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E-grāmata: Crisis as Form

4.10/5 (19 ratings by Goodreads)
  • Formāts: 224 pages
  • Izdošanas datums: 27-Sep-2022
  • Izdevniecība: Verso Books
  • Valoda: eng
  • ISBN-13: 9781839763632
  • Formāts - EPUB+DRM
  • Cena: 12,52 €*
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  • Formāts: 224 pages
  • Izdošanas datums: 27-Sep-2022
  • Izdevniecība: Verso Books
  • Valoda: eng
  • ISBN-13: 9781839763632

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"Contemporary art criticism is split by an opposition between activism and the critical function of form. Yet the deeper, subterranean terms of art-judgement are largely neglected on both sides of the debate. These essays combine a re-examination of the terms of judgment used in contemporary art with critical interpretations of individual works and exhibitions, touching on Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof, and Cady Noland"--

How does contemporary art best respond to social crisis? Through reflection on its own crisis of form

Criticism of contemporary art is split by an opposition between activism and the critical function of form. Yet the deeper, more subterranean terms of art-judgment are largely neglected on both sides.
 
These essays combine a re-examination of the terms of judgement of contemporary art with critical interpretations of individual works and exhibitions by Luis Camnitzer, Marcel Duchamp, Matias Faldbakken, Anne Imhof and Cady Noland.
 
The book moves from philosophical issues, via the lingering shadows of medium-specificity (in photography and art music), and the changing states of museums, to analyses of the peculiar ways that works of art relate to time.To give artistic form to crisis, it is suggested, one needs to understand contemporary art’s own constitutive crisis of form.

Recenzijas

Spritely -- David Beer * The Critic * Praise for Anywhere or Not At All * : * An important achievement. This is the first book known to me that brings contemporary art as a whole to philosophical consideration. One of the orienting points for future work. -- John Rapko * Notre Dame, Philosophical Reviews * A brilliant book -- Blake Stimson * Philosophy of Photography * Osborne's capacity to synthesise the impact of new geopolitical realities on art practices make this book an important one not just for philosophers, art historians and critics, but new media theorists as well. -- Lisa Trhair * Critical Enquiry * An inestimably significant intervention into a range of debates in the history, theory, criticism, and philosophy of contemporary art and its various genealogies and lineages. For the range of thought-provoking and suggestive insights offered, it has few competitors in the field. -- James Lavender * Goodreads * Praise for The Postconceptual Condition * : * Compelling -- Max L. Feldman * Afterimage * Peter Osborne offers a fundamental reflection on the critical potential of art today, but also on its lacunas, an element that gives more value to the work. * Critique dart * Very little philosophical writing is inspiring enough to catalyse art and bring it into being. Peter Osborne's writing is consistently in this category. -- Hito Steyerl It is essential reading for anyone serious about contemporary art - or its philosophy. -- Ruth Noack, Curator of documeta 12

Papildus informācija

How does contemporary art best respond to social crisis? Through reflection on its own crisis of form
Preface vii
Part I History as a Project of Crisis
1 Working the Contemporary: History as a Project of Crisis Today
3(15)
2 Crisis as Form
18(23)
Part II Mediality and Mediations
3 Stilling the Flow? Temporality and Digitality in the Photographic Image
41(17)
4 Musical Negations, Negations of Music
58(18)
5 The Agent of a Secret Discontent: Discourses of Art, Discourses of the World
76(21)
Part III Museums of Art
6 Illusions of Totality: Global Contemporaneity and the Condition of the Museum
97(14)
7 Contemporizing the Classical/Classicizing the Contemporary
111(12)
Part IV Suspending Time
8 Occasionalism: Marias Faldbakken, Shocked into Abstraction
123(17)
9 Happy Anachronism: Luis Camnitzer, Conceptual Art and Politics
140(24)
10 The Obviousness and Opaqueness of the `80s: Cady Noland's Dirty Minimalism, Squeaky Clean
164(16)
11 Objects, Signs and Time: Marcel Duchamp and the Temporalization and Detemporalization of Objects as Art
180(19)
Acknowledgements 199(2)
Image Credits 201(4)
Index 205
Peter Osborne is Professor of Modern European Philosophy and Director of the Centre for Research in Modern European Philosophy, Kingston University London. His books include The Politics of Time, Anywhere or Not At All: Philosophy of Contemporary Art and The Postconceptual Condition.