| Volume I: Contexts |
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xiii | |
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Chronological table of reprinted articles and chapters |
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xvii | |
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1 | (20) |
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1 Artistic regimes and the shortcomings of the notion of modernity |
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21 | (9) |
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30 | (4) |
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3 On the rationale of public support |
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34 | (14) |
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4 Art worlds and social types |
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48 | (11) |
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5 Cultural economics-history and theory |
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59 | (9) |
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6 Cultural diversity and cultural rights |
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68 | (26) |
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7 Media and cultural policy as public policy: the case of the British Labour government |
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94 | (19) |
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8 "Cultural policy": towards a global survey |
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113 | (15) |
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9 The arm's length principle and the arts: an international perspective-past, present and future |
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128 | (33) |
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10 Corporate support for the arts in Japan: beyond emulation of the Western models |
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161 | (16) |
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11 Progress without consensus: 'instituting' Arts Council in Korea |
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177 | (21) |
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12 A Policy for the Arts: the first steps |
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198 | (18) |
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13 Culture industry reconsidered |
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216 | (7) |
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14 John Maynard Keynes, the Bloomsbury group and the origins of the arts council movement |
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223 | (19) |
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15 Culture and policy-acting on the social |
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242 | (16) |
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16 Cultural policy studies |
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258 | (29) |
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17 Cultural policy explicit and implicit: a distinction and some uses |
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287 | (17) |
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18 Cultural policy: definitions and theoretical approaches |
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304 | (12) |
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19 Disjuncture and difference in the global cultural economy |
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316 | (13) |
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20 Extracts from The Economic Importance of the Arts in Britain |
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329 | (15) |
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21 French cultural policy from Andre Malraux to Jack Lang: a tale of modernisation |
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344 | (16) |
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22 Cultural studies: two paradigms |
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360 | (19) |
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23 From cultural to creative industries: an analysis of the implications of the "creative industries" approach to arts and media policy making in the United Kingdom |
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379 | |
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| Volume II: Cultural Policy Practices |
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vii | |
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24 Cultural studies from the viewpoint of cultural policy |
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1 | (15) |
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25 Disjuncture and displacement: the evolution of the cultural policy regime in the Anglophone Caribbean |
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16 | (19) |
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26 What is cultural policy research? |
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35 | (18) |
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27 Explicit and implicit cultural policy: some economic aspects |
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53 | (9) |
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28 Cultural industries and cultural policy |
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62 | (15) |
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29 The disappearing arts: creativity and innovation after the creative industries |
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77 | (15) |
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30 Looking for work in creative industries policy |
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92 | (22) |
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31 "A special kind of city knowledge": innovative clusters, tacit knowledge and the 'creative city' |
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114 | (22) |
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32 Trojan horse or Rorschach blot? Creative industries discourse around the world |
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136 | (16) |
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33 UNESCO and cultural diversity: democratisation, commodification or governmentalisation of culture? |
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152 | (22) |
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34 Culture or commerce? A comparative assessment of international interactions and developing countries at UNESCO, WTO, and beyond |
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174 | (24) |
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35 New agendas? Culture and citizenship in EU policy |
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198 | (22) |
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36 Political oversight of arts councils: a comparison of Canada and the United States |
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220 | (17) |
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37 Rethinking the social impacts of the arts |
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237 | (21) |
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38 Indicators for arts and cultural policy: a global perspective |
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258 | |
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| Volume III: Debates |
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vii | |
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39 Critical public agent or hired hand? Perspectives for research on cultural policy |
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1 | (14) |
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40 Extracts from Use or Ornament? The Social Impact of Participation in the Arts |
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15 | (12) |
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41 Were New Labour's cultural policies neo-liberal? |
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27 | (22) |
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42 Neo-liberalism, culture and policy |
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49 | (16) |
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43 In defence of instrumentality |
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65 | (14) |
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44 Capturing Cultural Value: How culture has become a tool of government policy |
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79 | (33) |
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45 John Holden's Capturing Cultural Value: How culture has become a tool of government policy |
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112 | (18) |
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46 Can a liberal state support art? |
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130 | (12) |
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47 What values should count in the arts? The tension between economic effects and cultural value |
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142 | (9) |
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48 Evolution and co-optation: the 'artist critique' of management and capitalism |
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151 | (11) |
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49 Analysing cultural policy: incorrigibly plural or ontologically incompatible? |
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162 | (20) |
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50 The social stratification of cultural consumption: some policy implications of a research project |
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182 | (14) |
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51 Understanding participation in culture and sport: mixing methods, reordering knowledges |
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196 | (18) |
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52 The economic geography of talent |
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214 | (26) |
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53 A view from a fossil: the new economy, creativity and consumption- two or three things I don't believe in |
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240 | (10) |
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54 Two cultures: the use and non-use of hypotheses in cultural policy research |
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250 | (10) |
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55 Cultural policy indicators: reflections on the role of official statisticians in the politics of data collection |
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260 | |
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| Volume IV: Cultural Policy Futures: Challenges, Speculations, Prospects |
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vii | |
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56 Business as usual: creative industries and the specificity of the British state |
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1 | (13) |
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57 The end(s) of national cultures? Cultural policy in the face of diversity |
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14 | (20) |
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58 Cultural diplomacy: beyond the national interest? |
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34 | (20) |
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59 Culture as the fourth pillar of sustainable development |
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54 | (17) |
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60 Inequalities, the arts and public health: towards an international conversation |
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71 | (17) |
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61 Can subjective well-being measures be used to value policy outcomes? The example of engagement in culture |
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88 | (14) |
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62 Under construction: towards a framework for cultural value |
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102 | (17) |
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63 Learning to labour unequally: understanding the relationship between cultural production, cultural consumption and inequality |
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119 | (19) |
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64 Cultural participation in Europe: shared problem or shared problematisation? |
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138 | (21) |
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65 Making tastes for everything: omnivorousness and cultural abundance |
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159 | (18) |
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66 Why is my curriculum white? |
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177 | (6) |
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67 Challenges and opportunities: the road ahead for disability in a digital world |
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183 | (20) |
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68 Popular culture, digital archives and the new social life of data |
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203 | (23) |
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69 Towards Co-Production in Research with Communities |
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226 | (10) |
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236 | (31) |
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| Index |
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267 | |
