Atjaunināt sīkdatņu piekrišanu

Digital Connectivity and Music Culture: Artists and Accomplices Softcover reprint of the original 1st ed. 2017 [Mīkstie vāki]

  • Formāts: Paperback / softback, 124 pages, height x width: 210x148 mm, weight: 454 g, X, 124 p., 1 Paperback / softback
  • Izdošanas datums: 15-Aug-2018
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 3319885774
  • ISBN-13: 9783319885773
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 51,37 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Standarta cena: 60,44 €
  • Ietaupiet 15%
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
  • Formāts: Paperback / softback, 124 pages, height x width: 210x148 mm, weight: 454 g, X, 124 p., 1 Paperback / softback
  • Izdošanas datums: 15-Aug-2018
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 3319885774
  • ISBN-13: 9783319885773
Citas grāmatas par šo tēmu:
This book explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences.

This book explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-depth interviewing, focus group interviewing, and discourse analysis, this study demonstrates how digital technology has created a closer, more collaborative, fluid, and multidimensional relationship between artist and audience. Artists and audiences are simultaneously engaged with music through technology—and technology through music—while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as accomplices to the artist.

1. Introduction
2. Artist
3. Audience
4. Music Culture & Digital Technology
5. Artists & Accomplices
Mary Beth Ray is Assistant Professor of Communication & Media Studies at Plymouth State University in Plymouth, NH, USA.