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E-grāmata: Critical Reading Across the Curriculum - Humanities,Volume 1: Humanities Volume 1, Volume 1 [Wiley Online]

  • Formāts: 272 pages
  • Izdošanas datums: 21-Apr-2017
  • Izdevniecība: Wiley-Blackwell
  • ISBN-10: 1119154901
  • ISBN-13: 9781119154907
  • Wiley Online
  • Cena: 81,43 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Formāts: 272 pages
  • Izdošanas datums: 21-Apr-2017
  • Izdevniecība: Wiley-Blackwell
  • ISBN-10: 1119154901
  • ISBN-13: 9781119154907
Powerful strategies, tools, and techniques for educators teaching students critical reading skills in the humanities. Every educator understands the importance of teaching students how to read critically.

Powerful strategies, tools, and techniques for educators teaching students critical reading skills in the humanities.

Every educator understands the importance of teaching students how to read critically. Even the best teachers, however, find it challenging to translate their own learned critical reading practices into explicit strategies for their students. Critical Reading Across the Curriculum: Humanities, Volume 1 presents exceptional insight into what educators require to facilitate critical and creative thinking skills.

Written by scholar-educators from across the humanities, each of the thirteen essays in this volume describes strategies educators have successfully executed to develop critical reading skills in students studying the humanities. These include ways to help students:

  • focus
  • actively re-read and reflect, to re-think, and re-consider
  • understand the close relationship between reading and writing
  • become cognizant of the critical importance of context in critical reading and of making contextual connections
  • learn to ask the right questions in critical reading and reasoning
  • appreciate reading as dialogue, debate, and engaged conversation

In addition, teachers will find an abundance of innovative exercises and activities encouraging students to practice their critical reading skills. These can easily be adapted for and applied across many disciplines and course curricula in the humanities.

The lifelong benefits of strong critical reading skills are undeniable. Students with properly developed critical reading skills are confident learners with an enriched understanding of the world around them. They advance academically and are prepared for college success. This book arms educators (librarians, high school teachers, university lecturers, and beyond) with the tools to teach a most paramount lesson.

