E-grāmata: Death Be Not Proud: The Art of Holy Attention

The seventeenth-century French philosopher Nicolas Malebranche thought that philosophy could learn a valuable lesson from prayer, which teaches us how to attend, wait, and be open for what might happen next. Death Be Not Proud, the inaugural book in the Class 200 series, explores the precedents of Malebranche’s advice by reading John Donne’s poetic prayers in the context of what David Marno calls the “art of holy attention.”

If in Malebranche’s view, attention is a hidden bond between religion and philosophy, devotional poetry is the area where this bond becomes visible. Marno shows that in works like “Death, be not proud,” Donne’s most triumphant poem about the resurrection, the goal is to allow the poem’s speaker to experience a given doctrine as his own thought, as an idea occurring to him. But while the thought must feel like an unexpected event for the speaker, the poem itself is a careful preparation for it. And the key to this preparation is attention, the only state in which the speaker can perceive the doctrine as a cognitive gift.

?Along the way, Marno illuminates why attention is required in Christian devotion in the first place, and uncovers a tradition of battling distraction that spans from ascetic thinkers and Church Fathers to Catholic spiritual exercises and Protestant prayer manuals. As a study of how Donne’s poetry appropriates this tradition, Death Be Not Proud contributes to discussions about early modern English devotional poetry and to broader studies of Christian devotion’s relevance for secular thought.

What might contemporary thinkers learn from prayer? The seventeenth-century French philosopher Nicolas Malebranche suggested a possibility: that prayer teaches us how to “attend.” This book explores the precedents of Malebranche’s advice by reading John Donne’s poetic prayers in the context of what David Marno calls the art of holy attention. This requires an understanding of attention’s role in Christian devotion, which he provides by uncovering a tradition of holy attention that spans from ascetic thinkers and Church Fathers to Catholic spiritual exercises and Protestant prayer manuals. Donne’s devotional poems occupy a unique position in this tradition. Marno identifies in them a devotional model of thinking whose aim is to experience an affect of attention. Marno’s argument is framed by compelling close readings of “Death, be not proud,” Donne’s most triumphant poem about the resurrection. Elsewhere, Marno takes up Claudius’s prayer inHamlet and Saint Augustine’s account of attention in the Soliloquies and theConfessions. The book ends with a Coda on the aftermath of holy attention in the philosophies of Descartes and Malebranche.