Featuring contributions by leading academics this collection is a companion to one of the most intricate of Deleuze's philosophical texts, articulating Leibnizian thought within the context of Baroque expressionism, characterized by its interdisciplinary approach to philosophy. This reader offers an incisive critical overview of its key themes
Papildus informācija
GARY BANHAM, Manchester Metropolitan University, UK SIMON DUFFY, University of Sydney, Australia TIMOTHY FLANAGAN, UK MATTHEW HAMMOND, UK BIRGIT M. KAISER, Germany MOGENS LA RKE, France KEITH ROBINSON, Department of Philosophy, University of South Dakota, USA DANIEL W. SMITH, Department of Philosophy, Purdue University, USA
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vi | |
| Preface |
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vii | |
| Notes on Contributors |
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viii | |
| Abbreviations List |
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x | |
| Introduction |
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1 | (24) |
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Four Things Deleuze Learned from Leibniz |
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25 | (21) |
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The Free and Indeterminate Accord of `The New Harmony': The Significance of Benjamin's Study of the Baroque for Deleuze |
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46 | (19) |
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Leibniz's Combinatorial Art of Synthesis and the Temporal Interval of the Fold |
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65 | (24) |
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Leibniz, Mathematics and the Monad |
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89 | (23) |
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Perception, Justification and Transcendental Philosophy |
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112 | (20) |
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Genesis and Difference: Deleuze, Maimon, and the Post-Kantian Reading of Leibniz |
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132 | (23) |
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A Transcendental Philosophy of the Event: Deleuze's Non-Phenomenological Reading of Leibniz |
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155 | (29) |
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Towards a Political Ontology of the Fold: Deleuze, Heidegger, Whitehead and the ``Fourfold'' Event |
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184 | (19) |
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Two Floors of Thinking: Deleuze's Aesthetics of Folds |
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203 | (22) |
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Capacity or Plasticity: So Just What is a Body? |
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225 | (18) |
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| Index |
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243 | |
GARY BANHAM, Manchester Metropolitan University, UK SIMON DUFFY, University of Sydney, Australia TIMOTHY FLANAGAN, UK MATTHEW HAMMOND, UK BIRGIT M. KAISER, Germany MOGENS LĘRKE, France KEITH ROBINSON, Department of Philosophy, University of South Dakota, USA DANIEL W. SMITH, Department of Philosophy, Purdue University, USA
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