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Disenchantment, Skepticism, and the Early Modern Novel in Spain and France [Mīkstie vāki]

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This volume examines five early modern novels from the seventeenth century in Spain and France as examples of literature as a form of skeptical inquiry: Cervantess Don Quijote, Zayass Desengańos amorosos, Scarrons Roman comique, Cyrano de Bergeracs LAutre Monde, and Mme. de Lafayettes Zayde.

These early modern novels encourage readers to take a critical stance toward accepted beliefs, through content that stages multiple encounters with the shockingly unfamiliar as well as through experiments in literary form, especially the interpolated story. At its broadest reach, this study asserts the fundamental value of literature as a means of encouraging discernment, recognizing the illusory, and honing critical acuity. In terms of the particularity of the historical moment, the volume also identifies the early modern novel as uniquely able to represent the conflicting value spheres of early modernity because of its ability to present multiple voices and its fascination with conflicting vantage points.

Due to its interdisciplinary nature, Disenchantment, Skepticism, and the Early Modern Novel in Spain and France appeals to literary scholars and intellectual historians of the early modern period in Europe, as well as to advanced undergraduates and postgraduates studying the early novel, intellectual history, and philosophy of literature.
Acknowledgments vii
Introduction 1(25)
I Sextus Empiricus
4(5)
II The Skeptical Novel
9(17)
Contradictory Encounters, Contingency, and Shock
12(3)
Representation and Reality
15(2)
Creating Distance Through Form
17(9)
1 Don Quijote and the Lessons of Shock
26(32)
I Admiration
29(10)
II Sancho Panza as Skeptic
39(6)
III Readerly Responses
45(13)
2 Interrogating Social Categories in Maria de Zayas's Desenganos amorosos
58(29)
I Formal Strategies for Epistemic Effect
61(2)
II Doubting Gender and Class: "Amar solo por veneer"
63(5)
III Doubting Cultural Contention: "Mai presagio casar lejos"
68(5)
IV Doubting Storytelling: "Tarde llega el desengano"
73(14)
3 Scarron's Roman comique and the Dangers of Undifferentiability
87(24)
I Creating Distance Through Form
91(2)
II L'histoire de l'amante invisible
93(6)
III Le Destin
99(12)
4 Cyrano de Bergerac's L'Autre Monde and the Critique of Fixity
111(26)
I Questioning Language and Narrative Form
113(7)
II Questioning Culture and the Material
120(7)
III The Magnet Model
127(10)
5 Madame de Lafayette's Zayde and the Insuperability of Alienation
137(25)
I Alphonse
141(3)
II Filime
144(6)
III Consalve
150(12)
Conclusion 162(6)
Index 168
Ann T. Delehanty is John D. and Catherine T. MacArthur Professor of French and Humanities at Reed College in Portland, Oregon. She is also the author of Literary Knowing in Neoclassical France: From Aesthetics to Poetics (2012).