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E-grāmata: Contemporary Women's Ghost Stories: Spectres, Revenants, Ghostly Returns

  • Formāts: EPUB+DRM
  • Sērija : Palgrave Gothic
  • Izdošanas datums: 02-Jun-2022
  • Izdevniecība: Springer Nature Switzerland AG
  • Valoda: eng
  • ISBN-13: 9783030890544
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  • Formāts: EPUB+DRM
  • Sērija : Palgrave Gothic
  • Izdošanas datums: 02-Jun-2022
  • Izdevniecība: Springer Nature Switzerland AG
  • Valoda: eng
  • ISBN-13: 9783030890544

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This book offers new insights on socially and culturally engaged Gothic ghost stories by twentieth century and contemporary female writers; including Shirley Jackson, Angela Carter, Toni Morrison, Ali Smith, Susan Hill, Catherine Lim, Kate Mosse, Daphne du Maurier, Helen Dunmore, Michele Roberts, and Zheng Cho. Through the ghostly body, possessions and visitations, women’s ghost stories expose links between the political and personal, genocides and domestic tyrannies, providing unceasing reminders of violence and violations. Women, like ghosts, have historically lurked in the background, incarcerated in domestic spaces and roles by familial and hereditary norms. They have been disenfranchised legally and politically, sold on dreams of romance and domesticity. Like unquiet spirits that cannot be silenced, women’s ghost stories speak the unspeakable, revealing these contradictions and oppressions. Wisker’s book demonstrates that in terms of women’s ghost stories, there is much to point the spectral finger at and much to speak out about.    

1 Introduction: Lifting the Veil on Women's Ghost Stories
1(38)
Undead: Critical Background
10(11)
Ghosts at the Turn of the Century and Women's Modernist Writing
21(4)
Structure
25(5)
Conclusion
30(1)
References
31(8)
2 Haunted Romance and Haunted Houses: Rebecca (du Maurier, 1938), The Haunting of Hill House (Jackson, 1959)
39(34)
Rebecca
40(12)
The Haunted House, the Haunting Mother: Shirley Jackson, The Haunting of Hill House
52(4)
The Haunting of Hill House
56(13)
References
69(4)
3 Revengeful Ghosts: The Woman in Black (Hill, 1983), Beloved (Morrison, 1987)
73(26)
The Woman in Black (1983)
76(10)
Toni Morrison's Beloved (1987)
86(10)
References
96(3)
Part II Possession
99(84)
4 True Love as Possession: Ashputtle (Carter, 1987), Lady Oracle (Atwood, 1976), The Greatcoat (Dunmore, 2012), The Glass Bottle Trick (Hopkinson, 2000)
101(24)
Ashputtle A ngela Carter (1987)
104(3)
Lady Oracle (1976), Margaret Atwood
107(5)
The Greatcoat, Helen Dunmore (2012)
112(9)
Duppies and `The Glass Bottle Trick', Nalo Hopkinson (2000)
121(2)
Conclusion
123(1)
References
123(2)
5 The Spectral Voice: In the Red Kitchen (Roberts, 1990), Affinity (Waters, 1999), Beyond Black (Mantel, 2005)
125(32)
Popular Ghosts and Real Ghost Hunting
128(2)
Spiritualism
130(3)
Spirit Contact
133(3)
In the Red Kitchen (1990), Michele Roberts
136(5)
Beyond Black (2005), Hilary Mantel
141(5)
Affinity (1999), Sarah Waters
146(7)
References
153(4)
6 Domestic Hauntings: The Little Stranger (Waters, 2009), Birdcage Walk (Dunmore, 2017), The Stopped Heart (Myerson, 2016)
157(26)
Haunted Houses and Change
157(4)
The Little Stranger (2009): Sarah Waters
161(7)
Silenced Women: Oppressive, Domestic Spaces, Murders Birdcage Walk (Helen Dunmore, 2017)
168(6)
Julie Myerson's The Stopped Heart (2016)
174(7)
References
181(2)
Part III Traumas of Place: Postcolonial Hauntings
183(88)
7 Postcolonial Hauntings and Urban Gothic in Singapore and Malaysia: The Serpent's Tooth (Lim, 1982), The Bondmaid (Lim, 1992), Haunting (Lim, 1981), The Black Isle (Tan, 2012), Ponti (Teo, 2018), House of Aunts (Cho, 2014), The Crocodile Fury (Yahp, 1992)
185(32)
Artifice, Bondmaids and Family Ghosts--Catherine Lim
191(2)
The Bondmaid (1997)
193(4)
The Serpent's Tooth (1982)
197(1)
Domestic Ghosts: Shirley Lim, Haunting' (1981)
198(3)
Sandi Tan's The Black Isle (2012)
201(6)
Singapore: Cities, Space, Place and Ghosts
207(2)
Pontianaks at Home, Ponti (Sharlene Teo, 2018), `The House of Aunts' (Spirits Abroad, 2014), Zen Cho
209(5)
Conclusion
214(1)
References
214(3)
8 Traumas of Place, Travel, Hauntology: Novel without a Name (Duong, 1995), Daughters of the House (Roberts, 1992), The Winter Ghosts (Mosse, 2010)
217(24)
Trauma: A Particular Form of Haunting
217(8)
Duong Thu Huong: Novel Without a Name (1995)
225(2)
Kate Mosse: The Winter Ghosts (2010)
227(4)
Michele Roberts: Daughters of the House (1992)
231(7)
Conclusion
238(1)
References
239(2)
9 Visits and Visitations: A Visit (Jackson, 1950), Ghost Summer (Due, 2015), Her Fearful Symmetry (Niffenegger, 2009), Hotel World (Smith, 2001)
241(18)
`A Visit, or The Lovely House', Shirley Jackson (1950)
242(3)
Hotel World, Mi Smith (2001)
245(3)
Her Fearful Symmetry, Audrey Niffenegger (2009)
248(2)
Helen Oyeyemi, White Is for Witching (2009)
250(1)
Past Guilt and Ghostly Returns--Tananarive Due, Ghost
Summer (2015)
251(6)
Conclusion
257(1)
References
257(2)
10 Conclusion: Breaking Boundaries, Leaking Truths, Pressing Issues: Ghost Wall (Moss, 2018)
259(12)
Breaking Boundaries, Leaking Truths: Ghost Wall (Sarah Moss, 2018)
263(5)
Moving Forward by Learning from the Haunted Past
268(1)
References
269(2)
Index 271
Gina Wisker is an Associate Professor at the University of Bath, and Professor Emeritus of Higher Education & Contemporary Literature at the University of Brighton, UK. Gina has published twenty-six books and over one hundred and forty articles, including Key Concepts in Postcolonial Literature (2007); Horror Fiction: An Introduction (2005); Margaret Atwood, an Introduction to Critical Views of Her Fiction (2012) and Contemporary Womens Gothic Fiction (2016). Gina co-edits the online dark fantasy journal Dissections (2006-), Spokes poetry magazine (1990s-) and hosts words and worlds readings for ICFA. Gina lives in Cambridge, has two sons and a feisty poodle.