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E-grāmata: Digital Piracy: A Global, Multidisciplinary Account

Edited by , Edited by (Michigan State University, USA)
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Non-Commercial digital piracy has seen an unprecedented rise in the wake of the digital revolution; with wide-scale downloading and sharing of copyrighted media online, often committed by otherwise law-abiding citizens. Bringing together perspectives from criminology, psychology, business, and adopting a morally neutral stance, this book offers a holistic overview of this growing phenomenon. It considers its cultural, commercial, and legal aspects, and brings together international research on a range of topics, such as copyright infringement, intellectual property, music publishing, movie piracy, and changes in consumer behaviour. This book offers a new perspective to the growing literature on cybercrime and digital security.

This multi-disciplinary book is the first to bring together international research on digital piracy and will be key reading for researchers in the fields of criminology, psychology, law and business.

List of illustrations
ix
Acknowledgements x
List of contributors
xi
PART I Introduction
1(257)
1 Contextualising digital piracy
3(12)
Thomas J. Holt
Steven Caldwell Brown
Section I Evolving media consumption practices
13(2)
2 The times they are a-changin': Digital music value in transition from piracy to streaming
15(22)
Hyojung Sun
3 Digital piracy, new media and consumer choice
37(15)
Kenneth Forbes
Holly Tessler
4 Anti-piracy policies and online film circulation: The Italian context, between formality and informality
52(31)
Valentina Re
Section II Approaches to understanding digital piracy
81(2)
5 The social and applied psychology of engagement in music piracy
83(25)
Amanda Elizabeth Krause
Steven Caldwell Brown
6 An examination of digital piracy behaviour through the lens of cultural and non-cultural variables
108(24)
Monika Kukar-Kinney
Irena Vida
Mateja Kos Koklic
7 Copyright infringement and cultural participation
132(29)
Juan D. Montoro-Pons
Manuel Cuadrado-Garcia
Miguel Puchades-Navarro
8 Who cares if Taylay gets pay pay? Shake it off: The apathy of the contemporary music consumer
161(24)
Gary Sinclair
Section III Assessments of the impact of digital piracy
183(2)
9 DeLiberating the information commons: A critical analysis of intellectual property and piracy
185(23)
Kevin F. Steinmetz
Alexandra Pimentel
10 The criminality of digital piracy: Is it a pathway to more serious offending?
208(21)
George Burruss
Cassandra Dodge
11 Criminology's contribution to the study of digital piracy
229(21)
Tyler Edwards
Adam Bossler
12 Identifying paths forward in the study of piracy
250(8)
Steven Caldwell Brown
Thomas J. Holt
Index 258
Steven Caldwell Brown is an early career researcher based at The University of Strathclyde. Receiving his Ph.D. in 2015 from Glasgow Caledonian University, his Doctoral research was the first major psychological approach to understanding music piracy. A Chartered Psychologist, Steven is an expert in both the cultural and commercial impact of the digital revolution on contemporary music listening practices.

Thomas J. Holt is a Professor in the School of Criminal Justice at Michigan State University. He received his Ph.D. in criminology and Criminal Justice from the University of Missouri-Saint Louis in 2005. His research focuses on cybercrime, cyberterror, and policy responses to these global problems.