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Creativity Policy, Partnerships and Practice in Education 2018 ed. [Hardback]

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  • Formāts: Hardback, 365 pages, height x width: 210x148 mm, weight: 637 g, 11 Illustrations, black and white; XXIII, 365 p. 11 illus., 1 Hardback
  • Sērija : Creativity, Education and the Arts
  • Izdošanas datums: 12-Nov-2018
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 331996724X
  • ISBN-13: 9783319967240
  • Hardback
  • Cena: 118,31 €*
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  • Formāts: Hardback, 365 pages, height x width: 210x148 mm, weight: 637 g, 11 Illustrations, black and white; XXIII, 365 p. 11 illus., 1 Hardback
  • Sērija : Creativity, Education and the Arts
  • Izdošanas datums: 12-Nov-2018
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 331996724X
  • ISBN-13: 9783319967240
This book examines the gaps in creativity education across the education lifespan and the resulting implications for creative education and economic policy. Building on cutting-edge international research, the editors and contributors explore innovations in interdisciplinary creativities, including STEM agendas and definitions, science and creativity and organisational creativity amongst other subjects. Central to the volume is the idea that good creative educational practice and policy advancement needs to reimagine individual contribution and possibilities, whilst resisting standardization: it is inherently risky, not risk-averse. Prioritising creative partnerships, zones of contact, practice encounters and creative ecologies signal new modes of participatory engagement. Unfortunately, while primary schools continue to construct environments conducive to this kind of ‘slow education’, secondary schools and education policy persistently do not. This book argues, from diverse viewpoints and methodological perspectives, that 21st-century creativity education must find a way to advance in a more integrated and less siloed manner in order to respond to pedagogical innovation, economic imperatives and creative possibilities, and adequately prepare students for creative practice, workplaces and publics. This innovative volume will appeal to students and scholars of creative practice as well as policy makers and practitioners. 
1 Evolving Ecologies: Creative Policy, Partnerships and Practice in Education
1(12)
Anne Harris
Kim Snepvangers
Pat Thomson
Part I Policy
2 What Did Creative Partnerships Achieve?: A Review of the Creative Partnerships (CP) Research Archive
13(32)
Pat Thomson
Rebecca Coles
Madeline Hallewell
3 Transforming Creative Classroom Contradictions Through Activity Theory Analysis
45(20)
Victoria Kinsella
4 Creative Agency / Creative Ecologies
65(24)
Anne Harris
5 Value-Adding in Higher Education: Complementary Contexts for Learning Creativities
89(22)
Jonathan Purdy
Vinesh Chandra
Kelli McGraw
Part II Partnerships
111(102)
6 Creative Partnerships: Exploring Encounters in the Contact Zone
113(22)
Donna Mathewson Mitchell
7 Creative Industry Encounters: Digital Ecologies in Art, Design and Media
135(32)
Kim Snepvangers
8 Organisational Change for Creativity in Education
167(26)
Leon de Bruin
9 Creative Ecologies in Education: Teaching Relationships Within Sustained School-Based Artists-in-Residence Projects
193(20)
Christine Hatton
Mary Mooney
Part III Practice
213(146)
10 The Antecedents and Outcomes of Creative Cognition
215(24)
Sarah Asquith
Xu Wang
Anna Abraham
11 Assessing Creativity: Four Critical Issues
239(20)
Rachael Jacobs
12 Tearing It Down: Using Problematisation to Encourage Artistic-Creativity
259(20)
Shelley Hannigan
Katherine Barrand
13 From Wise Humanising Creativity to (Posthumanising) Creativity
279(28)
Kerry Chappell
14 An Ecology of Care: Relationships and Responsibility Through the Constitutive and Creative Acts of Oral History Theatre Making in Local Communities Shouldering Global Crises
307(24)
Kathleen Gallagher
Nancy Cardwell
Dirk J. Rodricks
15 Flexibility, Constraints and Creativity: Cultivating Creativity in Teacher Education
331(22)
Susan Davis
16 Propositions for Creativity Policy, Partnerships and Practice in Educational Creative Futures
353(6)
Kim Snepvangers
Anne Harris
Pat Thomson
Index 359
Kim Snepvangers is Director: Professional Experience and Engagement Projects and a UNSW Teaching Fellow at UNSW Sydney: Art & Design, Australia. Her research interweaves creative and professional industry contexts and engages visualisation with creative ecologies, critically reflective frameworks and embodied pedagogies.  

Pat Thomson is Convenor of the Centre for Research in Arts, Creativity and Literacy (CRACL) at the University of Nottingham, UK. She is known for her interdisciplinary engagement with questions of creative and socially just learning and change. Anne Harris is Associate Professor and Vice Chancellor's Principal Research Fellow at RMIT University, Australia. She researches in the areas of creativity, culture, diversity and digital media.