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David Hammons, Maria Magdalena Campos-pons, Pamela Z: Three Artists, Three Projects, Dakar Beinnalle. Dispora, Memory, Place [Hardback]

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  • Formāts: Hardback, 320 pages, height x width: 170x220 mm, 120 Illustrations
  • Sērija : 13 Series
  • Izdošanas datums: 20-Feb-2008
  • Izdevniecība: Prestel
  • ISBN-10: 3791339133
  • ISBN-13: 9783791339139
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 320 pages, height x width: 170x220 mm, 120 Illustrations
  • Sērija : 13 Series
  • Izdošanas datums: 20-Feb-2008
  • Izdevniecība: Prestel
  • ISBN-10: 3791339133
  • ISBN-13: 9783791339139
Citas grāmatas par šo tēmu:
This book, inspired by the Dak'art2004 festival, held in Dakar, Senegal, is performance art on the page. It opens with twenty-five pages of David Hammons' evocative "Spirit Writing". Then Hassan and Finley, both in history of art and visual studies at Cornell University, give the background and rationale behind the participation of Hammons, Maria Magdalena Campos-Pons and Pamela Z in the festival. Photographs of the installations and performances are excellent but can't possibly reproduce the immediacy of the events. This is art of the African Diaspora, returning to Africa. There are essays on the work of each artist but also on the diaspora and the history of Senegal and Dakar. There are also photos of other works of the artists that accompany the essays. A remarkable book. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)
Spirit Writing 1(25)
David Hammons
Introduction-Diaspora/Memory/Place: Three Artists/Three Projects 26(22)
Salah M. Hassan
Cheryl Finley
Diaspora/Memory/Place
Dakar: From Yesterday to Today
48(14)
Mamadou Diouf
Dakar: Memories for Another Passage
62(16)
Hudita Nura Mustafa
The Uses of Diaspora
78(28)
Brent Hayes Edwards
Place-Making or in the ``Wrong Place'': Contemporary Art and the Postcolonial Condition
106(24)
Okwui Enwezor
The Darkest Africa Syndrome and the Idea of Africa: Notes Toward a Global Vision of Africa and Its Modernist Practice
130(7)
Salah M. Hassan
3 × 3: Three Artists/Three Projects
David Hammons/Dak'Art 2004 Sheep Raffle
137(74)
Dak'Art 2004 Sheep Raffle
138(18)
Manthia Diawara
Sheep and Circumstance: Hammons, Africa, and the Exit Art Installation
156(14)
Kellie Jones
Chromatic Shadows, So What? Notes Toward Better Reception of David Hammons's Signals
170(26)
Barry Maxwell
An Elective Affinity: David Hammons's Hidden from View and Made in the People's Republic of Harlem
196(15)
Claire Tancons
Maria Magdalena Campos-Pons/Threads of Memory
211(44)
Threads of Memory-Invisible Lines
212(8)
Sally Berger
Interiority or Hill-Sided Moon
220(10)
Salah M. Hassan
Patterns of Remembrance
230(14)
Selene Wendt
Conversation with Maria Magdalena Campos-Pons
244(11)
Derek Conrad Murray
Soraya Murray
Pamela Z/Just Dust
255(59)
A Sound Argument Against the Autonomy of ``The Visual''
256(10)
Maria Fernandez
The Virtual Discourses of Pamela Z
266(24)
George E. Lewis
``Did You Mark Other?'' Transnational Pedagogy in the Sound Art of Pamela Z
290(12)
Tavia Nyong'o
Conversation with Pamela Z
302(12)
Derek Conrad Murray
Soraya Murray
Artists' Biographies 314(2)
Notes on Contributors 316(3)
Acknowledgments 319