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E-grāmata: Digital Collage and Painting: Using Photoshop and Painter to Create Fine Art 2nd edition [Taylor & Francis e-book]

  • Formāts: 584 pages, 946 Halftones, black and white
  • Izdošanas datums: 27-Oct-2010
  • Izdevniecība: Focal Press
  • ISBN-13: 9780080963693
  • Taylor & Francis e-book
  • Cena: 195,66 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 279,51 €
  • Ietaupiet 30%
  • Formāts: 584 pages, 946 Halftones, black and white
  • Izdošanas datums: 27-Oct-2010
  • Izdevniecība: Focal Press
  • ISBN-13: 9780080963693
If you already know your way around Photoshop and Painter and want to use these amazing programs to take your skills further, this book is for you! Much more than a simple "how-to" guide, Susan Ruddick Bloom takes you on a full-fledged journey of the imagination and shows you how to create incredible works of fine art. Supplemented by the work of 20+ world renowned artists in addition to Sue's own masterpieces, you'll learn how to create watercolors, black and white pencil sketches, texture collages, stunning realistic and fantastical collages, and so much more, all from your original photographs. If you are eager to dive into the world of digital art but need a refresher on the basics, flip to Sue's essential techniques chapter to brush up on your Photoshop and Painter skills, and you'll be on your way in no time. Whether you're a novice or an established digital artist, you'll find more creative ideas in this book than you could ever imagine. Fully updated for new versions of Painter and Photoshop and including brand new work from contemporary artists, Digital Collage and Painting provides all the inspiration you need to bring your artistic vision to light.
Dedication xi
Part I Planning and Inspiration
Chapter One Concept
3(8)
What Is a Collage, Montage, or Assemblage?
4(1)
What Is a Digital Painting?
5(2)
Think It Out First, Assembling the Needed Images
7(1)
Are You Drowning in Digital Files?
8(1)
What Is the Intended Output Size?
8(3)
Chapter Two Important Considerations Before You Begin
11(18)
Unifying Factors
11(5)
Texture
12(2)
Color
14(1)
Contrast
15(1)
Noise and Grain
16(1)
Scale
16(3)
Tree House Exercise
16(2)
Rotating, Distorting, and Transforming
18(1)
Lighting
19(1)
Directionality of Light
20(1)
Quality of Light
20(1)
Dramatic vs. Subtle
20(1)
Projects: Places That Never Were
20(9)
Australian Boulder
21(2)
Hawailan Waterfall
23(2)
Menace in Venice
25(4)
Chapter Three Inspiration
29(144)
Digital Artists and Their Work
29(144)
Dorothy Simpson Krause
30(8)
Susi Lawson
38(9)
Mary L. Taylor
47(8)
Eric Scala
55(4)
John Derry
59(12)
Theresa Airey
71(8)
Martin Addison
79(6)
Alexander Kruglov (Shurelo)
85(5)
Ad Van Bokhoven
90(4)
Karin Schminke
94(8)
Tony Sweet
102(10)
Jason Seiler
112(11)
Huntington Witherill
123(5)
Cynthia Brody and Thomas Morris
128(7)
Mike Thompson
135(7)
Alex Jansson
142(7)
Bruno Mallart
149(5)
Cliff Cramp
154(5)
Claudia Salguero
159(5)
Janet Stoppee
164(9)
Part II Step-by-Step Painting
Chapter Four Painting in Photoshop® with Your Photos
173(66)
How to Use Photoshop Filters and the History Brush Tool to Create a Digital Painting
175(9)
Using the Art History Brush Tool to Create a Digital Painting
184(8)
Correction of Flaws
184(8)
Using the Pattern Stamp to Create a Digital Painting
192(6)
Another Pattern Stamp Painting
198(4)
Using the Art History Brush Tool and Emboss Filter to Create a Textured Digital Painting
202(6)
Brown Edge Effect
207(1)
White Edge Effect: Paint with White Using the Chalk Brush
207(1)
Photo Illustration Using the Find Edges Filter
208(2)
A Glorious Use for the Glowing Edges Filter as an Oil Painting Tool
210(6)
Edge Effects for Free!
216(10)
Scanner Edge Effects
216(5)
Film/Photo Edges
221(1)
Polaroid Transfer Edges
222(2)
Film Edge Effects
224(2)
New Photoshop Mixer Brush Tool
226(7)
Using John Derry's Third-Party Brushes
233(6)
Chapter Five Painting in Painter™
239(88)
Simple Cloning Techniques
241(7)
Impressionist Cloner
248(9)
Pastel Cloning
257(6)
Oil Paint Cloning
263(3)
More Oil Painting
266(3)
Bristle Oil Cloner
269(3)
Combining a Variety of Media into One Painting
272(4)
Adding Texture to Your Painting
276(4)
Old Masters Inspiration
280(13)
Photocopy-Inspired Painting
293(6)
Auto-Painting: Painting in a Hurry
299(2)
Smart Stroke Painting
301(3)
Make Virtually Any Brush a Cloner
304(1)
Illustrative Sketch Technique
305(2)
Painting Approach with Blenders
307(4)
Edges and Cloning
311(4)
Painterly Edge Effects
315(12)
Chapter Six Assembling a Collage in Photoshop™
327(62)
My Scanner Is a Camera
330(2)
Simple Collages
332(7)
Collage with Lighting Effect
339(4)
Suspend True Scale
343(1)
Themed Collages
344(1)
Suspend Reality
345(5)
Pile on the Layers
350(3)
Combining Diverse Objects with Blending Modes
353(4)
Shadow Power
357(5)
Gridded Collages
362(8)
Collage Possibilities for Wedding Photography
370(2)
Look to History
372(4)
Simple Kaleidoscope Collage
376(2)
Gradient Tool for Smooth Blending
378(6)
Allow Yourself to be Flexible in the Creative Process
384(5)
Chapter Seven Assembling a Collage in Painter™
389(28)
Using Painter's Image Hose
389(7)
Using Painter's Unique Brushes for Texture in a Collage
396(4)
Using Colored Paper and the Lighting Effects
400(8)
Combining the Power of Painter and Photoshop in a Collage
408(9)
Chapter Eight The Paradox: The Absolute Truth and the Exquisite Lie---Creating a Panorama in Photoshop®
417(40)
Concept and Preparation
417(4)
Exposure Controls, Proper Overlap, Tripod or Not?
