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E-grāmata: Copyright Class Struggle: Creative Economies in a Social Media Age

  • Formāts: EPUB+DRM
  • Izdošanas datums: 04-Oct-2018
  • Izdevniecība: Cambridge University Press
  • Valoda: eng
  • ISBN-13: 9781108151955
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 04-Oct-2018
  • Izdevniecība: Cambridge University Press
  • Valoda: eng
  • ISBN-13: 9781108151955

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Employing the law and philosophy of economics, this book explores the legal controversies that emerge when authors, singers, filmmakers leverage their rights into major paydays. It should be read by anyone interested in how copyright law - and its potential reform - shapes the ownership of ideas in the social media age.

Earning an income in our time often involves ownership of or control over creative assets. Employing the law and philosophy of economics, this illuminating book explores the legal controversies that emerge when authors, singers, filmmakers, and social media barons leverage their rights into major paydays. It explores how players in the entertainment and technology sectors articulate claims to an ever-increasing amount of copyright-protected media. It then analyzes efforts to reform copyright law, in the contexts of 1) increasing the rights of creators and sellers, and 2) allocating these rights after employment and labor disputes, constitutional challenges to intellectual property law, efforts to legalize online mashups and remixes, and changes to the amount of streaming royalties paid to actors and musicians. This work should be read by anyone interested in how copyright law - and its potential reform - shapes the ownership of ideas in the social media age.

Recenzijas

'Travis has provided an engaging, fast-paced argument, setting out examples of how copyright has favoured one group over another What makes this book interesting and worth reading is this creation of small stories and grand narratives around the nature and scope of copyright.' Phillip Johnson, European Intellectual Property Review

Papildus informācija

Employing law and philosophy of economics, this book explores how copyright shapes ownership of ideas in the social media age.
List of Figures
ix
List of Tables
xi
1 On Owning Ideas in Our Time
1(20)
1.1 Statements of Interest
1(2)
1.2 Class Struggle in Theory and Practice
3(7)
1.3 Class Struggle and Intellectual Property
10(4)
1.4 Class Struggle in the Social Media Era
14(4)
1.5 On Possibilities of Creation
18(3)
PART I IP DISPARITIES
2 Authors as Hired Hands
21(35)
2.1 Introduction
21(5)
2.2 The Original Understanding of Authorship
26(10)
2.3 Limits to Congressional Discretion to Define the "Authors" of "Writings"
36(3)
2.4 Fear of an Authorial Planet
39(10)
2.5 Policy Responses to Problems of Creative Collaboration
49(7)
3 Independent Invention and Its Discontents
56(41)
3.1 Patent Law in the Social Media Age
56(9)
3.2 Owning Social Networks
65(8)
3.3 Patent Reform as a Struggle between the Rich and the Middle Class
73(6)
3.4 Suing Apple, Fighting the Government
79(3)
3.5 The Innovation Ideology
82(10)
3.6 From Startup to Closedown
92(5)
PART II IP LIBERTIES
4 Hollywood's Copyright Exemptions?
97(42)
4.1 Introduction
97(1)
4.2 Suing the Richest Author in the World
97(3)
4.3 The Death of (One Kind of) Copyright
100(2)
4.4 Micro-Copyrights and the Undefined Notion of "Similarity"
102(5)
4.5 The Inevitability of Influence
107(4)
4.6 Legal Contradiction and the Superstructure Thesis
111(4)
4.7 Copyright Theory and the Question of Literary Freedom
115(10)
4.8 Synergistic Copyright as a Source of Inequality
125(6)
4.9 Can the Struggle for Literary Freedom Be Won?
131(8)
5 The Beijing Consensus
139(28)
5.1 From Washington Consensus to Beijing Consensus
139(2)
5.2 The Beijing Treaty as Labor Law
141(2)
5.3 Free Speech Hypocrisies
143(3)
5.4 The Threat to Social Media
146(4)
5.5 To Steal a Performance: An Inelegant Offense
150(4)
5.6 What Would Justice for Actors and Musicians Look Like?
154(5)
5.7 Performing Class Struggle
159(8)
PART III PIRATE'S DILEMMAS
6 The Inquisitorial Internet
167(28)
6.1 Introduction
167(1)
6.2 Facebook Dead?
168(2)
6.3 Dedicated to Theft
170(5)
6.4 Hard Times for a Few Rhymes
175(4)
6.5 An Inquisitorial Internet and a First Amendment Underclass
179(5)
6.6 The Law and Economics of Internet Copyright Filtering
184(3)
6.7 How Many Jobs Has the Internet Killed?
187(8)
7 Why We Cannot Build Universal Digital Libraries
195(18)
7.1 From Sumer to Stanford
195(1)
7.2 Thwarting Digital Libraries with Ideologies of Free Competition
196(7)
7.3 Google Books as Another Victim of the Wars on "Piracy"
203(5)
7.4 A Jurisprudence of Technological Possibilities
208(5)
8 Conclusion
213(2)
Index 215
Hannibal Travis is Professor of Law at Florida International University College of Law, where his research focuses on the universal accessibility of digital libraries, the rights of authors and performers to compensation from streaming sites under international and domestic law, privacy and the surveillance of Facebook or YouTube activity, and copyright and patent reform. Previously he practiced technology and entertainment law at Debevoise & Plimpton LLP in New York and at O'Melveny & Myers in San Francisco.