Acknowledgment |
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xi | |
Preface |
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xiii | |
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1 | (50) |
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4 | (2) |
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6 | (7) |
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Types of Online Communication |
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13 | (4) |
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Common Features of Digital Writing |
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17 | (2) |
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Some Forms of Playfulness |
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19 | (5) |
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24 | (12) |
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Overview of Five Case Studies |
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36 | (6) |
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Writing about a Dynamic Medium in a Static One |
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42 | (9) |
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``Feeling Spiffy:'' The Changing Language of Public Email |
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51 | (49) |
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A New Kind of Letter-writing |
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52 | (4) |
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Anomalous Nature of the Medium |
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56 | (3) |
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What Did Manuals for Email Style Recommend? |
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59 | (4) |
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Two Hypotheses about Public Email |
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63 | (1) |
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Presentation of Self in First Email Letters |
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64 | (1) |
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First Letters to a Professor |
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65 | (3) |
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68 | (12) |
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From Business Letter to Expressive Conversation |
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80 | (5) |
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85 | (15) |
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Typed ``Jazz:'' Writing, Play, and Performance on Internet Relay Chat |
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100 | (57) |
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``Hmmm... Where's That Smoke Coming From?'' Typed Simulation of Smoking Marihuana |
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101 | (6) |
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Shakespeare ``Live'' Online: the Hamnet Players |
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107 | (10) |
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Hamnet Productions and the Problem of Genre |
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117 | (1) |
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Hamnet Scripts: a Closer Look |
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118 | (9) |
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Logistics of Hamnet Productions |
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127 | (2) |
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Hamnet Performances: Some Highlights |
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129 | (12) |
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141 | (16) |
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``Don't Just Send a Card, Send a Cyber Greeting!'' Digital Greetings on the World Wide Web |
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157 | (37) |
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Traditional Postcards and Greeting Cards |
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159 | (2) |
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A Capsule History of Postcards and Greeting Cards |
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161 | (6) |
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The Communicative Functions of Postcards and Greeting Cards |
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167 | (2) |
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The Greeting Card Industry |
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169 | (2) |
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171 | (1) |
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Digital Greetings and Life's Troubles |
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171 | (5) |
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176 | (4) |
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Why Were Greetings Websites So Playful? |
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180 | (3) |
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183 | (11) |
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ASCII Art and its Antecedents |
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194 | (47) |
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195 | (2) |
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197 | (6) |
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From Teletype Art to ASCII Art |
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203 | (5) |
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The 1990s: BBSs, Usenet Newsgroups, and the World Wide Web |
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208 | (2) |
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Styles and Genres of ASCII Art |
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210 | (17) |
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Two Contemporary ASCII Artists |
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227 | (4) |
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231 | (4) |
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235 | (6) |
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``Welcome to Our Beautiful World of Colors!'' Art and Communication on Internet Relay Chat |
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241 | (48) |
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242 | (2) |
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Overview of the Case Study |
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244 | (9) |
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New Features: Color, Eccentric Typography, Abstract Pattern |
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253 | (4) |
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Striving for Closure: Visual Form |
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257 | (12) |
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Striving for Closure: the Content of Images |
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269 | (4) |
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273 | (16) |
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``There's More to Life than Times New Roman!'' Font Frenzy |
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289 | (56) |
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A Capsule History of Typography |
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293 | (7) |
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300 | (6) |
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``Let's Smash the Crystal Goblet:'' an Expressive Approach to Fonts |
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306 | (7) |
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Collecting and Displaying Fonts |
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313 | (5) |
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318 | (11) |
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Personal Handwriting Fonts: a Closer Look |
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329 | (2) |
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331 | (14) |
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345 | (27) |
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345 | (3) |
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IRC Art as Incipient Folk Art and as Craft |
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348 | (7) |
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Intellectual Property Issues |
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355 | (7) |
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Bi-stability of Text and Image |
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362 | (1) |
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362 | (3) |
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A Grand ``Grand Piano'' on the Desktop |
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365 | (7) |
Bibliography |
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372 | (30) |
Subject Index |
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402 | (7) |
Names Index |
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409 | |