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Designing with Smell: Practices, Techniques and Challenges [Hardback]

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  • Formāts: Hardback, 286 pages, height x width: 246x174 mm, weight: 884 g, 7 Tables, black and white; 6 Line drawings, black and white; 71 Halftones, black and white
  • Izdošanas datums: 03-Oct-2017
  • Izdevniecība: Routledge
  • ISBN-10: 1138955531
  • ISBN-13: 9781138955530
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  • Cena: 249,78 €
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  • Formāts: Hardback, 286 pages, height x width: 246x174 mm, weight: 884 g, 7 Tables, black and white; 6 Line drawings, black and white; 71 Halftones, black and white
  • Izdošanas datums: 03-Oct-2017
  • Izdevniecība: Routledge
  • ISBN-10: 1138955531
  • ISBN-13: 9781138955530
Citas grāmatas par šo tēmu:
Designing with Smell aims to inspire readers to actively consider smell in their work through the inclusion of case studies from around the world, highlighting the current use of smell in different cutting-edge design and artistic practices. The book provides practical guidance regarding different equipment, techniques, stages and challenges which might be encountered as part of this process. Designing with Smell emphasises spatial design in numerous forms and interpretations – in the street, the studio, the theatre or exhibition space, as well as the representation of spatial relationships with smell. The book includes some of the leading academics in the field, working with, or thinking about, smell in spatial design in some way, originating across different geographical areas, academic disciplines and professions. It is crucial reading for students, academics and practitioners working in olfactory design.
List of Illustrations
xiii
Notes on Contributors xvii
Preface: Simon Guy xxv
1 Introduction
1(4)
Kate McLean
Dominic Medway
Chris Perkins
Gary Warnaby
PART I Olfactory Art
5(34)
Introduction
5(4)
David Howes
2 Smell the City: A Participatory Art Installation
9(10)
Victoria J. E. Jones
3 On Olfactory Space
19(13)
Gwenn-Ael Lynn
4 The Smell of Snow: Experiencing Wonderland through Multisensory Art
32(7)
Melissa Westbrook
PART II Representing Smell
39(40)
Introduction
39(4)
Chris Perkins
5 The GhostFood Project: Enhancing Flavor through Personalized Smellscapes
43(14)
Miriam Songster
6 Smellscape Narratives: Designing Olfactory Spaces as Infrastructure for Embodied Storytelling
57(10)
Julia Feuer-Cotter
7 Communicating and Mediating Smellscapes: The Design and Exposition of Olfactory Mappings
67(12)
Kate McLean
PART III Smellscape Design and Monitoring
79(40)
Introduction
79(4)
Jean-Paul Thibaud
8 The Design of Urban Smellscapes with Fragrant Plants and Water Features
83(13)
Jieling Xiao
Malcolm Tait
Jian Kang
9 Stop and Smell the Flowers: Plant Scent in a Healing Forest Garden for Patients with Stress-related Illness
96(6)
Victoria L. Lygum
10 The Creation of Seoul Scent: Invisible Beauty
102(9)
EunSook Kwon
11 Design with Smells: The Environmental Scientist's Perspective
111(8)
Michael Bull
PART IV Retail, Scent and Service Design
119(38)
Introduction
119(4)
Charles Spence
12 Designing Smell into the Consumer Experience
123(9)
Dominic Medway
Gary Warnaby
13 The Use of Scent in Out Of Home (OOH) Advertising
132(8)
Prask Sutton
14 Scent and Brand Storytelling
140(8)
Claire Sokell Thompson
Jo Barratt
15 Olfactory Control, Aroma Power and Organizational Smellscapes
148(9)
Samantha Warren
Kathleen Riach
PART V Smell Learning Environments
157(40)
Introduction
157(4)
Kevin Thwaites
16 Experiential Learning and Olfactory Architectures: Accommodating Smell in Teaching Practices in the Built Environment
161(8)
Victoria Henshaw
17 Culturalizing Scent: Current Steps towards Integrating the Sense of Smell in Art and Design Education
169(9)
Ashraf Osman
Claus Noppeney
Nada Endrissat
18 Olfactory Education in Art and Design
178(9)
Joanna Norman
Nicola Pozzani
19 Situating Olfactory Literacies: An Intersensory Pedagogy by Design
187(10)
Melanie McBride
Jason Nolan
PART VI Historic and Theatrical Smellscapes
197(40)
Introduction
197(4)
Jonathan Reinarz
20 Inhaling Futurism: On the Use of Olfaction in Futurism and Olfactory (Re)constructions
201(10)
Caro Verbeek
21 A Dead Man's Nose: Using Smell to Explore the Battlefield of Waterloo
211(8)
Stuart Eve
22 Olfactory Design Elements in Theater: The Practical Considerations
219(8)
Michael McGinley
Charles McGinley
23 The Nose Onstage: Olfactory Perceptions and Theatrical Dimension
227(10)
Anna D'Errico
PART VII Smell Capture, Distillation and Diffusion
237(33)
Introduction: Making Scents
237(2)
Alexandra Horowitz
24 A DIY Guide for Extracting Scent in Your Kitchen
239(9)
Olivia Alice Clemence
25 Scenting the Antiseptic Institution
248(11)
Brian Goeltzenleuchter
26 Indeterminate Ecologies of Scent
259(11)
Debra Riley Parr
Afterword: Jim Drobnick 270(6)
Index 276
The late Victoria Henshaws last post was as a Lecturer in Urban Design and Planning at the University of Sheffield, UK. Her research focused upon experiences and design of cities and buildings according to the senses, and smell in particular. Victoria led smellwalks in cities around the world, wrote the blog Smell and the City, and was author of Urban Smellscapes: Understanding and Designing City Smell Environments (2013). Victorias work featured in broadcast, print and electronic media including BBC Radio 4, The New York Times, New Scientist, The Guardian, The Times, The Independent and Wired magazine amongst others.



Kate McLean is a Programme Director for Graphic Design at Canterbury Christ Church University, UK, and a part-time PhD candidate in Information Experience Design at the RCA, London. Her research through design investigates possibilities for rendering 'eye-visible' and communicating the space between a smell's source and the human nose through practices of smellwalking and smellscape mapping in cities around the world. She has published in Leornardo and Communication Design and her smellmap research has received international coverage, most recently in the New Yorker, BBC Radio 4 and the Australian Broadcasting Corporation.



Dominic Medway is a Professor of Marketing in the Institute of Place Management at Manchester Metropolitan University, UK. Dominics work is primarily concerned with the complex interactions between places, spaces, and those who manage and consume them, reflecting his academic training as a geographer. He has published extensively in a variety of leading academic journals, including: Environment & Planning A, Tourism Management, Journal of Environmental Psychology, Cities, European Journal of Marketing and Marketing Theory.



Chris Perkins is Reader in Geography at the University of Manchester, UK, where he has taught since 1998, having previously run the universitys map libraries. His research interests lie at the interface between mapping technologies and social and cultural practices, with ongoing research into performative aspects of contemporary mapping behaviour, an interest in sensory mapping, and an emerging interest in play. Chris was Chair of the International Cartographic Association Maps and Society Research Commission and is the author of numerous books and academic articles.



Gary Warnaby is Professor of Retailing and Marketing in the Institute of Place Management at Manchester Metropolitan University, UK. His research interests focus on the marketing of places and retailing. Results of this research have been published in various academic journals in both the management and geography disciplines, including Environment and Planning A, Journal of Business Research, Journal of Marketing Management and European Journal of Marketing. He was co-author of Relationship Marketing: A Consumer Experience Approach, co-editor of Rethinking Place Branding, and has contributed to numerous edited books.