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Digital Vision and the Ecological Aesthetic (1968 - 2018) [Hardback]

(Ludwig-Maximilians University Munich, Germany)
  • Formāts: Hardback, 176 pages, height x width: 234x156 mm, weight: 426 g, 7 bw illus
  • Sērija : Environmental Cultures
  • Izdošanas datums: 10-Dec-2020
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350051837
  • ISBN-13: 9781350051836
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  • Hardback
  • Cena: 107,30 €*
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  • Formāts: Hardback, 176 pages, height x width: 234x156 mm, weight: 426 g, 7 bw illus
  • Sērija : Environmental Cultures
  • Izdošanas datums: 10-Dec-2020
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350051837
  • ISBN-13: 9781350051836
Citas grāmatas par šo tēmu:
"This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968-2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes aprofound contribution to our understanding of digital art practice in the 21st century"--

Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968 - 2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century.

Papildus informācija

The first ecocritical exploration of contemporary digital art and literature in the 21st century
List of illustrations
vi
Acknowledgements vii
Introduction: Technology, relationality and the eco-digital aesthetic 1(16)
1 Generative aesthetics: The emerging visual language of eco-digital art
17(22)
2 Synthetic landscapes, Google Street View and other-than-human agency
39(22)
3 Natura naturans: Immersion, gardening and natural systems design
61(26)
4 DIY: Biomimetics, robotics and the glitch aesthetic
87(30)
5 Coding climate change: Petro-cultures in digitally simulated environments
117(20)
Conclusion: Biophilia and the parameters of eco-digital art 137(8)
Work cited 145(18)
Index 163
Lisa FitzGerald is an associate researcher at the the CRBC Rennes, Université Rennes 2, France