Atjaunināt sīkdatņu piekrišanu

De-signing Design: Cartographies of Theory and Practice [Hardback]

Contributions by , Contributions by , Editor-in-chief , Contributions by , Edited by , Edited by , Contributions by , Contributions by , Edited by , Contributions by
  • Formāts: Hardback, 258 pages, height x width x depth: 236x159x25 mm, weight: 531 g, 13 BW Illustrations
  • Sērija : TEXTURES: Philosophy / Literature / Culture
  • Izdošanas datums: 07-Jan-2016
  • Izdevniecība: Lexington Books
  • ISBN-10: 0739179128
  • ISBN-13: 9780739179123
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 110,64 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Hardback, 258 pages, height x width x depth: 236x159x25 mm, weight: 531 g, 13 BW Illustrations
  • Sērija : TEXTURES: Philosophy / Literature / Culture
  • Izdošanas datums: 07-Jan-2016
  • Izdevniecība: Lexington Books
  • ISBN-10: 0739179128
  • ISBN-13: 9780739179123
Citas grāmatas par šo tēmu:
De-Signing Design: Cartographies of Theory and Practice throws new light on the terrain between theory and practice in transdisciplinary discourses of design and art. The editors, Elizabeth Grierson, Harriet Edquist, and Hélčne Frichot, bring together diverse approaches to design theory, practice, and philosophy from leading scholars in Australia, New Zealand, Japan, and the United Kingdom. Themes include spatiality, difference, cultural aesthetics, and identity in the expanded field of place-making and being. The concept that design can be de-signed is presented as a way of exploring different approaches to an experimental and experiential thinking-doing that promises to further open up research possibilities in the fields of design and art thinking and practice. The book enacts a series of cartographic devices to articulate the spaces between theory and practice.

Recenzijas

At a moment when the term design is used not only to designate acts of a designer such as projecting the organizational, representational, technical, and material dimensions of an object, building, image or interface but to reference any act of strategic or even managerial thinking, De-Signing Design: Cartographies of Theory and Practice offers welcome conceptual and discursive tools for thinking critically about the future.  Demonstrating the complex relays between thinking and doing, or theory and practice, it marks out a variegated new ground upon which to operate beyond the purely instrumental. -- Felicity D. Scott, Columbia University De-signing Design: Cartographies of Theory and Practice is a synthetic modernist handbook for de-signing design and for the city as design outcome. Its compelling narrative begins with Jacques Derridas provocative placement of the hyphen in the formation of the term de-signing. Thus equipped, we set off on a journey that leads from the production of the first atlas by Abraham Ortellus in 1570 all the way to the world of BwO (body-without-organs) and other entities poised in potentiality. Strategies and outcomes that once seemed out of the world of Superfictions now appear tantalizingly real.

This book will appeal to, will excite, and will inform artists, designers, architects, bio-engineers, narratologists, city planners, graduate students, and anyone with a keen sense of wonder about our future and how it might be de-signed. -- Peter Hill, Deakin University

Acknowledgments vii
Abbreviations ix
Introduction: De-signing Design: Cartographies of Theory and Practice xvii
Elizabeth Grierson
Harriet Edquist
Helene Frichot
I De-signing Design
1(76)
1 De-signing the City: Interventions through Art
7(14)
Elizabeth Grierson
2 Toward De-signing: Narratives, Networks, and the Open Work
21(12)
Scott McQuire
3 Designations
33(14)
Mark Jackson
4 Signs of Postmemory in Dresden: Restoring the Displaced
47(14)
Marsha Berry
5 Posed Solitude: Signing a Poetics of Community
61(16)
Maria O'Connor
II Geo-Placed Knowledges and Design
77(52)
6 24 Hours Noticing: Designing our Encounters with Place
81(10)
Laurene Vaughan
Yoko Akama
7 Representing the City: Complementing Science and Technology with Art
91(14)
William Cartwright
8 Embodied Encounters: The Photographic Seeds of Rolf de Heer and Peter Djigirr's Ten Canoes
105(12)
Linda Daley
9 Mapping Modernity in "Marvellous Melbourne": Ada Cambridge's A Woman's Friendship
117(12)
Harriet Edquist
III Mapping a New Biological Paradigm for Design
129(88)
10 Mapping an Ethico-Aesthetics for Wet Biotechnological Architectures
135(16)
Helene Frichot
11 Digital Organic Design: Architecture, the New Biology, and the Knowledge Economy
151(12)
Karen Burns
12 De-signing as Bio-Technological Endosymbiosis
163(16)
Stephen Loo
13 Design, Second Life, and the Hyper Real
179(14)
Lisa Dethridge
14 Hopeful: Biology, Architectural Design, and Philosophy
193(12)
Chris Smith
15 Design and New Materialism
205(12)
Neil Leach
Bibliography 217(12)
Index 229(4)
About the Contributors and Editors 233
Elizabeth Grierson is professor of art and philosophy at RMIT University.

Harriet Edquist is professor of architectural history at RMIT University.

Hélčne Frichot is assistant professor of critical studies in architecture at KTH Royal Institute of Technology.