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Curious Writer: Concise Edition 4th edition [Mīkstie vāki]

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  • Formāts: Paperback / softback, 448 pages, height x width: 232x187 mm
  • Izdošanas datums: 25-Feb-2013
  • Izdevniecība: Pearson
  • ISBN-10: 0205876641
  • ISBN-13: 9780205876648
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  • Formāts: Paperback / softback, 448 pages, height x width: 232x187 mm
  • Izdošanas datums: 25-Feb-2013
  • Izdevniecība: Pearson
  • ISBN-10: 0205876641
  • ISBN-13: 9780205876648
Citas grāmatas par šo tēmu:

This Concise abbreviation of The Curious Writer offers an inquiry-driven approach, a focus on the connections between personal and academic writing, and a personal voice that engages and motivates students.

The Curious Writer emphasizes inquiry as both a method of discovery and learning and a driving force behind the writing process. The book operates on the principle that writers who begin with questions, rather than answers, achieve better results in their work. It treats research, revision, and critical reading skills (of both texts and visuals) as organic components of every writing process. Each of the eight writing assignment chapters offers integrated coverage of these three key activities and also provides special attention digital tools for invention and research. Offering a unique, entertaining, and personal author voice, The Curious Writer is sure to grab students’ interest and motivate them to write.

In just ten chapters, the Concise Edition encourages students to use writing as a tool of discovery while composing and revising their own reviews, proposals, and critical, personal, argumentative and research essays.

Preface xvii
Acknowledgments xxiv
Chapter 1 Writing as Inquiry
3(36)
Motives for Writing
4(1)
Beliefs About Writing and Writing Development
5(1)
Exercise 1.1 This I Believe (and This I Don't)
5(1)
One Student's Response Bernice's Journal
6(1)
Inquiring Into The Details Journals
7(1)
Unlearning Unhelpful Beliefs
7(1)
The Beliefs of This Book
8(1)
Allatonceness
8(1)
Believing You Can Learn to Write Well
8(1)
Habits of Mind
8(1)
Starting with Questions, Not Answers
9(1)
Making the Familiar Strange
9(1)
Suspending Judgment
10(1)
Being Willing to Write Badly
10(1)
Searching for Surprise
11(1)
Exercise 1.2 A Roomful of Details
11(1)
One Student's Response Bernice's Journal
12(1)
Writing Situations and Rhetorical Choices
13(3)
A First Reflection on Your Writing Process
16(1)
A Case Study
16(1)
Inquiring Into The Details Organizing Your Computer Files
17(1)
Thinking About Your Process
17(1)
Inquiring Into The Details Portfolios
18(4)
Exercise 1.3 Literacy Narrative Collage
18(1)
Exercise 1.4 What Is Your Process?
19(3)
Problem Solving in Your Writing Process
22(1)
The Nature of the Writing Process
23(1)
The Writing Process as Recursive and Flexible
24(1)
A System for Using Writing to Think
24(1)
Inquiring Into The Details Invention Strategies
25(2)
Exercise 1.5 Two Kinds of Thinking
26(1)
A Writing Process That Harnesses Two Currents of Thought
27(1)
The Sea and the Mountain
28(1)
Answering the So What? Question
29(1)
A Writing Process Driven by Questions
30(2)
Questioning, Generating, and Judging: A Strategy for Inquiry
32(5)
Exercise 1.6 A Mini Inquiry Project: Cell Phone Culture
33(2)
Exercise 1.7 Scenes of Writing
35(2)
Using What You Have Learned
37(2)
Chapter 2 Reading as Inquiry
39(30)
Purposes for Academic Reading
40(3)
Exercise 2.1 Using the Four Purposes for Academic Reading
41(2)
Beliefs About Reading
43(1)
Exercise 2.2 A Reader's Memoir
44(1)
One Common Belief That Is an Obstacle
44(1)
Reading Situations and Rhetorical Choices
45(1)
Four Frames for Reading
46(1)
Reading Scenarios
46(1)
Scenario #1
46(1)
Scenario #2
47(1)
Inquiring Into The Details Reading Perspectives
48(2)
Exercise 2.3 Reading a Life
48(2)
A Process for Reading to Write
50(1)
Questions for the Process of Reading to Write
50(1)
What Do I Want to Know?
50(1)
What Should I Read to Find Out?
51(1)
What Do I Do with What I've Read?
