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Coronation Chair and Stone of Scone: History, Archaeology and Conservation [Hardback]

  • Formāts: Hardback, 320 pages
  • Izdošanas datums: 02-Jun-2013
  • Izdevniecība: Oxbow Books
  • ISBN-10: 1782971521
  • ISBN-13: 9781782971528
  • Formāts: Hardback, 320 pages
  • Izdošanas datums: 02-Jun-2013
  • Izdevniecība: Oxbow Books
  • ISBN-10: 1782971521
  • ISBN-13: 9781782971528
Constructed in 12971300 for King Edward I, the Coronation Chair ranks amongst the most remarkable and precious treasures to have survived from the Middle Ages. It incorporated in its seat a block of sandstone, which the king seized at Scone, following his victory over the Scots in 1296. For centuries, Scottish kings had been inaugurated on this symbolic Stone of Scone, to which a copious mythology had also become attached. Edward I presented the Chair, as a holy relic, to the Shrine of St Edward the Confessor in Westminster Abbey, and most English monarchs since the fourteenth century have been crowned in it, the last being HM King Charles III, in 2023.

The Chair and the Stone have had eventful histories: in addition to physical alterations, they suffered abuse in the eighteenth century, suffragettes attached a bomb to them in 1914, they were hidden underground during the Second World War, and both were damaged by the gang that sacrilegiously broke into Westminster Abbey and stole the Stone in 1950. It was recovered and restored to the Chair, but since 1996 the Stone has been exhibited on loan in Edinburgh Castle.

Now somewhat battered through age, the Chair was once highly ornate, being embellished with gilding, painting and coloured glass. Yet, despite its profound historical significance, until now it has never been the subject of detailed archaeological recording. Moreover, the remaining fragile decoration was in need of urgent conservation, which was carried out in 2010 face="Cambria Math">12, accompanied by the first holistic study of the Chair and Stone. In 2013 the Chair was redisplayed to celebrate the Diamond Jubilee of the Coronation of HM Queen Elizabeth II.

The latest investigations have revealed and documented the complex history of the Chair: it has been modified on several occasions, and the Stone has been reshaped and much altered since it left Scone. This volume assembles, for the first time, the complementary evidence derived from history, archaeology and conservation, and presents a factual account of the Coronation Chair and the Stone of Scone, not as separate artefacts, but as the entity that they have been for seven centuries. Their combined significance to the British Monarchy and State and to the history and archaeology of the English and Scottish nations is greater than the sum of their parts.

Also published here for the first time is the second Coronation Chair, made for Queen Mary II in 1689. Finally, accounts are given of the various full-size replica chairs in Britain and Canada, along with a selection of the many models in metal and ceramic which have been made during the last two centuries.

Professor Warwick Rodwell, OBE, is Consultant Archaeologist to Westminster Abbey.

Recenzijas

"Perhaps the defining image from the television age's dawn is Princess Elizabeth's crowning in Westminster Abbey on June 2 1953. By then the Coronation Chair was decidedly tatty, but in the middle ages it had glowed with gilding, painting and coloured glass... Now, newly conserved - and thanks to this magisterial book understood - a new history for the chair opens up. Scholarly and fascinating." -- British Archaeology British Archaeology It is authoritative, and magnificently illustrated. It is, moreover, like any good detective story, a damned good read, as the authors steer us ably through the archaeological investigations of the Chair and the Stone, interpret the medieval and modern documentation, and dispose of 'mountains of myth'. There can be few national symbols that have been so well served by a publication. -- The Ricardian The Ricardian "Warwick Rodwell's book is a worthy - and enjoyable - record of its creation and vicissitudes. Perhaps the time will come when the futile and ignorant political gesture which split Chair from Stone can be reversed. In the meantime this authoritative account is unlikely to be superseded." -- Furniture History Furniture History 'The oldest dated piece of English furniture (1297-1300) made by a known artist (Walter of Durham) to survive has been given the comprehensive study it deserves by Warwick Rodwell, with supplementary chapters on its most recent conservation by Marie Louise Sauerberg and its current display by Ptolemy Dean.' -- The Spectator The Spectator "A warning: this book is very difficult to put down. Skulduggery at dead of night, political contortions, a suffragette attack, scratched initials, the ghost of a plundered loveliness rightly termed "Decorated" - a deeply scholarly and beautifully illustrated whodunnit." -- Church TImes Church TImes

