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Craft of Contemporary Commercial Music 2nd edition [Mīkstie vāki]

  • Formāts: Paperback / softback, 468 pages, height x width: 254x178 mm, weight: 900 g, 215 Line drawings, black and white; 256 Halftones, black and white; 471 Illustrations, black and white
  • Izdošanas datums: 29-May-2025
  • Izdevniecība: Routledge
  • ISBN-10: 1032662670
  • ISBN-13: 9781032662671
  • Mīkstie vāki
  • Cena: 88,52 €
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  • Formāts: Paperback / softback, 468 pages, height x width: 254x178 mm, weight: 900 g, 215 Line drawings, black and white; 256 Halftones, black and white; 471 Illustrations, black and white
  • Izdošanas datums: 29-May-2025
  • Izdevniecība: Routledge
  • ISBN-10: 1032662670
  • ISBN-13: 9781032662671
"In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today's music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully. The textbook integrates three areas of concentration-music theory and composition, audioengineering, and music business-allowing students to understand and practice how to successfully navigate each stage of a score's life cycle from concept to contract. Students will learn how to: Translate musical ideas into scores utilizing music theory and composition techniques Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing Market works to prospective clients The textbook assumes no prior knowledge of music theoryor audio topics, and its modular organization allows instructors to use the book flexibly. Exercises at the end of each chapter provide practice with key skills, and online Instructor and Student Resources support the book with video walkthroughs, streaming audio, a glossary, and printable exercise pages. This second edition includes: Enhanced and new images and diagrams throughout the book Updated technology examples, including greater integration of Ableton Live Discussions of industry-standard equipment, with companies such as Universal Audio, FabFilter, and iZotope More focus on popular music examples in discussion of music theory Expanded section on the music business, with new information on contracts, royalties, and digital play-tracking services Exercise answer keys for instructors, new video walkthroughs, and more online resources available at routledgelearning.com/cccm Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers"--

The role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but they also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares today’s music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully. The textbook integrates three areas of concentration—music theory and composition, audio engineering, and music business—allowing students to understand and practice how to successfully navigate each stage of a score’s life cycle from concept to contract. Students will learn how to:

  • Translate musical ideas into scores utilizing music theory and composition techniques
  • Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing
  • Market works to prospective clients

The textbook assumes no prior knowledge of music theory or audio topics, and its modular organization allows instructors to use the book flexibly. Exercises at the end of each chapter provide practice with key skills, and online Instructor and Student Resources support the book with video walkthroughs, streaming audio, a glossary, and printable exercise pages. This second edition includes:

  • Enhanced and new images throughout the book

  • Updated technology examples, including greater integration of Ableton Live
  • Discussions of industry-standard equipment, featuring companies such as Universal Audio, FabFilter, and iZotope
  • More focus on popular music examples throughout the book, particularly in the context of music theory
  • An expanded section on the music business, with new information on contracts, royalties, and digital play-tracking services
  • Exercise answer keys for instructors, new video walkthroughs, and more online resources available at routledgelearning.com/cccm

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.



Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation

I. Fundamentals of Music and Audio

Ia: Fundamentals of Music


Chapter 1: Introduction to Pitch


Chapter 2: Introduction to Rhythm


Chapter 3: Introduction to Harmony


Chapter 4: Melody and Counterpoint

Ib: Fundamentals of Audio Engineering and Sequencing


Chapter 5: Introduction to Audio and MIDI


Chapter 6: Manipulating Rhythm in the DAW Environment


Chapter 7: Introduction to Acoustics


Chapter 8: Melodic Sequencing

II. Music Production Essentials

IIa. Composition Essentials


Chapter 9: Functional Diatonic Harmony


Chapter 10: Expanding your Harmonic Vocabulary


Chapter 11: Form and Development


Chapter 12: Basic Orchestration

IIb. Audio Engineering Essentials


Chapter 13: Introduction to Mixing


Chapter 14: Recording and Editing Live Instruments


Chapter 15: Mixing and Processing


Chapter 16: Final Mix Considerations

III. Producing Music for Media


Chapter 17: Scoring for Short-Form Media


Chapter 18: Scoring for Longer-Form Media

IV. The Business of Music Composition


Chapter 19: The Business of Music Composition

Glossary

Greg McCandless is an Associate Professor of Music Theory at Appalachian State University, USA.

Daniel McIntyre is an Associate Professor of Contemporary Writing and Production at Berklee College of Music, USA.