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E-grāmata: Digenes Akrites: New Approaches to Byzantine Heroic Poetry

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Called variously the ’Byzantine epic’, the ’epic of Modern Greece’, an ’epic-romance’ and ’romance’, the poem of Digenes Akrites has, since its rediscovery towards the end of the nineteenth century, exerted a tenacious hold on the imagination of scholars from a wide range of disciplines and from many countries of the world, as well as of writers and public figures in Greece. There are many reasons for this, not least among them the prestige accorded to ’national epics’ in the nineteenth century and for some time afterwards. Another reason must surely be the work’s uniqueness: there is nothing quite like Digenes Akrites in either Byzantine or Modern Greek literature. However, this uniqueness is not confined to its problematic place in the literary ’canon’ and literary history. As historical testimony, and in its complex relationship to later oral song and to older myth and story-telling, Digenes Akrites again has no close parallels of comparable length in Byzantine or Modern Greek culture. Whether as a literary text, a historical source, or a manifestation of an oral popular culture, Digenes Akrites remains, more than a century after its rediscovery, persistently enigmatic. This Byzantine ’epic’ or ’romance’ has now become the focus of new research across a range of disciplines since the publication in 1985 of a radically revised edition based on the Escorial text of the poem, by Stylianos Alexiou. The papers in this volume, derived from a conference held in May 1992 at King’s College London, seeks to present and discuss the results of this new research. Digenes Akrites: New Approaches to Byzantine Heroic Poetry is the second in the series published by Variorum for the Centre for Hellenic Studies, King’s College London.
Editors' preface vii
A note on bibliography x
Acknowledgements xi
1 Digenes Akrites and Byzantine literature: the twelfth-century background to the Grottaferrata version
1(14)
Paul Magdalino
2 Digenes Akrites: Escorial or Grottaferrata? An overview
15(11)
Stylianos Alexiou
3 The Grottaferrata version of Digenes Akrites: a reassessment
26(12)
Elizabeth Jeffreys
4 The primacy of the Escorial Digenes Akrites: an open and shut case?
38(17)
Catia Galatariotou
5 An epic in the making? The early versions of Digenes Akrites
55(18)
Roderick Beaton
6 Digenes Akrites and the Old Spanish epics
73(13)
David Hook
7 Armenia and Armenians in the Byzantine epic
86(7)
Hratch Bartikian
8 The historian's Digenes Akrites
93(10)
Anthony Bryer
9 Digenes - Alexander? The relationships between Digenes Akrites and the Byzantine Alexander Romance in their different versions
103(13)
Ulrich Moennig
10 Digenes Akrites in prose: the Andros version in the context of Modern Greek literature
116(15)
George Kechagioglou
11 The akritic hero: socio-cultural status in the light of comparative data
131(8)
Theodore Papadopoullos
12 Is there such a thing as an `akritic song'? Problems in the classification of Modern Greek narrative songs
139(11)
Guy Saunier
13 `None but the brave deserve the fair': abduction, elopement, seduction and marriage in the Escorial Digenes Akrites and Modern Greek heroic songs
150(11)
Peter Mackridge
14 Digenes Akrites as literature
161(10)
David Ricks
Bibliography 171(15)
Indexes 186
Roderick Beaton, David Ricks