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E-grāmata: Cremona Violins: A Physicist's Quest for the Secrets of Stradivari [World Scientific e-book]

(Syracuse Univ, Usa)
  • Formāts: 176 pages
  • Izdošanas datums: 15-Jul-2008
  • Izdevniecība: World Scientific Publishing Co Pte Ltd
  • ISBN-13: 9789812791115
  • World Scientific e-book
  • Cena: 75,66 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Formāts: 176 pages
  • Izdošanas datums: 15-Jul-2008
  • Izdevniecība: World Scientific Publishing Co Pte Ltd
  • ISBN-13: 9789812791115
Cremona violins occupy a unique and storied place in violin history. This book contains a brief account of that history the rise and fall of the Cremonese art of violin making that dominated over two centuries. It is primarily devoted, however, to the physics behind violin acoustics, specifically the research of William F Jack Fry over the past several decades. The gradual evolution of his ideas leading to a holistic approach is chronicled, in sharp contrast to the conventional reductionist analysis. With rare insights, he has come closer than anyone before in reproducing the tonal qualities of the great Italian masters. This historic achievement makes the book extremely valuable for violin makers and violin researchers, enabling young and aspiring violinists to own excellent sounding instruments with the acoustical marvels of the old at affordable prices.The accompanying video features Fry's demonstration of how and why minute changes in thickness graduations make predictable changes in tonal qualities of an instrument.
Preface ix
Luigi Tarisio and the Violins of Cremona
1(12)
The Rise and Fall of the Cremonese Art of Violin Making
13(16)
Antonio Stradivari
The Anatomy of a Violin and the Mechanism of Sound Production
29(18)
Some Historical Notes on Violin Research over Centuries
47(26)
William F. Fry and his Quest for the Secrets of Cremona Violins
73(22)
William F. Fry and his Quest for the Secrets of Cremona Violins (continued)
95(16)
Myth & Reality of Cremona Violins; Fry's Violins
111(16)
A Convergence of Science and Art
127(6)
Notes and References 133(14)
Acknowledgments 147(4)
Selected Bibliography 151(4)
Index 155