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Contemporary Revolutions: Turning Back to the Future in 21st-Century Literature and Art [Mīkstie vāki]

Edited by (University of Wisconsin-Madison, USA)
  • Formāts: Paperback / softback, 264 pages, height x width: 234x156 mm, weight: 367 g, 12 bw illus
  • Izdošanas datums: 30-Apr-2020
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350160237
  • ISBN-13: 9781350160231
  • Mīkstie vāki
  • Cena: 38,76 €*
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  • Formāts: Paperback / softback, 264 pages, height x width: 234x156 mm, weight: 367 g, 12 bw illus
  • Izdošanas datums: 30-Apr-2020
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350160237
  • ISBN-13: 9781350160231

Returning to revolution's original meaning of 'cycle', Contemporary Revolutions explores how 21st-century writers, artists, and performers re-engage the arts of the past to reimagine a present and future encompassing revolutionary commitments to justice and freedom. Dealing with histories of colonialism, slavery, genocide, civil war, and gender and class inequities, essays examine literature and arts of Africa, Europe, the Middle East, the Pacific Islands, and the United States.

The broad range of contemporary writers and artists considered include fabric artist Ellen Bell; poets Selena Tusitala Marsh and Antje Krog; Syrian artists of the civil war and Sana Yazigi's creative memory web site about the war; street artist Bahia Shehab; theatre installation artist William Kentridge; and the recycles of Virginia Woolf by multi-media artist Kabe Wilson, novelist W. G. Sebald, and the contemporary trans movement.

Papildus informācija

Focusing on contemporaneity in 21st century literature and art, this book explores how a variety of work from the past is recycled to address present issues.
List of Figures
vii
Notes on Contributors viii
Part One Beginnings
Introduction: The Past in the Present: Temporalities of the Contemporary
3(18)
Susan Stanford Friedman
1 Recycling Revolution: Re-Mixing A Room Of One's Own And Black Power In Kabe Wilson's Performance, Installation, And Narrative Art
21(30)
Susan Stanford Friedman
Part Two Recycles: Aesthetics of Unsewing and Blacking Out
2 Stitch Works: Ellen Bell's Unpicking Aesthetics And Victorian Women's Creative Labor
51(20)
Susan David Bernstein
3 Making It Niu: Blacking Out Albert Wendt's Pouliuli The Tusitala Way
71(32)
Selina Tusitala Marsh
Part Three Revolutions: Arts of Resistance
4 Curating The Syrian Revolution Online
103(20)
Miriam Cooke
5 A Thousand Times No!: Spray Painting As Resistance And The Visual History Of The Lam-Alif
123(20)
Bahia Shehab
Part Four Restages: Palimpsests of the Past
6 The Folds Of History In William Kentridge's Black Box Theatre: Sampling German Nazism And Colonialism
143(21)
Rosemarie Buikema
7 The Revolutions Of Antjie Krog's Lady Anne: A Chronicle In Verse
164(27)
Rita Barnard
Part Five Rereads: Then, Now
8 Repair Work, Despair Work W. G. Sebald's Contending Modernisms
191(21)
Elizabeth Abel
9 On Rereading Woolf's Orlando As Transgender Text
212(25)
Margaret Homans
Index 237
Susan Stanford Friedman is Hilldale Professor of the Humanities and the Virginia Woolf Professor of English and Womens Studies at the University of Wisconsin-Madison, USA. Her recent books include Planetary Modernisms: Provocations on Modernity Across Time and Comparison: Theories, Approaches, Uses (with Rita Felski). Her work has been translated into ten languages.