51(1)
Having a Dialogue with What You Read
52(2)
Inquiring Into The Details Reading the Visual
54(3)
Exercise 2.4 Double-Entry Journaling with a Visual Text
55(2)
Techniques for Keeping a Double-Entry Journal
57(1)
Exercise 2.5 Reading Creatively, Reading Critically
57(1)
Reading Bruce Ballenger, "The Importance of Writing Badly"
58(3)
One Student's Response Briana's Journal
61(1)
Wrestling with Academic Discourse: Reading from the Outside In
62(3)
Exercise 2.6 Reading Reality TV
63(2)
Features of Academic Discourse
65(2)
Using What You Have Learned
67(2)
Chapter 3 Writing a Personal Essay
69(34)
Writing About Experience and Observations
69(1)
Motives for Writing a Personal Essay
70(1)
The Personal Essay and Academic Writing
71(2)
Features of the Form
73(2)
Readings
75(1)
Personal Essay 1 Laura Zazulak, "Every Morning for Five Years"
75(1)
Inquiring into the Essay
76(1)
Personal Essay 2 Judith Ortiz Cofer, "One More Lesson"
77(4)
Inquiring into the Essay
81(1)
The Writing Process
82(1)
Inquiry Project: Writing a Personal Essay
82(1)
Writing Beyond The Classroom Essaying "This I Believe"
83(1)
What Are You Going to Write About?
84(1)
Opening Up
85(1)
Listing Prompts
85(1)
Fastwriting Prompts
86(1)
Visual Prompts
86(2)
Research Prompts
88(1)
Narrowing Down
88(1)
What's Promising Material and What Isn't?
88(1)
Questions About Purpose and Audience
88(1)
Trying Out
89(1)
Questions for Reflection
90(1)
Writing the Sketch
91(1)
Student Sketch Amanda Stewart, "Earning a Sense of Place"
91(1)
Moving from Sketch to Draft
92(1)
Evaluating Your Own Sketch
93(1)
Reflecting on What You Learned
93(1)
Developing
94(1)
Drafting
95(1)
Methods of Development
95(1)
Using Evidence
96(1)
Workshopping
96(1)
Questions for Readers
96(1)
Reflecting on the Workshop
97(1)
Revising
97(1)
Shaping
97(1)
Polishing
98(1)
Student Essay Seth Marlin, "Smoke of Empire"
98(2)
Evaluating the Essay
100(1)
Using What You Have Learned
101(2)
Chapter 4 Writing a Review
103(34)
Writing That Evaluates
103(1)
Motives-for Writing a Review
104(2)
The Review and Academic Writing
106(1)
Seeing The Form Choosing the Best Picture
106(2)
Features of the Form
108(2)
Readings
110(1)
Review 1 Roger Ebert, "A Christmas Story"
110(3)
Inquiring into the Essay
113(1)
Review 2 Seth Schiesel, "Grand Theft Auto Takes on New York"
113(4)
Inquiring into the Essay
117(1)
The Writing Process
118(1)
Inquiry Project Writing a Review Essay
118(1)
What Are You Going to Write About?
119(1)
Opening Up
119(1)
Listing Prompts
119(1)
Fastwriting Prompts
119(1)
Visual Prompts
119(1)
Research Prompts
120(1)
Narrowing Down
120(1)
What's Promising Material and What Isn't?
120(1)
Questions About Audience and Purpose
121(1)
Trying Out
121(1)
Focusing the Category
121(1)
Fastwriting
122(1)
Web Research
122(1)
Interviews
123(1)
Experiencing Your Subject
123(1)
Thinking About Criteria
123(1)
Refining Criteria for Better Evidence
123(1)
Considering Criteria and Rhetorical Context
124(1)
Writing the Sketch
125(1)
Student Sketch Laura Bums, "Recipe for a Great Film: Unlikeable People, Poor Choices, and Little Redemption"
125(1)
Moving from Sketch to Draft
126(1)
Evaluating Your Sketch
127(1)
Reflecting on What You've Learned
127(1)
Developing
127(1)
Talking It Through
127(1)
Re-Experience
128(1)
Interview
128(1)
Read
128(1)
Drafting
129(1)
Finding an Opening
129(1)
Methods of Development
129(1)
Using Evidence
130(1)
Workshopping
130(1)
Reflecting on the Draft
131(1)
Revising
131(1)
Shaping
131(1)
Polishing
132(1)
Student Essay Laura Bums, "How to Not Feel Good and Feel Good About It"
133(2)
Evaluating the Essay
135(1)
Using What You Have Learned
135(2)
Chapter 5 Writing a Proposal
137(34)
Writing About Problems and Solutions
137(1)
Problems of Consequence
138(1)
Problems of Manageable Scale
139(1)
Motives for Writing a Proposal
140(1)
The Proposal and Academic Writing
140(1)
Inquiring Into The Details Writing a Research Proposal
141(1)
Features of the Form
142(2)
Readings
144(1)
Proposal 1 Buzz Bissinger, "Why College Football Should Be Banned"
144(2)
Inquiring into the Essay
146(1)
Proposal 2 "Green Dining"
147(2)
Inquiring into the Essay
149(1)
Seeing The Form A Problem in Pictures
150(2)
The Writing Process
152(1)
Inquiry Project: Writing a Proposal
152(1)
What Are You Going to Write About?
