A leading member of the new Afro-Cuban cultural movement, visual artist Juan Roberto Diago (b. 1971) has produced a body of work that offers a revisionist history of the Cuban nation. His historya term he frequently inserts in his works using the visual language of graffitiis not the official narrative of a racially harmonious nation, built thanks to the selfless efforts of generous white patriots. Diagos Cuba is a nation built on pain, rape, greed, and the enslavement of millions of displaced Africans, a nation still grappling with the long-term effects of slavery and colonialism. To him, slavery is not the past, but a daily experience of racism and discrimination. Africa is not a root, but a wellspring of cultural renovation and personal affirmation, the ancestors that sustain him in his journey.
In the first examination of Diagos creative work during his entire career, Alejandro de la Fuente provides parallel English- and Spanish-language text, illustrated throughout. The book traces Diagos singular efforts to construct new paststhe pasts required to explain the racial tensions of contemporary Cuba and the pasts of this Afro-Cuban present.
Visual artist Juan Roberto Diago (b. 1971) has produced a body of work that offers a revisionist history of the Cuban nation. Alejandro de la Fuente examines the entire career of this leading member of the new Afro-Cuban cultural movement, in parallel English- and Spanish-language text, illustrated throughout.