Foreword x
Dr John Hall
Preface xii
Acknowledgements xv
1 Historiography of the Chair and the Stone
1(14)
Prologue
1(1)
Antiquarian interest, c. 1560-1850
2(9)
Scholarly study, 1850-2012
11(4)
2 St Edward's Chair and the Stone of Scone in medieval history
15(10)
Early accounts and images of the Chair
15(6)
The status of the Chair
21(1)
The Stone: a mountain of myths
21(4)
3 From Scone to Westminster: starting with a stone
25(10)
Geological and archaeological evidence
26(3)
The Stone at Scone: its form and appearance
29(2)
Relocation: from Scone Abbey to Westminster Abbey
31(1)
The Stone reshaped
32(3)
4 King Edward I commissions a chair, 1297
35(10)
The bronze chair, its manufacture and rejection
36(2)
The replacement timber chair
38(1)
Where did St Edward's Chair stand?
39(3)
The weight of the Chair
42(3)
5 Design and construction of St Edward's Chair: A detailed study
45(32)
The structural frame
48(5)
The back and side panels
53(10)
The front of the stone compartment
63(1)
The seat: a conundrum
64(1)
Additional embellishments
65(1)
Sequence of assembly
66(1)
The missing plinth: a suggested reconstruction
67(1)
Summary and interpretation
68(9)
6 The polychromy of the Coronation Chair: a detailed study
77(28)
Marie Louise Sauerberg
Introduction
77(1)
Preparatory layers
78(1)
The gilded decoration
79(14)
Glass-covered decoration
93(6)
The Stone compartment
99(1)
Multiple thrones and polychromies
99(6)
7 The Stone seat
105(14)
Housing the Stone: the evidence from the Coronation Chair
105(2)
Housing the Stone: its own intrinsic evidence
107(2)
Interventions with the Stone: establishing their sequence, purpose and date
109(1)
The iron attachments
109(5)
Logistics: moving the Chair around the Abbey
114(2)
Authenticity of the Stone of Scone
116(3)
8 The Coronation Chair from the later Middle Ages to the seventeenth century
119(14)
Pre-Reformation crosses on the Chair
119(1)
Undated modifications to the Chair and Stone: early sixteenth century?
120(6)
The Dissolution and its implications for the Chair
126(3)
The impact of antiquarianism and tourism in the later sixteenth century
129(1)
Installation of Oliver Cromwell as Lord Protector, 1657
130(1)
Coronations of Kings Charles II, 1661, and James II, 1685
131(2)
9 A companion Chair for Queen Mary II, 1689
133(16)
Documentation and previous study
135(1)
Historic images of the Chair
136(1)
Details of construction
137(7)
Graffiti and other mutilations
144(1)
The chair: an assessment
145(4)
10 Vicissitudes of the eighteenth and nineteenth centuries
149(28)
Refurbishment for King George II's coronation, 1727
149(9)
Coronation of King George III, 1761
158(1)
Coronation of King George IV, 1821
159(4)
Coronation of King William IV, 1831
163(1)
Coronation of Queen Victoria, 1838
164(1)
An Irish plot to steal the Stone, 1884
164(3)
The Chair overpainted, 1887
167(2)
Graffiti and the abuse of the Chairs
169(4)
Damage inflicted on the Stone
173(4)
11 Ceremonies and incidents of the twentieth century involving the Coronation Chair
177(30)
Coronation of King Edward VII, 1902
177(2)
The Suffragettes' bomb, 1914
179(3)
Parliament debates the future of the Stone, 1924
182(1)
A plot to switch stones, 1929
183(1)
Wartime protection, 1939-45
183(3)
Attacking the Chair and stealing the Stone, 1950
186(9)
The Stone recovered, 1951
195(1)
The Government's dilemma over the future of the Stone
196(3)
Preparations for the Coronation of Queen Elizabeth II, 1953
199(1)
After the coronation
200(3)
Further attempts to steal the Stone, 1967 and 1974
203(2)
The recent past
205(2)
12 History ignored: The events of 1996
207(10)
Historical status of the Stone: a summary
207(1)
The 1951 watershed
208(2)
Chair and Stone: the intrinsic nature of the artefact
210(1)
Separation
211(3)
The Stone displayed in Edinburgh Castle
214(3)
13 Popular influence of the Chair in the nineteenth and twentieth centuries
217(20)
Full-size replicas at home and abroad
218(7)
Special-purpose models of the Chair
225(2)
Small-scale models in timber
227(1)
Tourist memorabilia inspired by the Chair
228(9)
14 Conservation and the Chair: A physical history
237(20)
Marie Louise Sauerberg
Introduction
237(1)
Documented physical history
238(7)
Surface coatings
245(1)
Textiles and temporary decoration
246(2)
Custodians and conservators: changing fashions and trends
248(2)
Twenty-first-century treatment, 2010-12
250(6)
Final words
256(1)
15 One of the glories of Westminster Abbey: The Coronation Chair redisplayed, 2013
257(6)
Ptolemy Dean
Appendix 1 Timeline of events connected with the Coronation Chair and Stone of Scone 263(4)
Appendix 2 `Damaged by wanton mischief': graffiti on the Coronation Chairs 267(8)
Eddie Smith
Notes and references 275(17)
Bibliography 292(5)
Index 297
Professor Warwick Rodwell, OBE, is Consultant Archaeologist to Westminster Abbey. He is the author of Canterbury Cathedral, Trinity Chapel: The Archaeology of the Mosaic Pavement and Setting of the Shrine of St Thomas Becket (with David Neal, 2022), The Cosmatesque Mosaics of Westminster Abbey: The Pavements and Royal Tombs: History, Archaeology, Architecture and Conservation (with David Neal, 2019), and St Peter's, Barton-upon-Humber, Lincolnshire: Volume 1, History, Archaeology and Architecture (2011), all published by Oxbow Books.