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Cowherd's Son [Mīkstie vāki]

  • Formāts: Paperback / softback, 84 pages, height x width x depth: 229x152x13 mm, weight: 172 g
  • Sērija : Kundiman Prize 1
  • Izdošanas datums: 01-May-2017
  • Izdevniecība: Tupelo Press, Incorporated
  • ISBN-10: 1936797968
  • ISBN-13: 9781936797967
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 23,50 €
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  • Formāts: Paperback / softback, 84 pages, height x width x depth: 229x152x13 mm, weight: 172 g
  • Sērija : Kundiman Prize 1
  • Izdošanas datums: 01-May-2017
  • Izdevniecība: Tupelo Press, Incorporated
  • ISBN-10: 1936797968
  • ISBN-13: 9781936797967
Citas grāmatas par šo tēmu:
An allegorical chronicle of dislocations and relocations, linking India, Guyana, Trinidad, New York, Orlando, Toronto, and Honolulu.--

Poetry. LGBTQIA Studies. Winner of the Kundiman Poetry Prize. Rajiv Mohabir uses his queer and mixed- caste identities as grace notes to charm alienation into silence. Mohabir's inheritance of myths, folk tales, and multilingual translations make a palimpsest of histories that bleed into one another. A descendant of indentureship survivors, the poet- narrator creates an allegorical chronicle of dislocations and relocations, linking India, Guyana, Trinidad, New York, Orlando, Toronto, and Honolulu, combining the amplitude of mythology with direct witness and sensual reckoning, all the while seeking joy in testimony.

"In this Kundiman Prize-winning follow-up to 2016's The Taxidermist's Cut, Mohabir continues to demonstrate an uncanny ability to compose exacting, tactile poems that musically leap off the page...Mohabir's candid work is steeped in the realities of being a mixed-caste, queer Indian- American; his speaker sings these lived experiences into verse—moving between pleasure, sensuality, hunger, alienation, and injury: 'It shocks me to dream my body/ as a cut pomegranate.' Mohabir even uses the quarter rest symbol from sheet music in the breaks between sections to make explicit the collection's musical nature and the poetic silences the work necessitates. Each of the book's seven sections approaches identity from a different angle, including that of the ancestral grief passed down through the Indian indenture system and chronicles of conquest and empire channeled through the mythical El Dorado. Mohabir offers much to appreciate, and even among the strife he records, there is a yearning for and pursuit of joy: 'In this building of shattered whispers// I say your words at night to taste you.'"—Publishers Weekly starred review

Praise for Rajiv Mohabir's previous book:

"In his excellent debut, Mohabir exposes desire and inner turmoil through the measured incantations of a queer, Indian- American voice that refuses the burdens of a homophobic and racist world. He eloquently describes how the brown body survives, clinging vigilantly to longing, lust, and love... Mohabir illuminates his own wounds, and as the reader watches him dresses and stitches those wounds, 'A queer flutter knocks about your ribs.'"—Publishers Weekly
The Cowherd's Son
3(1)
Holi Lovesport
4(2)
A Body of Myths
6(1)
Touch Me Not
7(2)
Vivah at the Durga Temple
9(1)
Relief
10(1)
Paper Lantern
11(1)
Coolitude
12(3)
Indenture
15(1)
Diabetes Prayer
16(1)
Rum and Coca-Cola
17(1)
Blind Man's Whist
18(2)
El Dorado, 1998
20(2)
Bulbul
22(1)
Sita
23(1)
Temple in the Sea
24(1)
Ode to Richmond Hill
25(4)
Wound
29(1)
A Prayer at Nauraat
30(2)
Deepak Raga
32(1)
Butchering a Hen
33(2)
Your Mother Prays in the Metropolitan Museum of Art
35(1)
Mantra
36(1)
Holi
37(1)
Light the City
38(3)
Cow Minah: Aji Tells a Story
41(10)
Mynah
51(1)
My Name Is a Map
52(5)
Mysterious Alembics
57(3)
Bound Coolie
60(1)
The River-Son's Betrayal
61(4)
Bismillah
65(1)
Fall
66(1)
Chamber Music
67(1)
Malhar Raga
68(2)
Change
70(1)
Henna
71(4)
Gift from a Grandmother
75(2)
Tuberculosis
77(1)
A Letter from Nana to Nani
78(1)
Fade
79(2)
Back-Home Games in Florida
81(4)
Standing on a Brampton Driveway Before the Snow
85(2)
Haunting
87(1)
Emptying in the Sea
88(1)
Dirge for Kamal
89(1)
Orbit of Exterior Wildfires
90(1)
Unwitting Pilgrim
91(4)
Notes 95(2)
Acknowledgments 97