Dedication |
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xi | |
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Part I Planning and Inspiration |
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3 | (8) |
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What Is a Collage, Montage, or Assemblage? |
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4 | (1) |
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What Is a Digital Painting? |
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5 | (2) |
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Think It Out First, Assembling the Needed Images |
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7 | (1) |
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Are You Drowning in Digital Files? |
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8 | (1) |
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What Is the Intended Output Size? |
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8 | (3) |
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Chapter Two Important Considerations Before You Begin |
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11 | (18) |
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11 | (5) |
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12 | (2) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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16 | (3) |
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16 | (2) |
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Rotating, Distorting, and Transforming |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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20 | (1) |
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20 | (1) |
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Projects: Places That Never Were |
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20 | (9) |
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21 | (2) |
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23 | (2) |
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25 | (4) |
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Chapter Three Inspiration |
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29 | (144) |
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Digital Artists and Their Work |
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29 | (144) |
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30 | (8) |
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38 | (9) |
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47 | (8) |
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55 | (4) |
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59 | (12) |
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71 | (8) |
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79 | (6) |
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Alexander Kruglov (Shurelo) |
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85 | (5) |
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90 | (4) |
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94 | (8) |
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102 | (10) |
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112 | (11) |
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123 | (5) |
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Cynthia Brody and Thomas Morris |
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128 | (7) |
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135 | (7) |
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142 | (7) |
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149 | (5) |
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154 | (5) |
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159 | (5) |
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164 | (9) |
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Part II Step-by-Step Painting |
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Chapter Four Painting in Photoshop® with Your Photos |
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173 | (66) |
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How to Use Photoshop Filters and the History Brush Tool to Create a Digital Painting |
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175 | (9) |
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Using the Art History Brush Tool to Create a Digital Painting |
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184 | (8) |
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184 | (8) |
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Using the Pattern Stamp to Create a Digital Painting |
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192 | (6) |
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Another Pattern Stamp Painting |
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198 | (4) |
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Using the Art History Brush Tool and Emboss Filter to Create a Textured Digital Painting |
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202 | (6) |
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207 | (1) |
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White Edge Effect: Paint with White Using the Chalk Brush |
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207 | (1) |
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Photo Illustration Using the Find Edges Filter |
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208 | (2) |
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A Glorious Use for the Glowing Edges Filter as an Oil Painting Tool |
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210 | (6) |
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216 | (10) |
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216 | (5) |
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221 | (1) |
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222 | (2) |
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224 | (2) |
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New Photoshop Mixer Brush Tool |
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226 | (7) |
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Using John Derry's Third-Party Brushes |
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233 | (6) |
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Chapter Five Painting in Painter™ |
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239 | (88) |
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Simple Cloning Techniques |
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241 | (7) |
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248 | (9) |
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257 | (6) |
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263 | (3) |
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266 | (3) |
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269 | (3) |
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Combining a Variety of Media into One Painting |
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272 | (4) |
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Adding Texture to Your Painting |
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276 | (4) |
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280 | (13) |
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Photocopy-Inspired Painting |
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293 | (6) |
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Auto-Painting: Painting in a Hurry |
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299 | (2) |
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301 | (3) |
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Make Virtually Any Brush a Cloner |
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304 | (1) |
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Illustrative Sketch Technique |
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305 | (2) |
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Painting Approach with Blenders |
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307 | (4) |
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311 | (4) |
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315 | (12) |
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Chapter Six Assembling a Collage in Photoshop™ |
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327 | (62) |
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330 | (2) |
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332 | (7) |
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Collage with Lighting Effect |
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339 | (4) |
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343 | (1) |
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344 | (1) |
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345 | (5) |
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350 | (3) |
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Combining Diverse Objects with Blending Modes |
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353 | (4) |
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357 | (5) |
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362 | (8) |
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Collage Possibilities for Wedding Photography |
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370 | (2) |
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372 | (4) |
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Simple Kaleidoscope Collage |
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376 | (2) |
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Gradient Tool for Smooth Blending |
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378 | (6) |
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Allow Yourself to be Flexible in the Creative Process |
