This book explores the notion of dialogue adapted from Russian linguist Mikhail Bakhtin, who elaborated a critical methodology for interpreting the postcolonial encounter. The study explores dialogue in works of literature and ethnography by authors as diverse as Laura Bohannan, Ryszard Kapuscinski, Amitav Ghosh, V.S. Naipaul, and Zadie Smith.
What do we mean by dialogue? What can the use of dialogue tell us about a text, its author, and the larger cultural or political climate of the authors production?
This book examines the notion of dialogue adapted from the work of Russian linguist Mikhail Bakhtin, who elaborated a critical methodology for interpreting the EastWest postcolonial encounter. His concept is further complicated by issues of race, gender, class, nationality, and ethnic and religious identity that proliferate in such contexts and serves to reconfigure the power dynamics that characterize these encounters.
This study explores dialogue in a selection of twentieth- and early twenty-first-century ethnography, fiction, and travel writing by authors as diverse as Laura Bohannan, Ryszard Kapuscinski, Amitav Ghosh, V. S. Naipaul, and Zadie Smith, set in Africa, India, and Europe. These dialogues are viewed through the lenses of phenomenology, history, the philosophy of language, and postcolonial theory. The book also explores how these writing genres have evolved over time in correspondence with crucial historical transitions.
Contents: Understanding Colonial Discourse: Following in the Footsteps
of Spivak, Lazarus, Baer, and Majumder, and the Acknowledgement of the
Politics of Capitalism Sketching Bakhtin, Dialogism, and Genres, through
Close and Distant Reading Return to Laughter: Novelizing a Classical
Ethnography Cultural Identity, Performativity, and the Space of the
Postcolonial Nation in Amitav Ghoshs In an Antique Land Unveiling the
Ideological Perimeter of Ryszard Kapuciskis The Shadow of the Sun
Dialogical Reverberations across V.S. Naipauls An Area of Darkness and The
Mimic Men and Zadie Smiths White Teeth and NW.
Ambra Guarnieri holds a BA in Philosophy and an MA in Philosophy and the History of Ideas from the University of Rome La Sapienza, an MA in International Journalism from City University of London, and a PhD from the SOAS Centre for Cultural, Literary, and Postcolonial Studies. She is working on a play, a collection of poetry, and a postmodern novel.
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