153(1)
Opening Up
153(1)
Listing Prompts
153(1)
Fastwriting Prompts
153(1)
Visual Prompts
154(1)
Research Prompts
154(1)
Narrowing Down
155(1)
What's Promising Material and What Isn't?
155(1)
Questions About Audience and Purpose
155(1)
Trying Out
156(1)
Researching to Answer the So What? Question
156(1)
Giving Your Answer on a PowerPoint
156(1)
Writing the Sketch
157(1)
Student Sketch Jenna Appleman, "Loving and Hating Reality TV"
158(1)
Moving from Sketch to Draft
159(1)
Evaluating Your Own Sketch
159(1)
Reflecting on What You Learned
160(1)
Developing
160(1)
Research
160(1)
Focusing on the Justifications
161(1)
Inquiring Into The Details Design Tips for Basic Web Pages
162(1)
Drafting
162(1)
Methods of Development
162(1)
Using Evidence
163(1)
Workshopping
163(1)
Reflecting on the Draft
164(1)
Revising
164(1)
Shaping
164(1)
Polishing
165(1)
Student Essay Jenna Appleman, "Avoidable Accidents: How to Make Reality TV Safer"
165(3)
Evaluating the Essay
168(1)
Using What You Have Learned
169(2)
Chapter 6 Writing an Argument
171(48)
Writing to Persuade People
171(1)
What Is Argument?
172(1)
Two Sides to Every Argument?
173(1)
The Machinery of Argument: Claims, Reasons, and Evidence
174(1)
Claims: What You Want People to Believe
174(1)
Reasons: The "Because..." Behind the Claim
175(1)
Evidence: Proof of the Point
175(1)
Seeing The Form The "Imagetext" as Argument
176(1)
Credibility, Emotion, and Logic
177(1)
Analyzing Argument
178(1)
Exercise 6.1 Argument as Therapy
178(1)
One Student's Response Rebecca's Journal
179(1)
Inquiring Into The Details Common Logical Fallacies
180(2)
Motives for Writing an Argument
182(1)
Writing Beyond The Classroom Public Argument in a Digital Age
183(1)
The Argument and Academic Writing
183(1)
Features of the Form
184(2)
Readings
186(1)
Argument 1 Edward Tufte, "PowerPoint Is Evil"
186(4)
Inquiring into the Essay
190(1)
Argument 2 Loye Young, "Is, Humiliation an Ethically Appropriate Response to Plagiarism?"
191(2)
Inquiring into the Essay
193(1)
The Writing Process
194(1)
Inquiry Project: Writing an Argument
194(1)
What Are You Going to Write About?
195(1)
Opening Up
195(1)
Listing Prompts
195(1)
One Student's Response Rebecca's Journal
196(1)
Fastwriting Prompts
196(1)
Visual Prompts
197(1)
Research Prompts
197(1)
Narrowing Down
198(1)
What's Promising Material and What Isn't?
198(1)
Questions About Audience and Purpose
199(1)
Trying Out
199(1)
Kitchen Knives of Thought
200(1)
Research Considerations
200(1)
Interviews
201(1)
Writing the Sketch
201(1)
Student Sketch Rebecca Thompson, "Twitter a Profound Thought?"
202(1)
Moving from Sketch to Draft
203(1)
Evaluating Your Own Sketch
203(1)
Reflecting on What You've Learned
204(1)
Developing
204(1)
Writing for Your Readers
204(1)
Researching the Argument
204(2)
Drafting
206(1)
Designing Your Argument Rhetorically
206(1)
Methods of Development
207(1)
Inquiring Into The Details What Evidence Can Do
208(1)
Using Evidence
208(1)
Workshopping
208(1)
Reflecting on the Draft
209(1)
Revising
209(1)
Shaping
209(1)
Inquiring Into The Details Toulmin: A Method for Analyzing an Argument
210(1)
Polishing
211(1)
Student Essay Rebecca Thompson, "Social Networking Social Good?"
