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Depositions: Roberto Burle Marx and Public Landscapes Under Dictatorship [Mīkstie vāki]

  • Formāts: Paperback / softback, 336 pages, height x width x depth: 254x178x30 mm, weight: 680 g, 160 b&w photos, 27 b&w illus.
  • Izdošanas datums: 02-May-2023
  • Izdevniecība: University of Texas Press
  • ISBN-10: 1477327606
  • ISBN-13: 9781477327609
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  • Cena: 37,80 €
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  • Formāts: Paperback / softback, 336 pages, height x width x depth: 254x178x30 mm, weight: 680 g, 160 b&w photos, 27 b&w illus.
  • Izdošanas datums: 02-May-2023
  • Izdevniecība: University of Texas Press
  • ISBN-10: 1477327606
  • ISBN-13: 9781477327609
Citas grāmatas par šo tēmu:

Recipient of 2019 John Brinckerhoff Jackson Book Prize, Foundation for Landscape Studies
2021 On the Brinck Book Award Winner

“Burle Marx created a new and modern grammar for international landscape design.”
—Lauro Cavalcanti, quoted in the New York Times

“The real creator of the modern garden.”
—American Institute of Architects

Presenting the first English translation of Burle Marx’s “depositions,” this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country’s military dictatorship.

Roberto Burle Marx (1909–1994) is internationally known as one of the preeminent modernist landscape architects. He designed renowned public landscapes in Brazil, beginning with small plazas in Recife in the 1930s and culminating with large public parks in the early 1960s, most significantly the Parque do Flamengo in Rio de Janeiro. Depositions explores a pivotal moment in Burle Marx’s career—the years in which he served as a member of the Federal Cultural Council created by the military dictatorship in the mid-1960s. Despite the inherent conflict and risk in working with the military regime, Burle Marx boldly used his position to advocate for the protection of the unique Brazilian landscape, becoming a prophetic voice of caution against the regime’s policies of rapid development and resource exploitation.

Depositions presents the first English translation of eighteen environmental position pieces that Burle Marx wrote for the journal Cultura , a publication of the Brazilian Ministry of Education and Culture, from 1967 through 1973. Catherine Seavitt Nordenson introduces and contextualizes the depositions by analyzing their historical and political contexts, as well as by presenting pertinent examples of Burle Marx’s earlier public projects, which enables a comprehensive reading of the texts. Addressing deforestation, the establishment of national parks, the place of commemorative sculpture, and the unique history of the Brazilian cultural landscape, Depositions offers new insight into Burle Marx’s outstanding landscape oeuvre and elucidates his transition from prolific designer to prescient counselor.



Presenting the first English translation of Burle Marx’s “depositions,” this volume highlights the environmental advocacy of a preeminent Brazilian landscape architect who advised and challenged the country’s military dictatorship.

Recenzijas

Depositions offers an understanding of Burle Marx beyond his gardens and parks; it is a solid introduction to both his work and Brazil's quest to establish its cultural identity. (Architectural Record) Catherine [ Seavitt] Nordensons book, Depositions: Roberto Burle Marx and Public Landscapes under Dictatorship, is a crucial contribution as it reveals Burle Marxs systematic role as a government councilor defending cultural and environmental preservation. . . . The architectural field in itself has scarcely been historicized and analyzed in its nuances and complexities in the period of the military dictatorship in Brazil. Nordensons work is highly relevant in its approach to acknowledging the role of architects in the policy-making debate, going beyond their landscape design. Such an approach moves towards recognizing historical subjects for more than the cultural products they create. (caa.reviews) Depositions is a well-researched, well-written, and laudatory study that substantially adds to, and significantly amends, our view of Burle Marx as a landscape architect and cultural figure. (Landscape Journal) [ Depositions] presents [ Burle Marxs] pieces, or depositions, in English for the first time. It also stands alone as the first collection and republication of these texts since they appeared in three journals issued by Ministry of Education and Culture: Cultura, Boletim, and Revista Brasileira de Cultura. But Nordensons book goes far beyond that, as it tries to elucidate other instances and circles where Burle Marx was also active in questioning a process of modernization/development that has always cost Brazil profound environmental destruction. . . . It might not be exaggerated, then, to see in Burle Marxs remarks essential reading for anyone who is interested not only in landscape design, but also in the science and politics of living on Earth. (Architecture Beyond Europe Journal) [ Depositions] opens new perspectives on Burle Marx's work, revealing facets of his celebrated projects and legacy that too often go unspokenThis seminal book will enable greater understanding not only of Burle Max's position as a designer operating under dictatorial conditions but also of the convoluted circumstances underlying Brazil's modern architectural history. (Journal of the Society of Architectural Historians) [ Depositions] sheds new light on Burle Marx's intellectual position and serves as a valuable map of the local sociopolitical context, in its complexities and contradictions since colonial times. (ABE Journal)

Introduction: Roberto Burle Marx and the Ecological Modern 1(10)
1 Constructing Culture in Brazil: Politics and the Public Landscape
11(44)
2 Forest Narratives
55(52)
Brazilian Landscapes, April 27, 1967
87(4)
Suggestions for the Preservation of National Parks, August 1967
91(2)
Forest Politics and the Destruction of Forests, March 25, 1969
93(10)
Forest Conservation, February 12, 1971
103(4)
3 Landscapes Of The Baroque Interior
107(40)
Parks, Gardens, and Public Plazas, May 23, 1968
131(6)
Cultural Contribution, November 28, 1968
137(2)
Defense of Nature Reserves, June 27, 1969
139(4)
Defense of the Landscape, August 25, 1969
143(4)
4 Large Parks, Statues, And Disfigurement
147(50)
Statues in Gardens, August 29, 1968
181(4)
Sacrificed Landscape, January 28, 1969
185(4)
Preservation of Landscape Conditions, September 17, 1970
189(2)
Landscape Complex, July 7, 1973
191(4)
Green Spaces, July 11, 1973
195(2)
5 The Scientific Park
197(46)
Current Conditions at the Botanical Garden, February 7, 1968
225(6)
The Botanical Garden of Rio de Janeiro, September 27, 1968
231(2)
The Botanical Garden and Woodland Nursery, August 26, 1969
233(6)
The Botanical Garden of Belo Horizonte, May 6, 1970
239(4)
6 Military Gardens
243(30)
Garden and Ecology, July--September 1969
263(10)
Epilogue: The Counselor 273(10)
Acknowledgments 283(4)
Notes 287(24)
Index 311
Catherine Seavitt Nordenson is a professor and director of the Master of Landscape Architecture program at the City College of New York. is an associate professor at the City College of New York. She coauthored On the Water: Palisade Bay and coedited Waterproofing New York.