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E-grāmata: Dexter Syndrome : The Serial Killer in Popular Culture

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Using the Dexter saga of novels and television programs as its basis, the book argues that a «Dexter Syndrome» has emerged whereby we no longer see a difference between real and fictional serial killers.

The serial killer has become an obsession ever since Jack the Ripper became a media sensation, embedding a new and horrifying type of murderer into our cultural consciousness – one who kills darkly and in the dark. All popular media – print, radio, television, and so on – have become absorbed by this new figure. This book traces its diffusion through all media and discusses what this reveals about modern society. Using the Dexter saga of novels and television programs as its basis, the book argues that a «Dexter Syndrome» has emerged whereby we no longer see a difference between real and fictional serial killers. The psychological and social reasons for this are explored by tracing pop culture texts themselves (movies, novels, etc.). Above all else, Dexter’s concept of a «moral code» forms a thematic thread that allows the author to argue that our contemporary moral nihilism has produced the demand for horror and horrific characters like serial killers, who have replaced medieval demons and monsters.
Preface vii
Chapter 1 The Beginning: Jack the Ripper
1(24)
Jack the Ripper
4(3)
The Serial Killer
7(7)
The Shadow Archetype
14(4)
Pop Crime
18(3)
The Dexter Syndrome
21(4)
Chapter 2 The Killer Inside Me: Fantasizing the Serial Killer
25(26)
Pop Fiction
27(4)
Serial Killer Fiction
31(5)
The Media
36(5)
Fantasizing the Serial Killer
41(3)
The Dark Passenger
44(7)
Chapter 3 The Lodger: Visualizing the Serial Killer
51(26)
Serial Killer Movies
54(8)
Biopics
62(5)
Visualizing the Serial Killer
67(5)
The Simulacrum
72(2)
The Lodger amongst Us
74(3)
Chapter 4 Criminal Minds: Explaining the Serial Killer
77(22)
Unmasking the Serial Killer: Criminal Minds
78(5)
Tracking the Serial Killer: True Detective
83(3)
The Serial Killer as Folk Hero: Dexter
86(4)
Telling the Story: Identification Discovery
90(2)
Explaining the Criminal Mind
92(7)
Chapter 5 Copycat: Does Life Imitate Art?
99(20)
Copycat Crime
100(4)
Mythology
104(2)
Moral Codes
106(4)
Restoring Moral Order
110(7)
Concluding Remarks
117(2)
References 119(4)
Index 123
Marcel Danesi (PhD in linguistics, University of Toronto), is Full Professor of Semiotics and Linguistic Anthropology at the University of Toronto. He is well known for his work in semiotics and popular culture. He became a Fellow of the Royal Society of Canada in recognition of his scholarly contributions. He is currently Editor-in-chief of Semiotica, the leading journal in the field of semiotics.