Digital Monuments radically explodes "iconic architecture" of the new millennium and its hijacking of the public imagination via the digital image. Hallucinatory constructions such as Rem Koolhaass CCTV headquarters in Beijing, Frank Gehrys Guggenheim Museum in Bilbao, and Zaha Hadids Performing Arts Centre in Abu Dhabi are all introduced to the world by immortal digital imagery that floods the internetyet comes to haunt the actualised buildings.
Like holograms, these "digital monuments", which violently push physics and engineering to their limits, flicker eerily between the real and the unrealinvoking fantasies of omnipotence, immortality, and utopian cities. But this experience of iconic architecture as a digital dream on the ground conceals from the urban spectator the social reality of the buildings and the rigidity of their ideology.
In 18 micro-essays, Digital Monuments exposes the stereotypes of iconic architecture while depicting the savagery of the industry, from the Greek and Spanish Crises triggered by financialised iconic development to mass labour-deaths on construction sites in the UAE.
| Acknowledgements |
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x | |
| Introduction: architecture's fake left |
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1 | (16) |
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17 | (8) |
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25 | (5) |
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30 | (9) |
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4 Reflections from damaged modernity |
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39 | (6) |
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45 | (11) |
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56 | (11) |
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67 | (14) |
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8 How iconic architecture triggered the Greek crisis |
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81 | (11) |
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92 | (8) |
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100 | (8) |
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11 The architect-financier |
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108 | (13) |
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12 The abuses of iconic architecture |
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121 | (6) |
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13 The Zaha Hadid scandal |
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127 | (10) |
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14 Iconic dystopias and moral law |
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137 | (15) |
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15 The moral contents of the digital image |
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152 | (7) |
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159 | (5) |
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164 | (7) |
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18 After iconic architecture |
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171 | (21) |
| Select bibliography |
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192 | (1) |
| Index |
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193 | |
Simone Brott is an architect and theorist, and Senior Lecturer in Architecture at Queensland University of Technology. Educated at Yale University and The University of Melbourne, she writes on the politics of the digital image in architectural production and the contemporary city. Her books include Architecture for a Free Subjectivity: Deleuze and Guattari at the Horizon of the Real (Routledge, 2011) and Architecture Post Mortem: The Diastolic Architecture of Decline, Dystopia, and Death (New editions, Routledge, 2016). A regular contributor to Log (Anycorp, New York), Brott has also written for AD Architectural Design (Wiley, London); Thresholds: Journal of the MIT Department of Architecture; Architectural Theory Review: Journal of the Department of Architecture, The University of Sydney; Journal of Public Space (City Space, Italy); and The Journal of Architecture and Urbanism. She has lectured at Yale University, Harvard University, Boston University, the University of Michigan, KTH Royal Institute of Technology, Stockholm, Strathclyde University, Glasgow, and the University of Melbourne. Brott is currently working on a new project about the financialisation of cities.
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