemporary novels, to examination of the forms and cultural meanings of contemporary intermedia and multimedia works. The book theorizes cross-culturality in the word and music relationship, arguing that crossings between words and music create emergent structures and meanings that can facilitate forms of cultural crossing, particularly transnationalism and cross-cultural exchange. The convergence of these formal and cultural crossings is conceptualized as musico-literary miscegenation, using interracial sexual relationships as a metaphor. Smith also inspects the dynamics of improvisation and composition, and the different ways they intersect with performance. Further, the book explores the huge changes that computer-based real-time algorithmic text and music generation are making to the literature-music nexus. This volume provides fascinating insight into the relationship between literature and music, and will be of interest to those fields as well as New Media and Performance Studies.

Recenzijas

"For newcomers to musico-literary studies, Smiths book is an excellent introduction, not only because of the concision with which the author outlines the topics history, but also because of the breadth of theories and analyses with which she explores. This book is an excellent and valuable volume and an important contribution to studies of music and literature."

- Christopher Hill, Nanyang Technological University, Singapore

List of Figures
ix
Preface xi
Acknowledgements xiii
Introduction: Musico-Literary Intersections and Miscegenations 1(40)
1 Musical Imaginaries, Disability and the Real in Vikram Seth's An Equal Music
41(25)
2 Glocal Imaginaries and Musical Displacements in Richard Powers's The Time of Our Singing
66(22)
3 Contemporary Poetic Improvisation: Music, Intermedia, Technology
88(26)
4 The Voice in Computer Music and Its Relationship to Place, Identity and Community
114(24)
5 "The Rhythm of Living": SongTalk, Postmodern Eclecticism and Theological Cosmopolitanism in the Work of Kurt Elling
138(25)
6 Musico-Literary Miscegenation and Screen-Sound Synergies in Electronic Literature
163(27)
Coda 190(3)
Index 193
Hazel Smith is a Research Professor in the Writing and Society Research Centre at Western Sydney University. She is author of The Writing Experiment: strategies for innovative creative writing, Hyperscapes in the Poetry of Frank OHara: difference, homosexuality, topography and other academic books. Hazel is also a poet, performer and new media artist. Her website is at www.australysis.com