Notes on Contributors ix
Preface xiii
Acknowledgments xvii
Part I: Frameworks and Approaches 1(62)
1 Reading Responsively, Reading Responsibly: An Approach to Critical Reading
3(21)
Robert DiYanni
Being Critical
4(2)
Responsible Reading, Responsive Reading
6(1)
A Framework for Critical Reading
7(5)
Demonstration-E.B. White on the Moonwalk
12(5)
Application-Lincoln's Gettysburg Address
17(4)
Reflective Reading-Reading and Living
21(2)
References
23(1)
2 Reciprocal Acts: Reading and Writing
24(25)
Pat C. Hoy II
A Story of Necessity
24(1)
Acts of Conception
25(1)
Working from Images
26(5)
Remembering Spontaneity
31(3)
Getting More Systematic
34(7)
Merging What and How
41(6)
Writing as Representation, Writing as Composition
47(1)
References
48(1)
3 A Shared Horizon: Critical Reading and Digital Natives
49(14)
Anton Borst
Critically Reading the Digital Native
51(2)
Responding to the Digital Native
53(2)
A Shared Horizon
55(1)
Devices, Screens, and Digital Native Reading Practices
56(3)
Conclusion
59(1)
References
60(3)
Part II: Critical Reading in the Disciplines 63(176)
4 Critical Reading and Thinking: Rhetoric and Reality
65(20)
Lawrence Scanlon
Rhetorical Challenges
67(3)
Ways of Reading
70(1)
Logos, Ethos, Pathos
70(1)
Demonstration: Annotating a Speech
71(3)
Everything's an Argument: No It's Not! Yes It Is!
74(3)
A Suite of Exercises
77(4)
Conclusion
81(1)
Notes
82(1)
References
82(3)
5 The Community of Literature: Teaching Critical Reading and Creative Reflection
85(19)
Adrian Barlow
Ways of Reading
85(3)
Textual Conversations-Critical Dialogue
88(3)
Re-reading and Creative Reflection
91(2)
Demonstration-Hardy's "In a Museum"
93(2)
Broadening Context
95(1)
Application-Middlemarch,
Chapter XXIX
96(3)
Contemporary Contexts
99(3)
Notes
102(1)
References
102(2)
6 Approaching Intellectual Emancipation: Critical Reading in Art, Art History, and Wikipedia
104(19)
Amy K. Hamlin
Reconsidering Wikipedia
104(5)
Reading Art: The Visual Analysis
109(4)
Reading Art History: The Annotated Bibliography
113(6)
Reading Wikipedia: The Comparative Analysis
119(2)
Chain Reactions
121(1)
Notes
121(1)
References
122(1)
7 Teaching Critical Reading of Historical Texts
123(18)
Michael Hogan
Basic Matters
123(1)
Challenges for Teachers
124(1)
Three Kinds of Reading
125(1)
Selecting Historical Documents for Analysis
126(2)
Marking and Preparing Historical Documents
128(3)
Reading Abraham Lincoln's House Resolutions December 22, 1847
131(5)
Reading Martin Luther King, Jr.'s Speech Opposing the Vietnam War
136(2)
Conclusion
138(1)
Some Useful Sources for Critical Reading in History
139(1)
References
140(1)
8 Philosophy and the Practice of Questioning
141(17)
Matt Statler
Questioning Toward Truth
141(1)
How Do We Come to Know Anything at All?
142(7)
Toward Practical Wisdom
149(6)
So What? The Effects of Reading Philosophy Critically
155(1)
Notes
156(1)
References
157(1)
9 Engaging Religious Texts
158(16)
Thomas Petriano
"Pay Attention!"
158(1)
Reading as an Embodied and Dialogic Act
159(2)
Insights from the Religions
161(5)
The Three Worlds of Religious Texts
166(2)
Practices for Engaging Religious and Theological Texts
168(3)
Conclusion
171(1)
References
172(2)
10 Gender Studies as a Model for Critical Reading
174(16)
Pamela Burger
Gender Studies and Critical Reading
175(2)
Deconstructing Gender
177(1)
Documentary Project
178(2)
Staging the Documentary Project
180(3)
Aesthetic Distance and Ironic Images of Gender
183(2)
Melanie Pullen's High Fashion Crime Scenes and Cindy Sherman's Centerfolds, 1981
185(4)
References
189(1)
11 Reading and Teaching Films
190(20)
William V. Costanzo
Personal Response
191(1)
Analyzing Story
192(2)
Basic Film Terms
194(3)
Formal Analysis
197(2)
Genre Analysis
199(2)
Cultural Analysis
201(2)
Historical Analysis
203(2)
Representation in Film
205(1)
Film Theory
205(1)
Exercises
206(3)
References
209(1)
12 Thinking Through Drama
210(13)
Louis Scheeder
Drama and Argument
210(4)
The Classical Studio
214(1)
The Structure of Verse
215(2)
Following the Verse
217(3)
Exercises
220(1)
Conclusion
221(1)
References
222(1)
13 Approaches to Reading and Teaching Pop Songs
223(16)
Thomas M. Kitts
Popular Music and Its Contexts
223(1)
Reading a Pop Song
224(4)
Writing about Music
228(3)
Critical Reading: Theodor Adorno's Criticism of Pop Music
231(1)
Socially Conscious Music
232(3)
Additional Writing Assignments
235(1)
Conclusion
236(1)
References
237(2)
Index 239
Robert DiYanni is an adjunct professor of humanities and an instructional consultant at the Center for the Advancement of Teaching at New York University. In these capacities he teaches courses on critical thinking, interdisciplinary humanities, commerce and culture, and business and its publics, and conducts workshops and consultations with faculty throughout the university on aspects of pedagogical practice. Before coming to NYU, Dr. DiYanni taught at Queens College and Pace University and as a visiting professor at Harvard. He also served, for ten years, as Director of International Services at The College Board.