| 30 Years of Ars Electronica |
|
10 | (8) |
|
|
| Prix Ars Electronica 2009 |
|
18 | (4) |
|
|
|
COMPUTER ANIMATION/FILM/VFX |
|
|
|
Therapy 2009---Statement of the Computer Animation/Film/VFX Jury |
|
|
22 | (8) |
|
National Filmboard of Canada---HA'Aki: Golden Nica |
|
|
30 | (4) |
|
|
|
|
|
34 | (4) |
|
|
|
|
|
The Nest That Sailed The Sky |
|
|
38 | (2) |
|
|
|
Passion Pictures, 1st Ave Machine---Audi ``Unboxed'' |
|
|
40 | (2) |
|
|
|
|
|
|
|
42 | (2) |
|
|
|
|
|
44 | (2) |
|
|
|
Autour de Minuit Productions & The Mill---Dix |
|
|
46 | (2) |
|
|
|
Pumpkin Factory/Bibo Films---French Roast |
|
|
48 | (2) |
|
|
|
Passion Pictures-Harmonix ``Rock Band II'' |
|
|
50 | (2) |
|
|
|
BUF Compagnie---The Dark knight |
|
|
52 | (2) |
|
|
|
National Film Board of Canada---the Spine |
|
|
54 | (2) |
|
|
|
Nexus Productions---This Way up |
|
|
56 | (2) |
|
|
|
|
|
|
|
58 | (2) |
|
|
|
Pixar Animation Studios---Wall-E |
|
|
60 | (2) |
|
|
|
Blizzard Entertainment---world of Warcraft: Wrath of the Lich King---Intro Cinematic |
|
|
62 | (4) |
|
|
|
|
|
|
|
|
Pluralization and the Expansion of the Concept of Music---Statement of the Digital Musics jury |
|
|
66 | (8) |
|
Speeds of Time---Versions 1 and 2: Golden Nica |
|
|
74 | (2) |
|
|
|
``Active Field'' for ten violins and ten-channel 1-bit music |
|
|
76 | (2) |
|
|
|
Nabaz'mob---Opera for 100 Smart rabbits |
|
|
78 | (2) |
|
|
|
|
|
Am Dienstag um neun sind die Erdbeeren reif |
|
|
80 | (1) |
|
|
|
Truce: Strategies for Post-Apocalyptic Computation |
|
|
81 | (1) |
|
|
|
|
|
|
|
82 | (1) |
|
|
|
|
|
|
|
83 | (1) |
|
|
|
Formant Brothers--- Le tombeau de Freddie/L'Internationale |
|
|
84 | (1) |
|
Physiological Mechanics Fantasy |
|
|
85 | (1) |
|
|
|
Relative Realities. An Enhancement of Reality |
|
|
86 | (1) |
|
|
|
|
|
|
|
87 | (1) |
|
|
|
|
|
88 | (1) |
|
|
|
The Turbulence Sound Matrix: Signe |
|
|
89 | (1) |
|
|
|
|
|
90 | (1) |
|
|
|
|
|
91 | (5) |
|
|
|
|
|
|
Hybrid: Holism 2.0 - Statement of the Hybrid Art Jury |
|
|
96 | (8) |
|
Eduardo Kac with his scientific partners Neil Olszewski, Department of Plant Biology and Neil Anderson, Department of Horticultural Science, University of Minnesota, St. Paul, MN---Natural History of the Enigma |
|
|
104 | (6) |
|
|
|
Joyce Hinterding---EarthStar |
|
|
110 | (4) |
|
|
|
Member of Because We Want It---The New York Times Special Edition |
|
|
114 | (4) |
|
|
|
|
|
118 | (2) |
|
|
|
|
|
|
|
Common Flowers---Flower Commons |
|
|
120 | (2) |
|
|
|
|
|
doubleNegatives Architecture---Corpora in Si(gh)te |
|
|
122 | (2) |
|
|
|
|
|
|
|
|
|
|
|
|
|
Experiment---Cosmic Revelation |
|
|
124 | (2) |
|
|
|
|
|
126 | (2) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
128 | (2) |
|
|
|
|
|
|
|
|
|
130 | (2) |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
132 | (2) |
|
|
|
|
|
|
|
134 | (2) |
|
|
|
|
|
|
|
|
|
136 | (2) |
|
|
|
|
|
|
|
|
|
138 | (2) |
|
|
|
Art + Com---The Kinetic Sculpture |
|
|
140 | (4) |
|
|
|
|
