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Creative Writing Scholars on the Publishing Trade: Practice, Praxis, Print [Hardback]

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  • Formāts: Hardback, 158 pages, height x width: 234x156 mm, weight: 453 g, 1 Tables, black and white; 2 Halftones, black and white; 2 Illustrations, black and white
  • Sērija : Routledge Studies in Creative Writing
  • Izdošanas datums: 30-Sep-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367485419
  • ISBN-13: 9780367485412
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  • Hardback
  • Cena: 191,26 €
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  • Formāts: Hardback, 158 pages, height x width: 234x156 mm, weight: 453 g, 1 Tables, black and white; 2 Halftones, black and white; 2 Illustrations, black and white
  • Sērija : Routledge Studies in Creative Writing
  • Izdošanas datums: 30-Sep-2021
  • Izdevniecība: Routledge
  • ISBN-10: 0367485419
  • ISBN-13: 9780367485412
Citas grāmatas par šo tēmu:
"In Creative Writing Scholars on the Publishing Trade: Practice, Praxis, Print, Sam Meekings and Marshall Moore, along with prominent scholar-practitioners, undertake a critical examination of the intersection of creative writing scholarship and the publishing industry. Recent years have seen dramatic shifts within the publishing industry as well as rapid evolution and development in academic creative writing programs. This book addresses all of these core areas and transformations, such as the pros and cons of self-publishing versus traditional publishing, issues of diversity and representation within the publishing industry, digital transformations, and possible career pathways for writing students. It is crucial for creative writing pedagogy to deal with the issues raised by the sudden changes within the industry and this book will be of interest to creative writing students and practitioners as well as publishing students and professionals"--

In Creative Writing Scholars on the Publishing Trade: Practice, Praxis, Print, Sam Meekings and Marshall Moore, along with prominent scholar-practitioners, undertake a critical examination of the intersection of creative writing scholarship and the publishing industry.

Recent years have seen dramatic shifts within the publishing industry as well as rapid evolution and development in academic creative writing programs. This book addresses all of these core areas and transformations, such as the pros and cons of self-publishing versus traditional publishing, issues of diversity and representation within the publishing industry, digital transformations, and possible career pathways for writing students.

It is crucial for creative writing pedagogy to deal with the issues raised by the sudden changes within the industry and this book will be of interest to creative writing students and practitioners as well as publishing students and professionals.



This book encourages scholars to engage with the trade by applying scholarly rigor and inquiry to the publications, the industry, the trends on social media; and to reflect on their own creative practices, the better to apply academic research to this area which has largely gone unexamined in the discipline.
List of illustrations
ix
List of contributors
x
Introduction 1(6)
Sam Meekings
Marshall Moore
1 Publishing processes for a digital age: Crowdsourcing and patronage in online self-publishing
7(12)
Lili Paquet
2 Emerging writers/established publishers: A ten-year study of the Hachette Manuscript Development Program
19(14)
Kim Wilkins
Helen Marshall
Marina Tulic
3 Literary journals, editorial courses, and equity in the publishing industry
33(15)
Marcos Hernandez
Janelle Adsit
4 The (selfish) power of book reviews: Reading, citizenship, and platform
48(11)
Anna Leahy
5 Revisiting the challenge: Rethinking Creative Writing ten years on
59(9)
Stephanie Vanderslice
6 Science fiction's women problem
68(16)
Bronwyn Lovell
7 Beyond the double life of writers: Creative writing as portfolio practice
84(14)
Peter Anderson
8 Toward success: A taxonomy for the creative writing classroom
98(13)
Marshall Moore
9 Mid-list novella publishing in the twenty-first century: The Wisdom Tree experiment
111(16)
Nick Earls
10 The programmatic, the problematic, and the radical racial tradition (or, On being stamped)
127(13)
Christopher B. Patterson
11 Refreshing the curriculum
140(12)
Jen Webb
Index 152
Sam Meekings is Assistant Professor of Creative Writing at Northwestern University in Qatar.

Marshall Moore is Course Leader and Senior Lecturer in English, Creative Writing & Publishing at Falmouth University, UK.