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Copyright Law and Streaming: A Comparative Law Analysis of Lawful and Unlawful Streaming Services [Hardback]

  • Formāts: Hardback, 626 pages, height x width: 235x155 mm, weight: 1170 g
  • Sērija : Ius Comparatum 10
  • Izdošanas datums: 15-May-2025
  • Izdevniecība: Martinus Nijhoff
  • ISBN-10: 9004711503
  • ISBN-13: 9789004711501
  • Hardback
  • Cena: 284,64 €
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  • Formāts: Hardback, 626 pages, height x width: 235x155 mm, weight: 1170 g
  • Sērija : Ius Comparatum 10
  • Izdošanas datums: 15-May-2025
  • Izdevniecība: Martinus Nijhoff
  • ISBN-10: 9004711503
  • ISBN-13: 9789004711501
"On the internet, music, films and TV shows are now just a few clicks away, readily available for listening or viewing. While piracy websites and file-sharing software initially disrupted the entertainment economy, the streaming technology has since beenembraced by new operators, from Spotify to Netflix, providing an unprecedented abundance of cultural content. Copyright laws around the world have addressed the many issues brought about by streaming services, whether lawful or not, ranging from copyright enforcement, artists' remuneration to liability of video-sharing platforms and cultural diversity. This book presents an extensive comparative analysis of legislative and judiciary efforts to adapt to this technological and cultural revolution"--

Streaming has radically transformed the cultural economy over the last decade. From illicit websites to the rise of platforms like Spotify and Netflix, how have copyright laws worldwide evolved to safeguard the rights and compensation of creators, performers, and producers?
Legal Perspectives on the Streaming Economy a Comparative Report

Séverine Dusollier

Questions Juridiques de Leconomie du Streaming Droit Compare

Séverine Dusollier

The Harmonized Law of Streaming in the EU a Copyright and Related Rights
Perspective

Martin Senftleben

Le Streaming Ą La Belge : Vers une Protection Renforcée des Auteurs Et
Artistes-Interprčtes ?

Julien Cabay

Copyright and Streaming in the Republic of Croatia

Romana Matanovac Vukovi

Copyright and Streaming in the Czech Republic

Pavel Koukal and Matj Myka

Copyright and Streaming in Denmark

Thomas Riis

Le Streaming en Droit Franēais

Valérie-Laure Benabou

Copyright and Streaming in Germany

Dr. Christina Möllnitz

Copyright and Streaming in Hungarian Copyright Law

Péter Mezei and Barna Arnold Keser

Copyright and Streaming in Italy

Margherita Colangelo

Copyright and Streaming in Poland

Beata Giesen and Kamil Pabian

The Regulation of Streaming Platforms in Portugal: a Copyright Study With a
Touch of Media Law

Tito Rendas

Copyright and Streaming in Spain

Miquel Peguera and Vanesa Jiménez-Serranķa

Copyright and Streaming a UK Perspective

Hayleigh Bosher

Copyright and Streaming in Turkey

Gül Okutan Nilsson, Eda Ēataklar and Zeynep Ülkü Kahveci

Streaming, Copyright and Creators: a Canadian Perspective

Graham Reynolds

Copyright and Streaming in the United States

Irene Calboli

The Streaming Economy: a Brazilian Perspective

Sérgio Branco

Droit Dauteur et Streaming au Burkina Faso

Tonssira Myriam Sanou

Copyright and Streaming in Australia

Jacob Flynn and Rebecca Giblin

Copyright and Streaming in New Zealand

Cody Rei-Anderson and Susy Frankel

Copyright and Streaming in Japan

Tetsuya Imamura

Copyright and Streaming in Vietnam

Nguyen Phuong Thao



Index
Séverine Dusollier is Professor of Intellectual Property at Sciences Po Law School and a Senior Member of the Institut Universitaire de France. Her publications and research study copyright, digital technologies and practices of creation from a critical perspective.