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E-grāmata: Cultural Appropriation in Fashion and Entertainment

4.33/5 (6 ratings by Goodreads)
(Fashion Institute of Technology, USA), (Fashion Institute of Technology, USA)
  • Formāts: 184 pages
  • Izdošanas datums: 16-Jun-2022
  • Izdevniecība: Bloomsbury Visual Arts
  • Valoda: eng
  • ISBN-13: 9781350170575
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Cultural Appropriation in Fashion and EntertainmentPalielināt
  • Formāts: 184 pages
  • Izdošanas datums: 16-Jun-2022
  • Izdevniecība: Bloomsbury Visual Arts
  • Valoda: eng
  • ISBN-13: 9781350170575
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"Unpicks the knotty problem of cultural appropriation in fashion and entertainment, using sociological analysis to explore international examples and engage with the passionate debates that surround them as well as the implications for designers, artistsand consumers"--

Is it ever appropriate to “borrow” culturally inspired ideas? Who has ownership over intangible culture? What role does power inequality play? These questions are often at the center of heated public debates around cultural appropriation, with new controversies breaking seemingly every day.

Cultural Appropriation in Fashion and Entertainment offers a sociological perspective on the debate, exploring appropriation of cultures embedded in race, ethnicity, class, sexuality, and religion in entertainment as well as the clothing, textiles, jewelry, accessories, hairstyles, and tattoos we wear.

Case studies are drawn from K-pop, Bollywood dance, J-pop, Bhangra music, Jamaican reggae, hip hop and EDM fashion to explore how, when, and why cultural borrowing or appreciation can become cultural appropriation. There's also discussion of subcultural territories that extend beyond geography, race and ethnicity, such as cosplay and LGBTQI+ communities.

By providing a range of global perspectives on the adoption, adaptation, and application of both tangible and intangible cultural objects, Kawamura and de Jong help move the conversation beyond simply criticizing designers and creators to encourage nuanced discussion and raise awareness of diverse cultures in the creative industries.

Recenzijas

This is a timely book, given that discussions of what is and is not cultural appropriation are exploding within the academy, museums, fashion design, and social media. Those unfamiliar with the concept will find this to be a fine introduction to the topic, and those well-acquainted with the subject will appreciate the literature review. ... From the beginner to the academic expert (and everyone in between), there is much to learn and appreciate in this thorough recounting of the debates over cultural appropriation. * Fashion, Style & Popular Culture * This is a timely examination of the problems inherent in the way that dominant cultures have taken inspiration from minority groups in ways that have been exploitative. This book makes an important contribution to the wider, political call for an urgent reappraisal of attitudes and inequalities that have had a devastating effect on many communities. -- Janice Miller, Head of School of Critical Studies and Creative Industries, Kingston School of Art, Kingston University, UK

Papildus informācija

Unpicks the knotty problem of cultural appropriation in fashion and entertainment, using sociological analysis to explore international examples and engage with the passionate debates that surround them as well as the implications for designers, artists and consumers.
List of Figures and Tables
viii
Preface xii
1 Introduction--Culture
1(24)
Yuniya Kawamura
Culture in Classical Social Theory
3(3)
Schools of Thought: Value-laden and Value-neutral Culture
6(8)
Conceptual Tools for Cultural Analysis
14(7)
Outline of the Book
21(2)
Conclusion
23(1)
Suggested Further Reading
23(2)
2 Academic Studies on Cultural Appropriation
25(24)
Yuniya Kawamura
Definitions, Processes, and Types
26(2)
Logos, Mascots, and Nicknames
28(5)
Gastronomy and Cuisine
33(3)
Literary Works
36(4)
Adornment
40(5)
Conclusion
45(1)
Suggested Discussion Examples
46(1)
Suggested Further Reading
47(2)
3 Fashion
49(54)
Yuniya Kawamura
In Pursuit of Exoticism and Novelty
51(6)
Biological, Cultural, and Sartorial Hierarchies
57(7)
Conceptual Typologies
64(27)
The Strength of Weak Virtual Ties
91(8)
Conclusion
99(1)
Suggested Discussion Examples
100(1)
Suggested Further Reading
101(2)
4 Entertainment
103(46)
Jung-Whan Marc de Jong
What is Sociological about Entertainment?
105(3)
The Commodification of Culture and the Other
108(8)
Conditions of Cultural Appropriation
116(13)
The Production of Culture in the Social Media Age
129(8)
Cultural Hybridization and Cultural Appropriation
137(8)
Conclusion
145(1)
Suggested Discussion Examples
146(1)
Suggested Further Reading
147(2)
5 Ambivalence and Paradox
149(26)
Yuniya Kawamura
Cross-cultural Encounters in a Historical Context
152(2)
Globalization and Deterritorialization
154(4)
Immigration and Cultural Globalization through Mediascapes
158(4)
Culture as Epistemological Relativism
162(4)
Ambivalence in Fashion Globalization
166(6)
Cultural Authentication Process
172(3)
Conclusion 175(1)
Suggested Further Reading 176(1)
Conclusion 177(10)
Notes 187(4)
Bibliography 191(24)
Index 215
YUNIYA KAWAMURA is Professor of Sociology at the Fashion Institute of Technology, New York, USA. She is the author of four other Bloomsbury publications: Fashioning Japanese Subcultures (2012), Sneakers (2016), Fashion-ology (2004, 2018), and Doing Research in Fashion and Dress (2011, 2020).

Jung-Whan Marc de Jong is Associate Professor of Sociology at Fashion Institute of Technology, New York, USA.
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