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Dance-Play and Drawing-Telling as Semiotic Tools for Young Childrens Learning [Hardback]

(University of Melbourne, Australia), (University of Melbourne, Australia)
  • Formāts: Hardback, 184 pages, height x width: 234x156 mm, weight: 453 g, 3 Line drawings, black and white; 58 Halftones, black and white
  • Sērija : Routledge Research in Early Childhood Education
  • Izdošanas datums: 16-Feb-2018
  • Izdevniecība: Routledge
  • ISBN-10: 1138676454
  • ISBN-13: 9781138676459
  • Hardback
  • Cena: 210,77 €
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  • Formāts: Hardback, 184 pages, height x width: 234x156 mm, weight: 453 g, 3 Line drawings, black and white; 58 Halftones, black and white
  • Sērija : Routledge Research in Early Childhood Education
  • Izdošanas datums: 16-Feb-2018
  • Izdevniecība: Routledge
  • ISBN-10: 1138676454
  • ISBN-13: 9781138676459

Investigating children’s learning through dance and drawing telling, Dance-Play and Drawing as Semiotic Tools for Young Children’s Learning provides a unique insight into how these activities can help children to critically reflect on their own learning. Promoting the concept of dance and drawing telling as highly effective semiotic tools for meaning making, the book enlivens thinking about the extraordinary capacities of young children, and argues for the incorporation of dance and drawing in mainstream early childhood curriculum.

Throughout the book, numerous practice examples show how children use movement, sound, images, props and language to imaginatively re-conceptualize their everyday experiences into bodily-kinesthetic and spatial-temporal concepts. These examples illustrate children’s competence when given the opportunity to learn through dance and drawing telling, as well as the important role that teachers play in scaffolding children’s learning.

Based on award-winning research, this insightful and informative book makes a sought after contribution to the field of dance education and seeks to reaffirm dance as a powerful learning modality that supports young children’s expressive non-verbal communication. Encouraging the reader to consider the significance of multi-modal teaching and learning, it is essential reading for researchers in the dance, drawing and education spheres; postgraduate students taking courses in early childhood; play and dance therapists; and all early childhood teachers who have a specific interest in arts education.

List of figures
ix
Author biographies xi
1 Embodied thinking: the central role of dance
1(18)
Dance as a `language' of childhood
2(3)
Dance as an expression of voice
5(3)
Dance-play
8(3)
Dance-play viewed through a socio-constructivist lens
11(3)
Summary
14(1)
References
14(5)
2 Dance and drawing as sign systems for transmediated meaning-making
19(31)
Visual-spatial-kinaesthetic meaning-making and transmediation
19(8)
Dance and drawing as sign systems
27(9)
Learning the semiotic rules: exploring movement schema
36(11)
Summary
47(1)
References
47(3)
3 Planning for dance
50(23)
The learning space --- the dance studio
52(1)
Entering the space
53(1)
Welcoming ritual
54(2)
Warm up
56(2)
Practice of dance skills
58(2)
Ensemble guided improvisations
60(3)
Solo and small-group free dance' --- sharing with the audience of peers
63(1)
Body thinking communicated through performance for peers
64(2)
Relaxation
66(1)
Reflective drawing-telling
67(3)
Summary
70(1)
References
70(3)
4 The dance encounter
73(28)
The reflective practitioner
73(2)
A Pedagogical Platform for Teaching and Learning
75(1)
Interest driven curriculum
75(2)
An integrated model of teaching and learning
77(2)
Establishing and maintaining relationships
79(1)
Meeting the children
80(3)
Developing big ideas and making learning visible
83(5)
Extending upon children's interests
88(4)
Metaphoric and descriptive language modelling
92(3)
Props and music as semiotic tools
95(4)
Summary
99(1)
References
99(2)
5 Learning about children's dance from children
101(11)
Solo dance-play
101(9)
Summary
110(1)
References
110(2)
6 Small group dance-play
112(11)
Summary
121(1)
References
122(1)
7 Ensemble dance-play
123(16)
Summary
137(1)
References
137(2)
8 Drawing the threads together
139(18)
Embodied thinking
139(1)
Cross modal semiosis: symbol weaving
140(2)
Mind and body integration
142(1)
Imagination, bodily-kinaesthetic and spatial reasoning
142(2)
Thinking in symbols through sign systems
144(1)
Dance, drawing, music, props and language as semiotic tools for meaning-making
145(2)
Observation and reflection
147(1)
Holistic meaning-making
148(1)
Transmediation
149(2)
Implications for teaching
151(3)
References
154(3)
Bibliography 157(21)
Index 178
Jan Deans is the Director of the Early Learning Centre, which is the University of Melbournes research and demonstration preschool. She is a long time advocate for teaching and learning through the arts and has worked both locally and internationally in early childhood, primary, tertiary, and special education settings. She has broadly based expertise in relation to early childhood education and service delivery and her recent research interests include learning through dance, social emotional competence and learning in the natural environment. In 1997 she established Boorai The Children's Art Gallery to present the voices of young children as expressed through their art and narratives. Boorai collaborates with educational and community organizations locally, nationally and internationally.

Susan Wright is Chair of Arts Education in the Melbourne Graduate School of Education at the University of Melbourne and is the Director of the Melbourne UNESCO Observatory of Arts Education. Her areas of teaching and research centre on semiotics and how meaning is transmediated across modalities, with a particular focus on artistic forms. She has also focused on ontological frameworks for understanding arts education in relation to learning and pedagogy and the influence of the environment on childrens and adults co-construction of artistry. Professor Wright has published extensively in the area of early childhood arts education and her principal books include The Arts Young Children and Learning and an edited compilation entitled Children, Meaning-Making and the Arts.