421(3)
Relying on Layer Transparency and Layer Masking: Step-By-Step Panorama Instructions Using Collaging Techniques
424(16)
"Grab Shot" Panoramas
440(2)
Faux Panoramas
442(4)
Themed Panorama-Style Linear Collages
446(1)
Mirror Images in Panoramic Format
447(1)
Hurry-Up Panoramas---Using Photoshop's Photomerge
447(1)
Auto-Align and Auto-Blend
447(3)
Printing Panoramas
450(1)
Fractured Panoramas
451(1)
Precision-Oriented Panoramics
451(6)
Autopano
451(1)
GigaPan
452(1)
Pano Sweep Technology
453(4)
Part III Artistic Considerations
Chapter Nine Filters
457(48)
Using All the Great Filters Available in Photoshop
457(5)
Favorite Photoshop Filters
462(14)
Find Edges
462(6)
Isolate and Blur
468(2)
Photoshop Photo Filters
470(2)
Creating a Black-and-White Pencil Sketch Effect Using Filters
472(4)
Similar Effects in Photoshop and Painter
476(1)
Third-Party Filter Plug-Ins
476(29)
Nik® Color Efex Pro™ 3 Filters
477(5)
Applying Filters Selectively
482(2)
Lucis® Pro 6
484(3)
Craig's Actions
487(2)
Totally Rad Action Mix
489(1)
Combining Filters and Actions
490(1)
Topaz Lab Filters: Adjust 3, Simplify, Clean 2
491(1)
Totally Rad Dirty Pictures
492(2)
Alien Skin Snap Art
494(4)
Bokeh
498(2)
Exposure 3
500(5)
Chapter Ten Experimentation
505(20)
Combining Traditional Media with Digital
506(3)
Printmaking: Woodcuts, Intaglio and Lithography, and Silkscreening
506(1)
Overprinting and Collaging
507(1)
Encaustics
508(1)
Lazertran onto Marble, Glass, Tile, Fabric, and Silk
508(1)
InkAID™---Making Your Own Inkjet Paper
509(1)
Japanese Inkjet Coated Papers
510(1)
Thinking Creatively: Paint It, Draw On It, Tear It, Glue It, and More
511(2)
Combining Drawing and Photography
513(1)
Photo Tex
513(2)
Creative Use of Papers for Albums
515(6)
iPhoto® Books
516(1)
Epson StoryTeller™ Photo Book Creator Kits
516(1)
Kolo® Albums
517(1)
Blurb Books
518(1)
Art Leather Books
518(1)
HP® Photo Book
519(1)
Other Album and Book Possibilities
520(1)
DASS Film and the Hand-Sanitizer Transfer Method
521(2)
Printing Tip
523(2)
Chapter Eleven Essential Photoshop® and Painter™ Techniques to Master
525(42)
Photoshop Selection Tools
527(2)
Photoshop: Transforming for Scale
529(4)
Photoshop: Layer Adjustments
533(5)
Photoshop: Layer Masks
538(4)
Photoshop: Art History Brush Tool
542(6)
Build Your Own Brush
543(5)
Photoshop: Blend Modes
548(3)
Screen
548(1)
Multiply
548(2)
Color
550(1)
Overlay
550(1)
Photoshop: Using Adjustment Layers, Layer Masks, and Blend Modes Together
551(7)
Painter Basic Papers
558(2)
Painter Cloner Brushes
560(7)
Cloning without a Cloner Brush
560(7)
Chapter Twelve Resources
567(6)
Suppliers: Equipment, Software, Tools, and Artist Materials
567(4)
Digital Collage and Painting Website
571(2)
Index 573
Susan Ruddick Bloom is a Professor of Art and Chair of the Department of Art and Art History at McDaniel College in Maryland. She has a BFA and an MFA from the Maryland Institute College of Art and is well known for both her traditional wet darkroom alternative processes and her digital darkroom work. Sue has been teaching digital classes since the beginning of Photoshop and has used a Mac from the very first one on the market (128K, with a screen the size of an index card). Trained in drawing, painting, and printmaking, she was at one time a courtroom artist for television and newspapers. Her painterly skills enhance her photographic ones, and her images frequently combine techniques. Sue's work has been exhibited and collected widely.