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1 Introduction: Lifting the Veil on Women's Ghost Stories |
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1 | (38) |
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Undead: Critical Background |
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10 | (11) |
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Ghosts at the Turn of the Century and Women's Modernist Writing |
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21 | (4) |
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25 | (5) |
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30 | (1) |
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31 | (8) |
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2 Haunted Romance and Haunted Houses: Rebecca (du Maurier, 1938), The Haunting of Hill House (Jackson, 1959) |
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39 | (34) |
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40 | (12) |
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The Haunted House, the Haunting Mother: Shirley Jackson, The Haunting of Hill House |
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52 | (4) |
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The Haunting of Hill House |
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56 | (13) |
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69 | (4) |
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3 Revengeful Ghosts: The Woman in Black (Hill, 1983), Beloved (Morrison, 1987) |
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73 | (26) |
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The Woman in Black (1983) |
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76 | (10) |
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Toni Morrison's Beloved (1987) |
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86 | (10) |
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96 | (3) |
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99 | (84) |
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4 True Love as Possession: Ashputtle (Carter, 1987), Lady Oracle (Atwood, 1976), The Greatcoat (Dunmore, 2012), The Glass Bottle Trick (Hopkinson, 2000) |
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101 | (24) |
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Ashputtle A ngela Carter (1987) |
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104 | (3) |
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Lady Oracle (1976), Margaret Atwood |
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107 | (5) |
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The Greatcoat, Helen Dunmore (2012) |
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112 | (9) |
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Duppies and `The Glass Bottle Trick', Nalo Hopkinson (2000) |
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121 | (2) |
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123 | (1) |
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123 | (2) |
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5 The Spectral Voice: In the Red Kitchen (Roberts, 1990), Affinity (Waters, 1999), Beyond Black (Mantel, 2005) |
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125 | (32) |
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Popular Ghosts and Real Ghost Hunting |
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128 | (2) |
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130 | (3) |
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133 | (3) |
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In the Red Kitchen (1990), Michele Roberts |
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136 | (5) |
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Beyond Black (2005), Hilary Mantel |
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141 | (5) |
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Affinity (1999), Sarah Waters |
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146 | (7) |
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153 | (4) |
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6 Domestic Hauntings: The Little Stranger (Waters, 2009), Birdcage Walk (Dunmore, 2017), The Stopped Heart (Myerson, 2016) |
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157 | (26) |
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Haunted Houses and Change |
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157 | (4) |
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The Little Stranger (2009): Sarah Waters |
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161 | (7) |
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Silenced Women: Oppressive, Domestic Spaces, Murders Birdcage Walk (Helen Dunmore, 2017) |
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168 | (6) |
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Julie Myerson's The Stopped Heart (2016) |
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174 | (7) |
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181 | (2) |
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Part III Traumas of Place: Postcolonial Hauntings |
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183 | (88) |
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7 Postcolonial Hauntings and Urban Gothic in Singapore and Malaysia: The Serpent's Tooth (Lim, 1982), The Bondmaid (Lim, 1992), Haunting (Lim, 1981), The Black Isle (Tan, 2012), Ponti (Teo, 2018), House of Aunts (Cho, 2014), The Crocodile Fury (Yahp, 1992) |
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185 | (32) |
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Artifice, Bondmaids and Family Ghosts--Catherine Lim |
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191 | (2) |
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193 | (4) |
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The Serpent's Tooth (1982) |
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197 | (1) |
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Domestic Ghosts: Shirley Lim, Haunting' (1981) |
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198 | (3) |
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Sandi Tan's The Black Isle (2012) |
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201 | (6) |
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Singapore: Cities, Space, Place and Ghosts |
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207 | (2) |
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Pontianaks at Home, Ponti (Sharlene Teo, 2018), `The House of Aunts' (Spirits Abroad, 2014), Zen Cho |
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209 | (5) |
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214 | (1) |
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214 | (3) |
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8 Traumas of Place, Travel, Hauntology: Novel without a Name (Duong, 1995), Daughters of the House (Roberts, 1992), The Winter Ghosts (Mosse, 2010) |
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217 | (24) |
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Trauma: A Particular Form of Haunting |
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217 | (8) |
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Duong Thu Huong: Novel Without a Name (1995) |
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225 | (2) |
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Kate Mosse: The Winter Ghosts (2010) |
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227 | (4) |
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Michele Roberts: Daughters of the House (1992) |
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231 | (7) |
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238 | (1) |
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239 | (2) |
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9 Visits and Visitations: A Visit (Jackson, 1950), Ghost Summer (Due, 2015), Her Fearful Symmetry (Niffenegger, 2009), Hotel World (Smith, 2001) |
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241 | (18) |
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`A Visit, or The Lovely House', Shirley Jackson (1950) |
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242 | (3) |
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Hotel World, Mi Smith (2001) |
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245 | (3) |
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Her Fearful Symmetry, Audrey Niffenegger (2009) |
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248 | (2) |
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Helen Oyeyemi, White Is for Witching (2009) |
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250 | (1) |
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Past Guilt and Ghostly Returns--Tananarive Due, Ghost |
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251 | (6) |
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257 | (1) |
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257 | (2) |
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10 Conclusion: Breaking Boundaries, Leaking Truths, Pressing Issues: Ghost Wall (Moss, 2018) |
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259 | (12) |
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Breaking Boundaries, Leaking Truths: Ghost Wall (Sarah Moss, 2018) |
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263 | (5) |
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Moving Forward by Learning from the Haunted Past |
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268 | (1) |
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269 | (2) |
Index |
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271 | |