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Part 1 The Intellectual Movement of the Cultural Commons |
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1 | (136) |
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3 | (4) |
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Chapter 1 The Pioneering Approach of Jurists from the Berkman Center for Internet and Society |
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7 | (62) |
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1.1 A critique of the maximalist doctrine of intellectual property |
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7 | (10) |
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1.1.1 The enclosure of the intangible commons of the mind |
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9 | (3) |
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1.1.2 The threat of disappearance of free culture in cyberspace |
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12 | (5) |
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1.2 The political economy of information commons |
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17 | (11) |
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1.2.1 Shared ownership and individual freedom |
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18 | (4) |
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1.2.2 A new mode of information production |
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22 | (6) |
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1.3 The creative commons in the field of works of the mind |
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28 | (14) |
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1.3.1 Incarnation of free culture practices |
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28 | (3) |
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1.3.2 Institutionalization of free culture: Creative Commons licenses |
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31 | (3) |
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1.3.3 The modalities of cohabitation with the commercial cultural economy |
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34 | (8) |
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1.4 Propagation in the intellectual and militant sphere in France |
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42 | (12) |
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1.4.1 The challenge of legalizing non-market sharing |
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43 | (6) |
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1.4.2 The challenge of legal recognition of the information commons |
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49 | (5) |
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1.5 Recent extensions of the BCIS approach |
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54 | (15) |
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1.5.1 The digital public domain: the perimeter of cultural commons |
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55 | (5) |
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1.5.2 Network infrastructure as a commons |
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60 | (3) |
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1.5.3 Remuneration of volunteer contributors |
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63 | (6) |
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Chapter 2 The Ostromian Approach to the Knowledge Commons |
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69 | (68) |
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2.1 Ostrom's original theory of the land commons |
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71 | (9) |
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2.1.1 An institutional definition of the commons |
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71 | (1) |
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2.1.2 A questioning of the "tragedy of the commons" |
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72 | (3) |
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2.1.3 Communal property as a bundle of rights |
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75 | (3) |
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2.1.4 An institutional approach to the self-organization of common resources |
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78 | (2) |
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2.2 The knowledge commons: Hess and Ostrom's approach |
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80 | (10) |
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2.2.1 The singularity of information common pool resources (CPR) |
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80 | (4) |
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2.2.2 Digital libraries as information CPRs |
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84 | (3) |
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2.2.3 Institutional analysis and development framework (IAD) |
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87 | (3) |
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2.3 Open access platforms as scientific commons? |
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90 | (28) |
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2.3.1 Open access: a major transformation of the editorial ecosystem |
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91 | (8) |
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2.3.2 Open access platforms: which bundles of user rights? |
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99 | (8) |
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2.3.3 Enrichment and sustainability of the scientific commons |
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107 | (11) |
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2.4 Cooperative platforms as social commons? |
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118 | (19) |
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2.4.1 A rapprochement with the social and solidarity economy |
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118 | (4) |
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2.4.2 Conditions for exploiting the social value created |
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122 | (4) |
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2.4.3 Governance of cooperative platforms |
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126 | (7) |
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2.4.4 Commoners' remuneration: a right to contribute |
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133 | (4) |
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Part 2 The Commons in the Digital Book Ecosystem |
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137 | (56) |
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139 | (2) |
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Chapter 3 Digital Libraries as Heritage Commons |
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141 | (28) |
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142 | (7) |
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3.1.1 A new documentary order |
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142 | (2) |
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3.1.2 Cultural public data as a public good |
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144 | (5) |
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3.2 The production methods of heritage commons |
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149 | (12) |
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3.2.1 The Google challenge |
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149 | (3) |
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3.2.2 Public/private partnerships: threat or opportunity? |
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152 | (4) |
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3.2.3 On-demand digitization and citizen contribution |
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156 | (1) |
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3.2.4 The heritage commons: a plasticity of forms |
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157 | (4) |
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3.3 Governance issue: enriching our common heritage |
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161 | (8) |
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3.3.1 The construction of a shared heritage infrastructure |
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161 | (3) |
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3.3.2 Content editorialization and digital mediation |
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164 | (5) |
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Chapter 4 The Written Commons in the Publishing Industry |
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169 | (24) |
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4.1 The transformations of the editorial ecosystem |
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170 | (8) |
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4.1.1 Digital textuality and new uses |
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170 | (2) |
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4.1.2 The digital book immersed in an attention economy |
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172 | (4) |
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4.1.3 The digital book and the growth of self-publishing |
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176 | (2) |
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4.2 Wattpad: a common narrative of the misguided written word |
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178 | (6) |
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4.2.1 The use of CC licenses: a hidden reality |
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179 | (1) |
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4.2.2 A progressive attraction to the attention economy |
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180 | (2) |
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4.2.3 Strengthened cohabitation with publishers: the announced end of free culture |
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182 | (2) |
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4.3 Self-publishing and free culture: a multifaceted face |
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184 | (9) |
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4.3.1 The Lulu platform: open source for the book market? |
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184 | (3) |
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4.3.2 In Libro Veritas and Framabook: free book editions |
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187 | (6) |
| Conclusion |
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193 | (6) |
| References |
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199 | (8) |
| Index |
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207 | |
