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Deconstructing the Myths of Islamic Art [Hardback]

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  • Formāts: Hardback, 222 pages, height x width: 246x174 mm, weight: 800 g, 47 Halftones, black and white; 47 Illustrations, black and white
  • Sērija : Routledge Research in Art History
  • Izdošanas datums: 21-Mar-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367772655
  • ISBN-13: 9780367772659
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  • Cena: 191,26 €
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  • Formāts: Hardback, 222 pages, height x width: 246x174 mm, weight: 800 g, 47 Halftones, black and white; 47 Illustrations, black and white
  • Sērija : Routledge Research in Art History
  • Izdošanas datums: 21-Mar-2022
  • Izdevniecība: Routledge
  • ISBN-10: 0367772655
  • ISBN-13: 9780367772659
Citas grāmatas par šo tēmu:
"Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes. Despite its Orientalist origins, the field of Islamic art has continued to evolve and shape our understanding of the various civilizations of Europe, Africa, Asia, and the Middle East. Situated in this field, this book addresses how universities, museums, and other educational institutions can continue to challenge stereotypical or homogeneous notions of Islam and Islamic art. It reviews subtle and overt mythologies through scholarly research, museum collections and exhibitions, classroom perspectives, and artists' initiatives. This collaborative volume addresses a conspicuous and persistent gap in the literature, which can only be filled by recognizing and resolving persistent myths regarding Islamic art from diverse academic and professional perspectives. The book will be of interest to scholars working in art history, museum studies, visual culture, and Middle Eastern studies"--

Deconstructing the Myths of Islamic Art addresses how researchers can challenge stereotypical notions of Islam and Islamic art while avoiding the creation of new myths and the encouragement of nationalistic and ethnic attitudes.

List of Figures
ix
Notes on Contributors xiii
Preface and Acknowledgements xvii
Onur Ozturk
Foreword xix
Wendy M. K. Shaw
Introduction 1(12)
Onur Ozturk
Xenia Gazi
Sam Bowker
PART 1 Deconstructing the Myths of Islamic Art in Scholarship
13(78)
1 Deconstructing the Myths and Mysteries of the Mosque: West African Marginality, Transculturation, Vernacularization
15(13)
Cleo Cantone
2 Cross-culturation with Classical Hellenism in Late Antique Arabia
28(18)
Juan De Lara
3 Debunking the Regionalistic Myth in the Discourse on Islamic Ornament
46(11)
Valerie Gonzalez
4 The Islam in Europe Exhibition and the World of Islam Festival: Curatorial Aporia and Failure as Methodology
57(20)
Nur Sobers-Khan
5 Fiber Fragments: The Divided Histories of Textiles from the Islamic World
77(14)
Patricia Blessing
PART 2 Deconstructing the Myths of Islamic Art in Museums and Classrooms
91(70)
6 Influencing Presentation and Interpretation of Islamic Art in Museum Settings: The Myths of Inclusivity, Didacticism, and Provincialism
93(17)
Xenia Gazi
7 Approaches to Arts of Asia and Islamic Cultures in Mid-Atlantic Museums
110(13)
Ashley Dimmig
8 Islamic Art Exhibition, Orientalism, and Contemporary Socio-politics: Demystifying Connections
123(12)
Melissa M. Forstrom
9 Decolonizing and Demystifying Islamic Art in American Undergraduate Education
135(16)
Onur Ozturk
10 The Myth of Center and Periphery
151(10)
Sam Bowker
PART 3 Deconstructing the Myths of Islamic Art in Contemporary Art Practice
161(52)
11 Translating Mughal History: Hamra Abbas and the Contemporary Miniature
163(13)
Karen Greenwalt
12 A `Layered Lens' on the Arts of the Islamic World in the Contemporary Pacific
176(10)
Leslee Katrina Michelsen
13 Gen Y Speaks: Performing and Unfolding Identity in the Work of Australian Muslim Artists
186(13)
Hamida Novakovich
14 Deconstructing Myths via Performance Strategies: Experiences of a Contemporary Practitioner
199(14)
Sami Ismat
Conclusion 213(2)
Onur Ozturk
Xenia Gazi
Sam Bowker
Index 215
Onur Öztürk is an Assistant Professor of Art History at Columbia College Chicago, USA.

Xenia Gazi is a Lecturer at the School of the Art Institute of Chicago, USA.

Sam Bowker is a Senior Lecturer in Art History and Visual Culture at Charles Sturt University, Australia.