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E-grāmata: Decolonising English Studies from the Semi-Periphery

  • Formāts: EPUB+DRM
  • Izdošanas datums: 01-Jan-2023
  • Izdevniecība: Palgrave Macmillan
  • Valoda: eng
  • ISBN-13: 9783031202865
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 01-Jan-2023
  • Izdevniecība: Palgrave Macmillan
  • Valoda: eng
  • ISBN-13: 9783031202865

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This book investigates how decolonising the curriculum might work in English studies — one of the fields that bears the most robust traces of its imperial and colonial roots — from the perspective of the semi-periphery of the academic world- system. It takes the University of Lisbon as a point of departure to explore broader questions of how the field can be rethought from within, through Anglophone (post)coloniality and an institutional location in a department of English, while also considering forces from without, as the arguments in this book issue from a specific, liminal positionality outside the Anglosphere. The first half of the book examines the critical practice of and the political push for decolonising the university and the curriculum, advancing existing scholarship with this focus on semi-peripheral perspectives. The second half comprises two theoretically-informed and classroom-oriented case studies of adaptation of the literary canon, a part of model syllabi that are designed to raise awareness of and encourage an understanding of a global, pluriversal literary history.

Introduction 1(34)
References
29(6)
Part I What Decolonisation Is and Why English Studies Needs It
35(104)
Decolonising the University: A Turn, Shift, or Fix?
37(40)
Decolonising Factories of Knowledge
47(7)
Portugal's Semi-peripherality
54(7)
From the Universal to the Situated, Towards Pluriversality
61(9)
References
70(7)
Excavating the Imperial History of English Studies
77(30)
Knowledge, Power, and Selection
79(16)
Literature and the "Globalectical Imagination"
95(6)
References
101(6)
Interrupting How the Literary Canon Is Taught
107(32)
Dialogue, Relationality, and Emancipatory Politics
108(7)
Against Deficit and Accommodation Approaches
115(7)
The Aftering and Presentism of the Literary: A Radical Historicist Approach to the Canon
122(11)
References
133(6)
Part II What a Decolonised Curriculum for English Studies Can Look Like
139(102)
Beyond Stasis: Intertextuality, Spread ability, and Fandom
141(34)
References
168(7)
Adaptation Case Studies: Wuthering Heights and Home Fire
175(38)
The Hypertextualities o/Wuthering Heights
175(27)
Inter-imperial Encounters in the English Literature Semi-peripheral Classroom
175(2)
A Hypertextuality Perspective to Teaching Wuthering Heights
177(14)
"Nelly, Make Me Decent, I'm Going to Be Good"
191(4)
"Always Historicize!"
195(7)
Antigone Among British Muslims---Kamila Shamsie's Home Fire
202(6)
References
208(5)
Course Descriptions: English Literature (Eighteenth and Nineteenth Centuries) and English Literature (Twentieth and Twenty-First Centuries)
213(28)
Learning Outcomes
214(1)
Learning-Teaching Methodologies
214(2)
Coherence of Learning-Teaching Methodologies with the Learning Outcomes
216(3)
Notes on Online and Blended Classroom Learning-Teaching
217(2)
Syllabi Coherence with the Learning Outcomes
219(12)
Conceptual and Methodological Coordinates
219(1)
Historical-Cultural Coordinates and the Politics of "English Literature"
220(9)
Socio-aesthetic Worldviews and Literary Adaptation
229(2)
The Creative-Critical Multimodal Project
231(1)
Syllabi for English Literature (Eighteenth and Nineteenth Centuries) and English Literature (Twentieth and Twenty-First Centuries)
232(4)
English Literature (Eighteenth and Nineteenth Centuries)
233(2)
English Literature (Twentieth and Twenty-first Centuries)
235(1)
References
236(5)
Concluding Notes 241(4)
References 245(2)
Index 247
Ana Cristina Mendes is Associate Professor of English Studies at the School of Arts and Humanities, University of Lisbon, Portugal, where she teaches courses in cultural studies, visual culture and adaptation, and English history and culture. She is the author of Salman Rushdie in the Cultural Marketplace (2013) and The Past on Display (2013), and editor of Salman Rushdie and Visual Culture (2012).