212(4)
Evaluating the Essay
216(1)
Using What You Have Learned
216(3)
Chapter 7 Writing a Critical Essay
219(40)
Writing About Literature
219(1)
Motives for Writing a Critical Essay
220(1)
The Critical Essay and Academic Writing
221(1)
Features of the Form
222(3)
Readings
225(1)
Short Story Leslie Marmon Silko, "Lullaby"
225(7)
Inquiring into the Story
232(1)
One Students Response Noel's Journal
232(1)
Inquiring Into The Details Why Literary Theory Is Not a Sleep Aid
233(1)
Film Criticism James Parker, "Our Zombies, Ourselves"
234(4)
Inquiring into the Essay
238(1)
Seeing The Form Young Ladies on the Banks of the Seine by Gustave Courbet
238(3)
The Writing Process
241(1)
Inquiry Project: Writing a Critical Essay
241(1)
What Are You Going to Write About?
242(1)
Opening Up
242(1)
Listing Prompts
242(1)
Fastwriting Prompts
242(1)
Visual Prompts
243(1)
Research Prompts
243(1)
Inquiring Into The Details Common Literary Devices
244(1)
Narrowing Down
245(1)
What's Promising Material and What Isn't?
245(1)
Questions About Audience and Purpose
246(1)
Writing the Sketch
246(1)
Student Sketch Julie Bird, "What Is the Role of Nature in `Lullaby'?"
247(1)
Moving from Sketch to Draft
248(1)
Evaluating Your Own Sketch
248(1)
Reflecting on What You've Learned
248(1)
Developing
249(1)
Analysis
249(1)
Research
249(1)
Drafting
250(1)
Methods of Development
250(1)
Using Evidence
251(1)
Workshopping
251(1)
Reflecting on the Draft
252(1)
Revising
252(1)
Shaping
252(1)
Polishing
253(1)
Student Essay Julie Bird, "Nature as Being: Landscape in Silko's `Lullaby'"
254(2)
Evaluating the Essay
256(1)
Using What You Have Learned
257(2)
Chapter 8 Research Techniques
259(34)
Methods of Collecting
259(1)
Research in the Electronic Age
260(1)
Research Routines
260(1)
Power Searching Using Google
261(1)
Google Scholar
262(1)
Power Searching in the Library
263(1)
Combing Terms Using Boolean Searching
263(1)
Using Controlled Language Searches
264(1)
Developing Working Knowledge
265(1)
A Strategy for Developing Working Knowledge
266(1)
Refine the Research Question
266(1)
Developing Focused Knowledge
267(1)
A Strategy for Developing Focused Knowledge
268(1)
Library Research
268(2)
Web Research
270(1)
Evaluating Library Sources
271(1)
Inquiring Into The Details The Working Bibliography
272(1)
Advanced Internet Research Techniques
273(1)
Go Beyond Google
273(1)
Evaluating Web Sources
273(2)
An Evaluation Process for Web Sources
275(1)
Research with Living Sources: Interviews, Surveys, and Fieldwork
276(1)
Interviews
276(1)
Arranging Interviews
277(1)
Conducting the Interview
278(1)
Using the Interview in Your Writing
279(1)
Surveys
280(1)
Defining a Survey's Goals and Audience
280(1)
Types of Survey Questions
281(1)
Crafting Survey Questions
281(1)
Inquiring Into The Details Types of Survey Questions
282(1)
Conducting a Survey
283(1)
Using Survey Results in Your Writing
284(1)
Fieldwork: Research on What You See and Hear
284(1)
The Ethics of Fieldwork
285(1)
Note-Taking Strategies
285(1)
Using Field Research in Your Writing
286(1)
Writing in the Middle: Note-Taking Techniques
286(1)
Double-Entry Journal
287(1)
Research Log
288(1)
One Student's Response Claude's Research Log
289(1)
Using What You Have Learned
290(3)
Chapter 9 Using and Citing Sources
293(78)
Controlling Information
293(1)
Using Sources
293(2)
Summarizing
295(1)
Paraphrasing
296(1)
Quoting
297(2)
Citing Sources
299(1)
Avoiding Plagiarism
300(3)
Exercise 9.1 The Accidental Plagiarist
301(2)
MLA Documentation Guidelines
303(1)
Inquiring Into The Details The Common Knowledge Exception
303(1)
Citing Sources
304(1)
Where to Put Citations
304(1)
Inquiring Into The Details Citations That Go with the Flow
305(1)
When You Mention the Author's Name
306(1)
When There Is No Author
306(1)
