"As a mode of consciousness, craft does not follow the tropes of technique; and instead writers, as with all artists, explore material, formal, and aesthetic conditions through the development of an individual project and their evolution as artists over time. This book examines the theories and histories that define craft as a collaborative, anti-capitalistic, process-based philosophy that intervenes in traditions that exclude some writers from making art. Drawing from 25 interviews across the disciplines, Craft Consciousness and Artistic Practice in Creative Writing examines how artists traverse material, disciplinary, generic, and sociocultural factors that define them and their practice. It also argues that creative writers are artists who use craft consciousness as an exploratory, invention method that defies definitions of genre, discipline, or form. Craft consciousness revolutionizes the way we conceptualize and liberate the practicing artist who teaches and designs graduate programs for creative writers"--
Craft lives inside the artist, and it operates in the mind, not in standards or techniques. Creative writers navigate thresholds in consciousness as they develop their arts practice. Craft Consciousness and Artistic Practice in Creative Writing explores what it is to be an artist as it traces radical, feminist, and culturally embedded traditions in craft. The new term "craft consciousness" identifies the nexus from which writers explore making processes and practitioner knowledge. Writers, as with all artists, create and reimagine themselves anew, and it is in this perpetual state of becoming that they find ways to enlarge their sense of artistry through an exploration of forms, processes, and mediums beyond the written word.
For writers, this book initiates a reexamination of the mission of creative writing through disrupting patriarchal, racist, colonialist, ableist, and capitalist associations with dominant craft. Drawing from twenty-five interviews with living artists outside of writing and in a host of fields from conceptual art to leatherwork and dance, the book shines a light on how the processes associated with craft are embodied. Craft is an internalized matrix; it need not be commodified for the marketplace or codified in the standards necessitated by institutions of higher education. By redesigning writing workshops and MFA/PhD programs through craft consciousness, new potentials and collaborations emerge, and it becomes more conceivable to imagine dynamic, inclusive relationships between writers, scientists, and other artists.
