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E-grāmata: Decolonising and Indigenising Design: Theory, Methodologies, Storytelling, and Creative Practice

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"This book offers a new approach to design theory and practice that draws on Indigenous knowledges, methodologies and methods, presenting concepts of decolonising and Indigenous design that are interweaved as theory, storytelling, and practices. The arena of design sustainability, social design, and innovation has been a site of debate since the 1960s. Yet, the ways in which design has redefined this complex realm has not directly addressed Indigenous ways of being, knowing, and doing, which could be paramount of importance to the transformation of the design field and beyond in creative practices. In response, this book offers valuable insights into how design practitioners can incorporate Indigenous practices to decolonise education, research, and design, and dismantle colonised paradigms, ways of thinking and practice in design. This approach is presented through storytelling, theory, methodology, methods, and practical examples to enlighten the reader. The book proposes a transformation in the role designers play, through understanding relationality between people, land, and the immaterial, while giving voice and agency to the land and waters, Our Mother Earth. Design is considered as a way to harness opportunities through the deep connection betweenpeople and place, and the book critically promotes a more contextual and dynamic understanding of decolonising and Indigenising design practices and spaces through relational design. This book will be useful for students and scholars studying in the fields of design, art, architecture, culture, decolonising methodologies, biocultural diversity, and design beyond human and materiality"--

This book offers a new approach to design theory and practice that draws on Indigenous knowledges, methodologies and methods, presenting concepts of decolonising and Indigenous design that are interweaved as theory, storytelling, and practices.

The arena of design sustainability, social design, and innovation has been a site of debate since the 1960s. Yet, the ways in which design has redefined this complex realm has not directly addressed Indigenous ways of being, knowing, and doing, which could be of paramount importance to the transformation of the design field and beyond in creative practices. In response, this book offers valuable insights into how design practitioners can incorporate Indigenous practices to decolonise education, research, and design, and dismantle colonised paradigms, ways of thinking and practice in design. This approach is presented through storytelling, theory, methodology, methods, and practical examples to enlighten the reader. The book proposes a transformation in the role designers play, through understanding relationality between people, land, and the immaterial, while giving voice and agency to the land and waters, Our Mother Earth. Design is considered as a way to harness opportunities through the deep connection between people and Place, and the book critically promotes a more contextual and dynamic understanding of decolonising and Indigenising design practices and spaces through relational design.

This book will be useful for students and scholars studying in the fields of design, art, architecture, culture, decolonising methodologies, biocultural diversity, and design beyond human and materiality.



This book draws on Indigenous knowledges, methodologies and methods, presenting concepts of decolonising and Indigenous design interweaved as theory, storytelling, and practices. Useful for students and scholars of design, art, architecture, culture, decolonising methodologies, biocultural diversity, and design beyond human and materiality.

Part 1: Ways of Being 1. My journey: Navigating cultural identity and engaging with this book
2. Indigenous worldviews, cosmology, and knowledges
3. Indigenous design Part 2: Ways of Knowing and Doing 4. Decolonising design practice
5. Critical Co-Design, Guidelines and Biocultural Workshop
6. Biocultural Workshop case study
7. Indigenous design practices Part 3: Ways of (Co)Becoming 8. Relational Design: A way of being, knowing, doing and (co) becoming

Desiree Hernandez Ibinarriaga is a Mexican woman with Nahua, Mayan, Basque, and Spanish heritage. Desiree is a creative practitioner, collaborative, and social design maker and thinker. She is a Senior Lecturer at Monash Art, Design and Architecture, part of the Wominjeka Djeembana Indigenous Research Lab cohort, and Coordinator for Indigenous Higher Degrees by Research. She has over 14 years of experience in the design field across diverse disciplines, such as sustainability, co-design, social, furniture, interior, decolonial, and Indigenous design. Desirees work focuses on better ways of partnership and communication between Indigenous and non-Indigenous people through design, by recognising the relationality between people and Place while privileging Indigenous knowledges.