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E-grāmata: Disguising Disease in Italian Political and Visual Culture: From Post-Unification to COVID-19 [Taylor & Francis e-book]

Edited by (University of Pavia, Italy), Edited by
  • Formāts: 218 pages, 1 Tables, black and white; 5 Line drawings, black and white; 26 Halftones, black and white; 31 Illustrations, black and white
  • Sērija : Routledge Studies in the Modern History of Italy
  • Izdošanas datums: 30-Aug-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003382805
  • Taylor & Francis e-book
  • Cena: 160,08 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 228,69 €
  • Ietaupiet 30%
  • Formāts: 218 pages, 1 Tables, black and white; 5 Line drawings, black and white; 26 Halftones, black and white; 31 Illustrations, black and white
  • Sērija : Routledge Studies in the Modern History of Italy
  • Izdošanas datums: 30-Aug-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003382805
"Although considered an isolated event, the Italian government's initial resistant response to COVID-19 has deep historical roots. This is the first interdisciplinary book to critically examine the ongoing phenomenon of disguising contagious disease in Italy from Unification to the present. The book explores how governments, public opinion, social entities, and cultural production have avoided or sublimated contagion during cholera, typhoid, syphilis, malaria, HIV and COVID-19 to impose narratives of thenation's healthy body in Italy and its colonies. Examples range from a tuberculosis sanatorium in Capri that masked as a luxury hotel and hideaway for queer couples, to an obscure but talented professor who found a new cure for syphilis; from denial of disease in governmental actions to sublimated representations in Italian art, literature, and film such as Luchino Visconti's cinematic adaptation of Thomas Mann's Death in Venice, to a sociological study of the need to include fragile figures based on thelessons of COVID-19. Intended for scholars, students, and general readers interested in the history of medicine, political and cultural history, and Italian studies, this volume shows how contagious diseases clash with the official narrative of emerging modernized urban settings and challenge the desire for political and economic stability"--

Although considered an isolated event, the Italian government’s initial resistant response to COVID-19 has deep historical roots. This is the first interdisciplinary book to critically examine the ongoing phenomenon of disguising contagious disease in Italy from Unification to the present.



Although considered an isolated event, the Italian government’s initial resistant response to COVID-19 has deep historical roots. This is the first interdisciplinary book to critically examine the ongoing phenomenon of disguising contagious disease in Italy from Unification to the present.

The book explores how governments, public opinion, social entities, and cultural production have avoided or sublimated contagion during cholera, typhoid, syphilis, malaria, HIV and COVID-19 to impose narratives of the nation’s healthy body in Italy and its colonies. Examples range from a tuberculosis sanatorium in Capri that masked as a luxury hotel and hideaway for queer couples, to an obscure but talented professor who found a new cure for syphilis; from denial of disease in governmental actions to sublimated representations in Italian art, literature, and film such as Luchino Visconti’s cinematic adaptation of Thomas Mann’s Death in Venice, to a sociological study of the need to include fragile figures based on the lessons of COVID-19.

Intended for scholars, students, and general readers interested in the history of medicine, political and cultural history, and Italian studies, this volume shows how contagious diseases clash with the official narrative of emerging modernized urban settings and challenge the desire for political and economic stability.

1. Denying Disease: An Introduction

2. Diseased Bodies in Early Modern Europe: Picturing Plague Victims

3. Experiencing Transnational Health Challenges: The Safety/Commerce Dilemma
in Italys Long Nineteenth Century

4. Exporting Epidemics: The Cholera of 191011 from Southern Italy to
LibyaDenial, Causes and Consequences

5. Medical Mistrust and Contagious Disease in the Italian 1860s: Professor
Angelo Scarenzios Neglected Therapy for Syphilis

6. The Insufficiency of Science: Skepticism, Polemic and Irony Towards
Medicine in Nineteenth- and Twentieth-Century Italian Literature

7. Fever Veiled in Mist: Denying Contagious Diseases in Modern Italian
Visual Arts

8. Masking Female Illness: Tuberculosis in Tigre Reale.

9. The Old, the Frail and the Misinformed: Cholera and Aging in Viscontis
Death in Venice (1971)

10. Tuberculosis, Queerness and Luxury Guests: The Hidden Stories of Capris
Hotel Quisisana

11. Forgetting or Disguising? HIV/AIDS in the Italian Newspapers in the
Twenty-First Century

12. The Italian National Health Service in a Time of Crisis: What Were the
Responses for the Most Vulnerable People?
Sharon Hecker is an art historian and curator specializing in Modern and Contemporary Italian art. She is the author of A Moments Monument: Medardo Rosso and the International Origins of Modern Sculpture and co-editor of Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today.

Arianna Arisi Rota is Professor of Contemporary History at the University of Pavia. She specializes in the history of politics and diplomacy in the nineteenth century, with special attention to generations, and memory-building. Her publications include I piccoli cospiratori, Risorgimento, Il cappello dellimperatore and Profughi.