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E-grāmata: Discursive Design: Critical, Speculative, and Alternative Things

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Exploring how design can be used for good—prompting self-reflection, igniting the imagination, and affecting positive social change.

Exploring how design can be used for good—prompting self-reflection, igniting the imagination, and affecting positive social change.

Good design provides solutions to problems. It improves our buildings, medical equipment, clothing, and kitchen utensils, among other objects. But what if design could also improve societal problems by prompting positive ideological change? In this book, Bruce and Stephanie Tharp survey recent critical design practices and propose a new, more inclusive field of socially minded practice: discursive design. While many consider good design to be unobtrusive, intuitive, invisible, and undemanding intellectually, discursive design instead targets the intellect, prompting self-reflection and igniting the imagination. Discursive design (derived from “discourse”) expands the boundaries of how we can use design—how objects are, in effect, good(s) for thinking.

Discursive Design invites us to see objects in a new light, to understand more than their basic form and utility. Beyond the different foci of critical design, speculative design, design fiction, interrogative design, and adversarial design, Bruce and Stephanie Tharp establish a more comprehensive, unifying vision as well as innovative methods. They not only offer social criticism but also explore how objects can, for example, be used by counselors in therapy sessions, by town councils to facilitate a pre-vote discussions, by activists seeking engagement, and by institutions and industry to better understand the values, beliefs, and attitudes of those whom they serve. Discursive design sparks new ways of thinking, and it is only through new thinking that our sociocultural futures can change.

Series Foreword viii
Acknowledgments xii
Part I Discursive Design: In Theory
Introduction
1 Why Write Such a Book?
5(12)
2 Why Read Such a Book?
17(14)
Background
3 So, What's Wrong with Design?
31(12)
4 What Is the Four-Fields Framework?
43(14)
5 What Can and Can't a Four-Field Approach Do?
57(16)
Foundation
6 What Is Discourse, Discoursing, and Discursive Design?
73(10)
7 What Isn't Discursive Design?
83(18)
8 How Do Discursive Objects Communicate---In Theory?
101(10)
9 How Do Discursive Objects Communicate---In Practice?
111(10)
10 What Are the Domains of Discursive Design?
121(14)
Theorizing Practice
11 Intention: What's a Discursive Designer to Do?
135(18)
12 Understanding: What's a Discursive Designer to Know?
153(12)
13 Message: What's a Discursive Designer to Say?
165(20)
14 Scenario: How Does a Discursive Designer Set the Stage for Discourse?
185(26)
15 Artifact: What's a Discursive Designer to Make?
211(24)
16 Audience: To Whom Does a Discursive Designer Speak?
235(18)
17 Context: How Does a Discursive Designer Disseminate?
253(16)
18 Interaction: How Does a Discursive Designer Connect?
269(16)
19 Impact: What Effect Can a Discursive Designer Have?
285(16)
Conclusion
20 What's Wrong with Discursive Design(ers) Today?
301(14)
21 Where's Discursive Design Headed?
315(28)
Part II Discursive Design: In Practice
Introduction
22 Introduction: In Practice
343(4)
Discursive Designing: Nine Facets
23 Intention: In Practice
347(18)
24 Understanding: In Practice
365(16)
25 Message: In Practice
381(20)
20 Scenario: In Practice
401(20)
27 Artifact: In Practice
421(20)
28 Audience: In Practice
441(14)
29 Context: In Practice
455(18)
30 Interaction: In Practice
473(16)
31 Impact: In Practice
489(12)
Case Studies
32 Case Study: Global Futures Lab
501(18)
33 Case Study: (Im)possible Baby
519(12)
34 Case Study: Umbrellas for the Civil but Discontent Man
531(14)
Glossary 545(12)
Interviewees and Interlocutors 557(4)
Image Credits 561(20)
Bibliography 581(22)
Index 603