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Designing Disability: Symbols, Space, and Society [Hardback]

4.13/5 (15 ratings by Goodreads)
(State University of New York, Purchase College, USA)
  • Formāts: Hardback, 240 pages, height x width: 234x156 mm, weight: 553 g, 75 BW illus
  • Izdošanas datums: 28-Dec-2017
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350004286
  • ISBN-13: 9781350004283
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  • Formāts: Hardback, 240 pages, height x width: 234x156 mm, weight: 553 g, 75 BW illus
  • Izdošanas datums: 28-Dec-2017
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350004286
  • ISBN-13: 9781350004283
Citas grāmatas par šo tēmu:

Designing Disability traces the emergence of an idea and an ideal – physical access for the disabled – through the evolution of the iconic International Symbol of Access (ISA). The book draws on design history, material culture and recent critical disability studies to examine not only the development of a design icon, but also the cultural history surrounding it.

Infirmity and illness may be seen as part of human experience, but 'disability' is a social construct, a way of thinking about and responding to a natural human condition. Elizabeth Guffey's highly original and wide-ranging study considers the period both before and after the introduction of the ISA, tracing the design history of the wheelchair, a product which revolutionised the mobility needs of many disabled people from the 1930s onwards. She also examines the rise of 'barrier-free architecture' in the reception of the ISA, and explores how the symbol became widely adopted and even a mark of identity for some, especially within the Disability Rights Movement.

Yet despite the social progress which is inextricably linked to the ISA, a growing debate has unfurled around the symbol and its meanings. The most vigorous critiques today have involved guerrilla art, graffiti and studio practice, reflecting new challenges to the relationship between design and disability in the twenty-first century.

Recenzijas

Erudite, accessible, and with an impressive breadth of reference, this engaging and highly readable book offers fresh historical and cultural perspectives on the fit/misfit binary. Focussing on how design both creates and responds to different notions of disability, it gives an at times fascinating alternative history of activism and identity through the study of the ISA the International Symbol of Access. * Kaite O'Reilly, winner of the Ted Hughes Award 2011 * The strength of Designing Disability is the way significant moments in the history of access and disability are woven together with societys perception and the design of a universal icon ... It is an impressively researched and thought-provoking text that leaves the reader wanting to closely follow the shifting social construct as history continues to unfold. * Journal of Design History * An engaging account of the evolution of the barrier-free architecture movement, and its thorny relationship with the ISA. * Cultural and Social History * Elizabeth Guffeys search for the origins of the International Symbol of Access takes her on an unexpected path, discovering not only the history of the modern wheelchair but a new perspective on disability at the intersection of design, the body and space and most readers will delight in following her quest. * John Radford, Emeritus Professor of Critical Disability Studies at York University, Toronto, Canada * Informed and erudite, Designing Disability shows how the analysis of a single symbol can act as a gateway to discussions of disability theory and history. Elizabeth Guffey's critical insight augments and develops our understandings of disability experiences and subjectivities. * Stuart Murray, Director of the Centre for Medical Humanities, University of Leeds, UK * From the invention of the modern wheel chair and early critiques of disabling design conventions, Guffey makes a history of the international symbol of access come alive. An original and insightful analysis that furthers our understanding of both the symbol's history and associated access debates. This book will appeal to appeal to students and academics across a range of disciplines, shedding further light not only on a symbol and its history, but also how disability continues to be socially produced. * Hannah Macpherson, Senior Lecturer in Human Geography at the University of Brighton, UK * Design Incubation is excited to announce Elizabeth Guffey's latest book published by Bloomsbury Publishing, titled Designing Disability: Symbols, Space, and Society. This book describes the development of disability as an idea. Disability, accessibility, its institutionalization, acceptance, and integration is considered within the context of design history. * Design Incubation / Research in Communication Design * I encourage anyone to read this important book... it should catalyse reflection and discussion about the implications for disabled people and non-disabled people, designers and designand provoke new directions in disability-led design. * Graham Pullin / Design for Health *

Papildus informācija

This compelling study provides a design history of disability, exploring how designers have responded to the needs of disabled people through designed products and symbols.
List of Illustrations
ix
Acknowledgments xvi
Introduction: Disability by Design? 1(12)
Design's misfit
3(2)
Defining disability
5(3)
Defining a symbol
8(5)
PART ONE History of an Idea: Access (--1961)
13(52)
1 Origins of a Misfit Design: The Advent of the Modern Wheelchair (--1945)
15(30)
An environmental misfit
18(12)
A symbol of defeat?
30(3)
How to behave in a Bath-chair
33(4)
The chair that changed the world
37(5)
Notes
42(3)
2 Fitting In (1945--1961)
45(20)
Accessing a culture on four wheels
47(6)
The Nugent ethic
53(7)
An attack on barriers
60(4)
Notes
64(1)
PART TWO Redesigning Signs and Space (1961--1974)
65(74)
3 The Personal Politics of Signs (1961--1965)
67(28)
What a good sign can do
69(8)
Down the "welfare path"
77(4)
The ideologies of "self-help" and "social welfare cultures"
81(6)
Breaking barriers
87(6)
Notes
93(2)
4 Signs of Discrimination (1965--1968)
95(26)
The secret signs of disabled people
98(3)
Positive discrimination and the psychology of disablement
101(9)
Toward a universal sign
110(8)
Notes
118(3)
5 A Design for the Real World? (1968--1974)
121(18)
A technical aid
123(2)
Man and the environment
125(4)
A misfit head
129(3)
A positive step forward
132(4)
Notes
136(3)
PART THREE A Mark of Identity (1974--Today)
139(56)
6 Signs of Protest (1974--1990)
141(20)
"The Selma of handicapped rights"
142(2)
Rights and protest
144(11)
Passing the ADA: Compliance and defiance
155(6)
7 A Critical Design? (1990--Today)
161(34)
A cry for help
163(12)
A twenty-first-century makeover
175(11)
Notes
186(3)
Epilogue: The Beginning of the End?
189(5)
Notes
194(1)
Bibliography 195(18)
Index 213
Elizabeth Guffey is Professor of Art and Design History and directs the MA in Modern and Contemporary Art, Criticism and Theory at the State University of New York, Purchase, USA. She was a founding editor of the journal Design and Culture, and is the author of books including Retro: The Culture of Revival (2013) and Posters: A Global History (2015).