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E-grāmata: Craft of Contemporary Commercial Music

  • Formāts: 476 pages
  • Izdošanas datums: 14-Sep-2017
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317396871
  • Formāts - PDF+DRM
  • Cena: 71,00 €*
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  • Formāts: 476 pages
  • Izdošanas datums: 14-Sep-2017
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317396871

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In the contemporary world, the role of the commercial composer has grown to include a wide range of new responsibilities. Modern composers not only write music, but also often need to perform, record, and market their own works. The Craft of Contemporary Commercial Music prepares todays music students for their careers by teaching them to compose their own music, produce it professionally, and sell it successfully.

The textbook integrates three areas of concentrationmusic theory and composition, audio engineering, and music businessallowing students to understand and practice how to successfully navigate each stage of a scores life cycle from concept to contract. Students will learn how to:











Translate musical ideas into scores utilizing music theory and composition techniques





Transform scores into professional audio through the production stages of tracking, sequencing, editing, mixing, mastering, and bouncing





Market works to prospective clients

The textbook assumes no prior knowledge of music theory or audio topics, and its modular organization allows instructors to use the book flexibly. Exercises at the end of each chapter provide practice with key skills, and a companion website supports the book with video walkthroughs, streaming audio, a glossary, and printable exercise pages.

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.
Acknowledgments ix
Introduction: The Contemporary Commercial Composer and the Digital Audio Workstation xi
PART I FUNDAMENTALS OF MUSIC AND AUDIO
1(2)
Part IA Fundamentals of Music
3(112)
1 Introduction to Pitch
5(22)
2 Introduction to Rhythm
27(26)
3 Introduction to Harmony
53(38)
4 Melody and Counterpoint
91(24)
Part IB Fundamentals of Audio Engineering and Sequencing
115(70)
5 Introduction to Audio and MIDI
117(15)
6 Manipulating Rhythm in the DAW Environment
132(18)
7 Introduction to Acoustics
150(17)
8 Melodic Sequencing
167(18)
PART II MUSIC PRODUCTION ESSENTIALS
185(2)
Part IIA Composition Essentials
187(128)
9 Functional Diatonic Harmony
189(34)
10 Expanding Your Harmonic Vocabulary
223(32)
11 Form and Development
255(30)
12 Basic Orchestration
285(30)
Part IIB Audio Engineering Essentials
315(70)
13 Introduction to Mixing
317(19)
14 Recording and Editing Live Instruments
336(20)
15 Mixing and Processing
356(19)
16 Final Mix Considerations
375(10)
PART III PRODUCING MUSIC FOR MEDIA
385(34)
17 The Client/Composer Relationship
387(5)
18 Scoring for Short-Form Media
392(8)
19 Scoring for Longer-Form Media
400(19)
PART IV THE BUSINESS OF MUSIC COMPOSITION
419(7)
20 The Business of Music Composition
421(5)
Appendix A List of CC Messages and Their Associated Functions 426(5)
Appendix B Glossary 431(34)
Permission Acknowledgments 465(2)
Index 467
Greg McCandless is Assistant Professor of Music Theory at Appalachian State University.

Daniel McIntyre is Department Chair of Music Composition at Full Sail University.