E-grāmata: Discrepant Solace: Contemporary Literature and the Work of Consolation

In the face of illness, grief, trauma, catastrophe -- why write? Can consolation be found in works that seem to be about inconsolability? These are the urgent questions that propel David James' remarkable study of twenty-first century narrative fiction and memoir. The answers that James provides do full justice to the emotional depth as well as the analytic complexity of a body of contemporary writing that ranges from Kazuo Ishiguro to J.M. Coetzee, from W.G. Sebald to Joan Didion, from Marilynne Robinson to David Grossman... This is a book that skillfully and rewardingly attends to the micro-effects of prosody, while forging a new direction for the critical understanding of elegy, grief writing, trauma studies and post-modern fiction. * Dorothy Hale, University of California, Berkeley * David James challenges the association of aesthetic consolation with distraction and comfort, showing instead how contemporary literature provides solace through the detailed description of loss and devastation. Discrepant Solace not only analyzes this paradox but instantiates it. In addressing the ethics of representing bleak experience, James has written a work of criticism that is not only intellectually challenging but also beautiful and deeply moving. * Heather Love, University of Pennsylvania * To console us is one of the oldest tasks of literature, but it is also, of late, one of the most neglected. Literature should challenge us, estrange us, beguile us, but very few make the case that it should make us feel better. David James' brilliantly subtle and poetically attentive book responds to this critical lacuna, by offering a new way of understanding how today's literature consoles. There is nothing sentimental about this book -- James does not offer a cosy picture of the redemptive qualities of the literary imagination; rather he addresses some of the contemporary writers whose work is most difficult, most uncompromising. But in doing so, he produces a startlingly original way of thinking about how the beauty of style overcomes some of the deprivations it witnesses, an account of the reparations of literary form that will have a transformative effect on how we think about the contemporary novel. * Peter Boxall, University of Sussex *