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E-grāmata: Creativity in Language and Literature: The State of the Art

3.67/5 (11 ratings by Goodreads)
(University of Nottingham, Nottingham), (Oxford Brookes University, Oxford), (School of Education, Milton Keynes)
  • Formāts: PDF+DRM
  • Izdošanas datums: 16-Sep-2017
  • Izdevniecība: Red Globe Press
  • Valoda: eng
  • ISBN-13: 9781349924820
  • Formāts - PDF+DRM
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  • Formāts: PDF+DRM
  • Izdošanas datums: 16-Sep-2017
  • Izdevniecība: Red Globe Press
  • Valoda: eng
  • ISBN-13: 9781349924820

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"Creativity in Language and Literature is a provocative and valuable book. Its breadth of topics, variety of approaches, and self-consciously creative and dialogic nature are especially appropriate and creative ways of approaching the subject of creativity. The scope, variety and original content of this book make it a unique contribution to the field" - Professor David L. Hoover, New York University, USA

This unique resource brings together contributions from creative practitioners and academic researchers working across different disciplines. Researchers, literary authors, editors, performers and film makers reflect on their work and collectively explore the art of creativity in language and literature.

Creativity in Language and Literature covers a range of texts, genres and practices, such as poetry, hip hop, film, story telling, web chat and pen-friend correspondence. Each part of the book begins with an introduction and the final part includes critical responses to the idea of linguistic creativity, encouraging ongoing dialogue and debate. This richly diverse collection is an ideal text for students and practitioners working at all levels.

With contributions by Patience Agbabi, Daniel Allington, R. Amritavalli, Richard D. Brown, Lynne Cameron, Ronald Carter, Guy Cook, Jon Cook, Ruth Finnegan, Angela Goddard, Ben Haggarty, Graeme Harper, G. D. Jayalakshmi, Angel Lin, Janet Maybin, Rukmini Bhaya Nair, Kate Pahl, Mario Petrucci, Rob Pope, Elena Semino, Fiona Sampson, Jane Spiro, Peter Stockwell, Joan Swann, S. Upendran and Michelene Wandor.

Recenzijas

'Creativity in Language is a provocative and valuable book.Its breadth of topics, variety of approaches, and self-consciously creative and dialogic nature are especially appropriate and creative ways of approaching the subject of creativity. The range of levels of difficulty, and the concentration on creativity in both everyday contexts and literary ones and in a wide range of genres, give potential teachers the opportunity to make assignments based on the needs and levels of preparation of their own students.The scope, variety, and original content of this book make it a unique contribution to the field.' - Professor David L. Hoover, New York University, USA

Papildus informācija

'Creativity in Language is a provocative and valuable book.Its breadth of topics, variety of approaches, and self-consciously creative and dialogic nature are especially appropriate and creative ways of approaching the subject of creativity. The range of levels of difficulty, and the concentration on creativity in both everyday contexts and literary ones and in a wide range of genres, give potential teachers the opportunity to make assignments based on the needs and levels of preparation of their own students.The scope, variety, and original content of this book make it a unique contribution to the field.' - Professor David L. Hoover, New York University, USA
List of Figures and Frames
viii
Acknowledgements ix
Notes on Contributors xi
Prologue xvi
1 Introduction: Creativity, Language, Literature
1(22)
Rob Pope
Joan Swann
PART I CREATIVITIES: TEXTS IN CONTEXT, GENRES IN PRACTICE
23(84)
2 Give Me (Deep Intake of Breath) Inspiration
29(10)
Patience Agbabi
3 `Can't We Ever, My Love, Speak in the Same Language?': Everyday Language and Creative Tension in the Poetry of Louis MacNeice
39(16)
Richard Danson Brown
4 The Bilingual Verbal Art of Fama: Linguistic Hybridity and Creativity of a Hong Kong Hip-Hop Group
55(13)
Angel Lin
5 Metaphor in Prosaic and Poetic Creativity
68(15)
Lynne Cameron
6 Metaphor, Creativity and the Experience of Pain across Genres
83(20)
Elena Semino
7 Word Play across Languages and Cultures
103(4)
R. Amritavalli
S. Upendran
G.D. Jayalakshmi
PART II CREATIVITY ACROSS MODES, MEDIA AND TECHNOLOGIES
107(82)
8 Chains of Transformation: The Making of Heavy Water: A Film for Chernobyl
113(16)
Mario Petrucci
9 Intimate Strangers: Dialogue and Creativity in Penfriend Correspondence
129(12)
Janet Maybin
10 Look in Over Here: Creativity, Materiality and Representation in New Communication Technologies
141(15)
Angela Goddard
11 Improvisations and Transformations across Modes: The Case of a Classroom Multimodal Box Project
156(16)
Kate Pahl
12 Hybridity in the Mind and on the Page: Genre, Words, Music and Narrative
172(9)
Michelene Wandor
13 Mature Poet Steals: Sonnet as Problem Page
181(3)
Patience Agbabi
14 Stories in Performance
184(5)
Ben Haggarty
Joan Swann
PART III CREATIVE INTERPRETATIONS: RESPONSE, READING, REWRITING
189(82)
15 The First Three Minutes: Seducing the Audience in Arranged Marriage
195(8)
G. D. Jayalakshmi
16 Authenticity and Creativity in Reading Lamentation
203(14)
Peter Stockwell
17 How Reading Groups Talk about Books: A Study of Literary Reception
217(14)
Joan Swann
18 Reader Response and the Formulation of Literary Judgement
231(14)
Jane Spiro
19 Practical Measures: Poet as Editor
245(5)
Fiona Sampson
20 Rewriting the Critical-Creative Continuum: `10x ...'
250(15)
Rob Pope
21 Reading a Hindi Poem: Lost in Translation?
265(3)
Rukmini Bhaya Nair
22 An A-Z of Textual Re-creation
268(3)
Rob Pope
PART IV OPEN QUESTIONS, ONGOING DEBATES
271(74)
23 The Production of `Creativity'
277(13)
Daniel Allington
24 In Defence of Genius
290(14)
Guy Cook
25 Creative Writing: Habitat Homo Sapiens
304(7)
Graeme Harper
26 Three Reflections on Creativity and Writing
311(12)
Jon Cook
27 Creativity Looks at Language
323(11)
Ruth Finnegan
28 Epilogue -- Creativity: Postscripts and Prospects
334(11)
Ronald Carter
Index 345
JOAN SWANN Senior Lecturer and Director of the Centre for Language and Communication at The Open University. She has edited numerous books, including A Dictionary of Sociolinguistics with EUP in 2004 and The Art of English; everyday creativity with Palgrave Macmillan in 2006.

ROB POPE Professor of English and UK National Teaching Fellow at Oxford Brookes University. He is the author of Creativity: Theory, History, Practice and The English Studies Book: Language, Literature and Culture.

RONALD CARTER Professor of Modern English Language in the School of English studies at the University of Nottingham. He is Director of the Humanities Research Centre and the author of many acclaimed works in the field, including Language and Creativity: The Art of Common Talk, Introducing the Grammar of Talk and The Cambridge Grammar of English: A Comprehensive Guide to Spoken and Written Grammar.