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Dance Theory: Source Readings from Two Millennia of Western Dance [Mīkstie vāki]

Edited by (Professor Emeritus of Music, Southern Connecticut State University)
  • Formāts: Paperback / softback, 322 pages, height x width x depth: 231x155x20 mm, weight: 454 g, 20 images
  • Izdošanas datums: 02-Jun-2020
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0190059761
  • ISBN-13: 9780190059767
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  • Cena: 41,05 €
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  • Formāts: Paperback / softback, 322 pages, height x width x depth: 231x155x20 mm, weight: 454 g, 20 images
  • Izdošanas datums: 02-Jun-2020
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0190059761
  • ISBN-13: 9780190059767
Citas grāmatas par šo tēmu:
The history of dance theory has never been told. Writers in every age have theorized prescriptively, according to their own needs and ideals, and theorists themselves having continually asserted the lack of any pre-existing dance theory. Dance Theory: Source Readings from Two Millenia of Western Dance revives and reintegrates dance theory as a field of historical dance studies, presenting a coherent reading of the interaction of theory and practice during two millennia of dance history. In fifty-five selected readings with explanatory text, this book follows the various constructions of dance theories as they have morphed and evolved in time, from ancient Greece to the twenty-first century.

Dance Theory is a collection of source readings that, commensurate with current teaching practice, foregrounds dance and performance theory in its presentation of western dance forms. Divided into nine chapters organized chronologically by historical era and predominant intellectual and artistic currents, the book presents a history of an idea from one generation to another. Each chapter contains introductions that not only provide context and significance for the individual source readings, but also create narrative threads that link different chapters and time periods. Based entirely on primary sources, the book makes no claim to cite every source, but rather, in connecting the dots between significant high points, it attempts to trace a coherent and fair narrative of the evolution of dance theory as a concept in Western culture.

Recenzijas

From Plato and Aristotle to postmodern dance, this well-edited anthology collects source readings on diverse theories on Western dance...this is a coherent record of thought about dance, providing not only theoretical ideas but a history of dance as well. Summing Up: Essential. Lower -- division undergraduates through faculty; professionals; general readers. * J. Fisher, CHOICE * Tilden Russell provides a fascinating and all-encompassing look at dance theory from the Greeks to the early 21st century through primary source readings, and brings the subject of dance history to vivid life. Dance Theory should be used as the basis of every university dance history course from here on out! * Thomas Baird, The Juilliard School and Purchase College, SUNY * Tilden Russell's book is for dance theory what Oliver Strunk's Source Readings was for music history, in 1950: the first comprehensive compilation of primary-source writings in its field in English. With his commentary on these judiciously selected and (where necessary) expertly translated texts, Russell traces the serpentine, and sometimes discontinuous, path of important thinking on dance over the centuries, going a long way toward providing the overarching history of dance theory that we still lack. * Bruce Alan Brown, University of Southern California *

List of Illustrations
xi
Preface xiii
Acknowledgments xvii
Introduction: Dance Theory as a Problem in Dance History xix
1 Dance Theory to ca. 1300
1(25)
1.1 Plato
1(9)
1.2 Aristotle
10(2)
1.3 Plutarch
12(2)
1.4 Lucian of Samosata
14(7)
1.5 Johannes de Grocheio
21(5)
2 The Renaissance
26(17)
2.1 Domenico da Piacenza
26(1)
2.2 Antonio Comazano
26(1)
2.3 Guglielmo Ebreo of Pesaro
27(6)
2.4 Thoinot Arbeau
33(4)
2.5 Fabritio Caroso
37(6)
3 The Seventeenth Century
43(15)
3.1 Francois De Lauze
45(4)
3.2 Claude-Francois Menestrier
49(9)
4 The Early Enlightenment: German and English Dance Theory, 1703-1721
58(26)
4.1 Samuel Rudolph Behr
60(5)
4.2 Johann Pasch
65(5)
4.3 Gottfried Taubert
70(5)
4.4 John Weaver
75(9)
5 Dance Theory from Feuillet to the Encydopedie
84(17)
5.1 Giambatista Dufort
85(2)
5.2 Bartholome Ferriol y Boxeraus
87(2)
5.3 Pierre-Alexandre Hardouin
89(4)
5.4 Louis de Cahusac
93(8)
6 Divergent Paths: Noverre
101(24)
6.1 Jean-Georges Noverre
101(8)
6.2 Giovanni-Andrea Gallini
109(1)
6.3 Johann George Sulzer
110(3)
6.4 Gennaro Magri
113(2)
6.5 Charles Compan
115(10)
7 The Nineteenth Century and Fin de siecle: Practice Ascendent
125(39)
7.1 Jean-Etienne Despreaux
126(5)
7.2 Carlo Blasis
131(6)
7.3 Arthur Saint-Leon
137(1)
7.4 G. Leopold Adice
138(12)
7.5 Friedrich Albert Zorn
150(3)
7.6 Eugene Giraudet
153(3)
7.7 Edmond Bourgeois
156(8)
8 The Twentieth Century: Modernist Theory
164(48)
8.1 Rudolf von Laban
165(8)
8.2 Margaret N. H'Doubler
173(5)
8.3 African American Dance Theory I
178(17)
8.3a Zora Neale Hurston
178(1)
8.3b Katherine Dunham
178(5)
8.3c Robert Farris Thompson
183(9)
8.3d Brenda Dixon Gottschild
192(3)
8.4 Martha Graham
195(4)
8.5a Alwin Nikolais
199(1)
8.5b Murray Louis
199(4)
8.6a Flavia Pappacena
203(1)
8.6b Susanne Franco
203(9)
9 Postmodern Dance Theory and Anti-Theory
212(51)
9.1a Merce Cunningham
213(1)
9.1b, c Yvonne Rainer
213(6)
9.2 Susan Leigh Foster
219(8)
9.3 Andre Lepecki and Jenn Joy
227(2)
9.4 African American Dance Theory II
229(15)
9.4a Thomas F. DeFrantz
229(1)
9.4b Anita Gonzalez
229(4)
9.4c Halifu Osumare
233(3)
9.4d Nadine George-Graves
236(3)
9.4e Philipa Rothfield and Thomas F. DeFrantz
239(5)
9.5a Susan Leigh Foster
244(1)
9.5b P.A.R.T.S. (Performing Arts Research and Training Studios), Directrice: Anne Teresa De Keersmaeker
244(3)
9.6a Kent De Spain
247(4)
9.6b Janet Lansdale
251(4)
9.7 Gabriele Brandstetter
255(8)
Appendix: Table of Dance Periodization 263(2)
Bibliography 265(20)
Index 285
Tilden Russell is Professor Emeritus of Music at Southern Connecticut State University. The Compleat Dancing Master (2012), his two-volume translation with commentary of Gottfried Taubert's Rechtschaffener Tantzmeister, received the Society of Dance History Scholars' de la Torre Bueno Prize Special Citation. He further explores early eighteenth-century German dance theory in Theory and Practice in Eighteenth-Century Dance: The German-French Connection (2017), and is co-author, with Dominique Bourassa, of The Menuet de la cour (2007). He has written and lectured on Taubert and his contemporaries, dance theory, the minuet and scherzo, and other topics in dance and music history, with articles published in Dance Research, Dance Chronicle, The Journal of Musicology, Journal of the American Musicological Society, Musical Quarterly, Acta musicologica, Imago musicae, Beethoven Forum, The New Grove 2nd edition, and elsewhere.