Works by the Same Author
307(1)
When One Source Quotes Another
308(1)
Personal Interviews
308(1)
Several Sources in a Single Citation
308(1)
Sample Parenthetical References for Other Sources
309(2)
Format
311(1)
The Layout
311(3)
Preparing the Works Cited Page
314(1)
Format
315(1)
Citing Books
316(1)
Sample Book Citations
317(3)
Citing Periodicals
320(2)
Sample Periodical Citations
322(3)
Citing Online and Other Sources
325(3)
A Sample Paper in MLA Style: Gordon Seirup, "College Dating"
328(11)
Evaluating the Essay
339(1)
APA Documentation Guidelines
339(1)
How the Essay Should Look
340(1)
Page Format
340(1)
Title Page
340(1)
Abstract
340(1)
Body of the Paper
341(1)
References Page
342(1)
Appendix
342(1)
Notes
342(1)
Tables and Figures
343(1)
Language and Style
344(1)
Citing Sources in Your Essay
344(1)
When the Author Is Mentioned in the Text
344(1)
When the Author Isn't Mentioned in the Text
344(1)
When to Cite Page Numbers
344(1)
A Single Work by Two or More Authors
345(1)
A Work with No Author
345(1)
Two or More Works by the Same Author
345(1)
An Institutional Author
345(1)
Multiple Works in the Same Parentheses
346(1)
Interviews, E-Mail, and Letters
346(1)
New Editions of Old Works
346(1)
A Website
346(1)
Preparing the References List
347(1)
Order of Sources
347(1)
Order of Information
347(2)
Sample References: Articles
349(2)
Sample References: Books
351(3)
Sample References: Other
354(3)
A Sample Paper in APA Style: Kersti Harter, "Beyond `Gaydar': How Gay Males Identify Other Gay Males"
357(11)
Evaluating the Essay
368(1)
Using What You Have Learned
368(3)
Chapter 10 Revision Strategies
371
Why Revise?
371(2)
Divorcing the Draft
373(1)
Strategies for Divorcing the Draft
374(1)
Five Categories of Revision
375(1)
Problems with Purpose
376(3)
Revision Strategy 10.1 The Motive Statement
377(1)
Revision Strategy 10.2 What Do You Want to Know About What You Learned?
378(1)
One Student's Response Julia's Draft
379(2)
Revision Strategy 10.3 Finding the Focusing Question
379(2)
Revision Strategy 10.4 What's the Relationship?
381(1)
Problems with Meaning
381(1)
Where Does Meaning Come From?
381(2)
Methods for Discovering Your Thesis
383(4)
Revision Strategy 10.5 Find the "Instructive Line"
383(1)
Revision Strategy 10.6 Looping Toward a Thesis
384(1)
Revision Strategy 10.7 Reclaiming Your Topic
385(1)
Revision Strategy 10.8 Believing and Doubting
386(1)
Methods for Refining Your Thesis
387(2)
Revision Strategy 10.9 Questions as Knives
387(1)
Revision Strategy 10.10 Qualifying Your Claim
388(1)
Problems with Information
389(4)
Revision Strategy 10.11 Explode a Moment
389(1)
Revision Strategy 10.12 Beyond Examples
390(1)
Revision Strategy 10.13 Research
391(1)
Revision Strategy 10.14 Backing Up Your Assumptions
392(1)
Problems with Structure
393(1)
Formal Academic Structures
394(6)
Revision Strategy 10.15 Beginnings, Middles, Ends, and the Work They Do
395(1)
Revision Strategy 10.16 Reorganizing Around Thesis and Support
395(2)
Revision Strategy 10.17 Multiple Leads
397(1)
Revision Strategy 10.18 The Frankenstein Draft
398(2)
Problems with Clarity and Style
400(1)
Solving Problems of Clarity
401(1)
Revision Strategy 10.19 The Three Most Important Sentences
401(1)
The First Sentence
401(1)
The Last Line of the First Paragraph
401(1)
The Last Line of the Essay
401(3)
Revision Strategy 10.20 Untangling Paragraphs
402(2)
Revision Strategy 10.21 Cutting Clutter
404(1)
Inquiring Into The Details Transition Flags
404(2)
Revision Strategy 10.22 The Actor and the Action Next Door
406(1)
Improving Style
406(3)
Revision Strategy 10.23 Actors arid Actions
407(1)
Revision Strategy 10.24 Smoothing the Choppiness
407(1)
Revision Strategy 10.25 Fresh Ways to Say Things
408(1)
Using What You Have Learned
409
Credits 1(1)
Index 1