Interactive + Art---statement of the Interactive Art Jury |
|
|
144 | (8) |
|
Nemo Observatorium: Golden Nica |
|
|
152 | (2) |
|
|
|
|
|
154 | (2) |
|
|
|
When laughter trips at the threshold of the divine |
|
|
156 | (2) |
|
|
|
|
|
rAndom international (Stuart Wood, Florian Ortkrass, Hannes Koch) & Chris O'Shea---Audience |
|
|
158 | (2) |
|
|
|
160 | (2) |
|
|
|
|
|
|
|
CONNECT---Feedback-driven Sculpture |
|
|
162 | (2) |
|
|
|
|
|
164 | (2) |
|
|
|
|
|
|
|
|
|
|
|
166 | (2) |
|
|
|
|
|
168 | (2) |
|
|
|
|
|
|
|
170 | (2) |
|
|
|
|
|
172 | (2) |
|
|
|
|
|
|
|
174 | (2) |
|
|
|
Perpetual Storytelling Apparatus |
|
|
176 | (2) |
|
|
|
|
|
The Physical Value of Sound |
|
|
178 | (2) |
|
|
|
|
|
180 | (4) |
|
|
|
|
|
Digital CommunitiesRisks and Challenges---Statement of the Digital Communities Jury |
|
|
184 | (10) |
|
|
|
194 | (2) |
|
|
|
196 | (2) |
|
|
|
198 | (2) |
|
Caonima---Grass Mud Horse |
|
|
200 | (2) |
|
|
|
202 | (2) |
|
Canchas. spontaneous soccer fields |
|
|
204 | (2) |
|
|
|
206 | (2) |
|
|
|
208 | (2) |
|
|
|
210 | (2) |
|
|
|
212 | (2) |
|
|
|
214 | (2) |
|
Mute---Culture and politics after the Net |
|
|
216 | (2) |
|
|
|
218 | (2) |
|
|
|
220 | (2) |
|
Wikiartpedia---La Libera Enciclopedia Dell'Arte e le Culture delle Reti Telematiche |
|
|
222 | (2) |
|
|
|
224 | (4) |
|
[ THE NEXT IDEA] VOESTALPINE ART AND TECHNOLOGY GRANT |
|
|
|
Do it together! Die neue Kunst Unkonventioneller Bruckenschlage Statement of the [ the next idea] Jury |
|
|
228 | (6) |
|
Open_Sailing_Crew-Open_Sailing: Grant |
|
|
234 | (6) |
|
MEDIA. ART.RESEARCH AWARD |
|
|
|
Sound-Image Relations in Audiovisual Art---Statement of the Media.Art.Research Award Jury |
|
|
240 | (4) |
|
Eye hEar: Music, Art, Film & the Culture of Synesthesia Media. Art.Research Award |
|
|
244 | (6) |
|
|
|
Dickson Experimental How in the Year 2000 the Oldest Sound Film in History Came into Being |
|
|
250 | (4) |
|
|
|
The Order of Sounds---The Interplay of the Arts from the Bauhaus to Black Mountain College |
|
|
254 | (6) |
|
|
|
|
|
|
Wonderful Tools, Wonderful Times---Statement of the u19---freestyle computing Jury |
|
|
260 | (6) |
|
In den Tiefen: Golden Nica |
|
|
266 | (2) |
|
|
|
|
|
268 | (2) |
|
|
|
Class 5A of Linz's ``HLW des Schulvereins der Kreuzschwestern''---Sound Machines |
|
|
270 | (2) |
|
Third and Fourth Graders from the Volksschule Neußerling-Sieben auf einen Streich |
|
|
272 | (1) |
|
2nd Grade, Dr.-Aloys-Weißenbach-Hauptschule---Lego Chemie |
|
|
273 | (1) |
|
|
|
274 | (1) |
|
|
|
CityFlow---Urban Climate Simulation |
|
|
275 | (1) |
|
|
|
|
|
Andreas Mursch-Radlgruber |
|
|
|
|
|
|
276 | (1) |
|
|
|
Krmpf Krmpf Studios IOCC---Die Polizei im Rennen gegen die Zeit |
|
|
277 | (1) |
|
|
|
278 | (1) |
|
|
|
|
|
279 | (1) |
|
|
|
Robot Control with Mobile Phone Motion |
|
|
280 | (1) |
|
|
|
|
|
281 | (1) |
|
|
|
|
|
|
|
282 | (1) |
|
|
|
|
|
283 | (3) |
|
|
|
|
| Prix Ars Electronica 2009---Jury |
|
286 | (2) |
| Prix Ars Electronica 2009---Participants |
|
288 | |
