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Copyright and Multimedia Products: A Comparative Analysis [Hardback]

(University of Leicester)
  • Formāts: Hardback, 336 pages, height x width x depth: 236x160x25 mm, weight: 638 g
  • Sērija : Cambridge Intellectual Property and Information Law
  • Izdošanas datums: 08-Nov-2001
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 0521808197
  • ISBN-13: 9780521808194
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  • Cena: 161,35 €
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Copyright and Multimedia Products: A Comparative AnalysisPalielināt
  • Formāts: Hardback, 336 pages, height x width x depth: 236x160x25 mm, weight: 638 g
  • Sērija : Cambridge Intellectual Property and Information Law
  • Izdošanas datums: 08-Nov-2001
  • Izdevniecība: Cambridge University Press
  • ISBN-10: 0521808197
  • ISBN-13: 9780521808194
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9780521808194.html
Keywords:
Multimedia products have experienced tremendous market success. Yet too often they are given inadequate protection under existing national and international copyright schemes. Irini Stamatoudi provides a comprehensive, comparative treatment of multimedia works and copyright protection in this clear and concise volume. A detailed introduction outlines the nature of the multimedia work, as well as the scope of existing legislation; separate chapters consider collections and compilations, databases, audiovisual works and computer programs (video games are here treated as a 'test case'). Stamatoudi then analyses issues of qualification, regime of protection, and offers a model for a European legislative solution. Copyright and Multimedia Products will interest academics and students, as well as practitioners and copyright policy makers.

Recenzijas

' this is an extremely impressive piece of research a valuable contribution to the debate surrounding intellectual property protection of multimedia.' The European Intellectual Property Review

Papildus informācija

A treatment of copyright issues relating to multimedia (databases, audiovisual works and computer programs).
Acknowledgments xi
List of abbreviations
xiii
Introduction 1(2)
Placing multimedia products within the scope of copyright
3(13)
General introductory comments
3(3)
History of copyright and redefinition of the term
6(4)
The choice between patent and copyright protection
10(4)
Notions relating to multimedia
14(2)
The scope of multimedia works
16(26)
Definition of multimedia works
16(10)
Layers of protection
26(6)
Project participants in the creation of a multimedia product
32(4)
The differences between multimedia products and existing copyright works
36(6)
Traditional literary works
42(29)
Literary works as works of language
42(3)
Depurification of copyright
45(18)
Fixation of literary works
63(1)
Multimedia products and traditional literary works
64(7)
Collections and compilations
71(17)
Traditional approaches to collections and compilations
71(8)
The notion of works as components of a compilation
79(1)
The bond between literary works, compilations and multimedia works
80(8)
Databases
88(16)
The database framework
88(6)
Beyond copyright
94(2)
Multimedia products as databases
96(8)
Audiovisual works
104(48)
`Audiovisual works' as a generic term
104(7)
Composite characteristics of audiovisual works
111(5)
A comparison between audiovisual works and literary works, compilations, databases and computer programs
116(3)
Distinctive features of the regime of protection of audiovisual works
119(7)
Multimedia works as audiovisual works
126(20)
Multimedia products and the regime of protection of audiovisual works
146(6)
Computer programs
152(14)
A multimedia work as a computer program
152(5)
Multimedia works and the regime of protection for computer programs
157(7)
Summing up
164(2)
Video games as a test case
166(20)
Video games as multimedia works
166(1)
The case-law on video games
167(12)
Video games as a model for other multimedia works
179(5)
Conclusions
184(2)
Multimedia products and existing categories of copyright works
186(25)
Originality and qualification for copyright protection
186(10)
Qualification of multimedia works according to the type of co-operation of the contributors (the French paradigm)
196(7)
Qualification of multimedia works according to their nature
203(3)
A hybrid product in need of a sui generis copyright classification
206(5)
A regime of protection for multimedia products
211(59)
A copyright regime for multimedia products
211(38)
A `database-style' sui generis regime of protection for multimedia products
249(7)
Collective administration and unfair competition law
256(14)
Conclusions
270(12)
A regime of protection for multimedia products: a mixture of the regime for films and the sui generis right for databases
271(5)
Wider implications for copyright
276(6)
Postscript 282(1)
Bibliography 283(32)
Index 315


IRINI A. STAMATOUDI is Lecturer in Law at the University of Leicester. Her previous publications include Copyright and the new Digital Environment: The Need to Redesign Copyright (co-edited with P. Torremans, 2000).