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384 | (5) |
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Chapter Seven Assembling a Collage in Painter™ |
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389 | (28) |
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Using Painter's Image Hose |
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389 | (7) |
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Using Painter's Unique Brushes for Texture in a Collage |
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396 | (4) |
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Using Colored Paper and the Lighting Effects |
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400 | (8) |
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Combining the Power of Painter and Photoshop in a Collage |
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408 | (9) |
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Chapter Eight The Paradox: The Absolute Truth and the Exquisite Lie---Creating a Panorama in Photoshop® |
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417 | (40) |
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417 | (4) |
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Exposure Controls, Proper Overlap, Tripod or Not? |
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421 | (3) |
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Relying on Layer Transparency and Layer Masking: Step-By-Step Panorama Instructions Using Collaging Techniques |
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424 | (16) |
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440 | (2) |
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442 | (4) |
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Themed Panorama-Style Linear Collages |
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446 | (1) |
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Mirror Images in Panoramic Format |
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447 | (1) |
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Hurry-Up Panoramas---Using Photoshop's Photomerge |
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447 | (1) |
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Auto-Align and Auto-Blend |
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447 | (3) |
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450 | (1) |
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451 | (1) |
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Precision-Oriented Panoramics |
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451 | (6) |
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451 | (1) |
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452 | (1) |
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453 | (4) |
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Part III Artistic Considerations |
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457 | (48) |
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Using All the Great Filters Available in Photoshop |
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457 | (5) |
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Favorite Photoshop Filters |
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462 | (14) |
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462 | (6) |
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468 | (2) |
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470 | (2) |
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Creating a Black-and-White Pencil Sketch Effect Using Filters |
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472 | (4) |
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Similar Effects in Photoshop and Painter |
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476 | (1) |
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Third-Party Filter Plug-Ins |
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476 | (29) |
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Nik® Color Efex Pro™ 3 Filters |
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477 | (5) |
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Applying Filters Selectively |
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482 | (2) |
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484 | (3) |
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487 | (2) |
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489 | (1) |
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Combining Filters and Actions |
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490 | (1) |
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Topaz Lab Filters: Adjust 3, Simplify, Clean 2 |
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491 | (1) |
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Totally Rad Dirty Pictures |
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492 | (2) |
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494 | (4) |
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498 | (2) |
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500 | (5) |
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Chapter Ten Experimentation |
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505 | (20) |
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Combining Traditional Media with Digital |
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506 | (3) |
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Printmaking: Woodcuts, Intaglio and Lithography, and Silkscreening |
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506 | (1) |
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Overprinting and Collaging |
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507 | (1) |
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508 | (1) |
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Lazertran onto Marble, Glass, Tile, Fabric, and Silk |
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508 | (1) |
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InkAID™---Making Your Own Inkjet Paper |
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509 | (1) |
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Japanese Inkjet Coated Papers |
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510 | (1) |
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Thinking Creatively: Paint It, Draw On It, Tear It, Glue It, and More |
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511 | (2) |
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Combining Drawing and Photography |
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513 | (1) |
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513 | (2) |
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Creative Use of Papers for Albums |
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515 | (6) |
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516 | (1) |
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Epson StoryTeller™ Photo Book Creator Kits |
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516 | (1) |
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517 | (1) |
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518 | (1) |
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518 | (1) |
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519 | (1) |
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Other Album and Book Possibilities |
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520 | (1) |
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DASS Film and the Hand-Sanitizer Transfer Method |
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521 | (2) |
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523 | (2) |
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Chapter Eleven Essential Photoshop® and Painter™ Techniques to Master |
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525 | (42) |
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Photoshop Selection Tools |
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527 | (2) |
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Photoshop: Transforming for Scale |
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529 | (4) |
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Photoshop: Layer Adjustments |
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533 | (5) |
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538 | (4) |
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Photoshop: Art History Brush Tool |
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542 | (6) |
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543 | (5) |
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548 | (3) |
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548 | (1) |
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548 | (2) |
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550 | (1) |
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550 | (1) |
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Photoshop: Using Adjustment Layers, Layer Masks, and Blend Modes Together |
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551 | (7) |
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558 | (2) |
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560 | (7) |
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Cloning without a Cloner Brush |
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560 | (7) |
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567 | (6) |
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Suppliers: Equipment, Software, Tools, and Artist Materials |
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567 | (4) |
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Digital Collage and Painting Website |
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571 | (2) |
Index |
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573 | |