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Disney Gothic: Dark Shadows in the House of Mouse [Hardback]

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  • Formāts: Hardback, 266 pages, height x width x depth: 237x159x22 mm, weight: 549 g, 34 BW Photos
  • Sērija : Lexington Books Horror Studies
  • Izdošanas datums: 10-May-2024
  • Izdevniecība: Lexington Books/Fortress Academic
  • ISBN-10: 1666907200
  • ISBN-13: 9781666907209
Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 122,34 €
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  • Formāts: Hardback, 266 pages, height x width x depth: 237x159x22 mm, weight: 549 g, 34 BW Photos
  • Sērija : Lexington Books Horror Studies
  • Izdošanas datums: 10-May-2024
  • Izdevniecība: Lexington Books/Fortress Academic
  • ISBN-10: 1666907200
  • ISBN-13: 9781666907209
Citas grāmatas par šo tēmu:
If there is an opposite to the Gothic, it may seem to be the carefully crafted family friendly image of Disney. However, through careful attention to the pervasiveness of Gothic elements in all of Disneys productions, ranging from its theme parks to its films and television programs, the contributors to Disney Gothic reveal that the Gothic, in fact, serves as the unacknowledged motor of the Disney machine. Exploring representations of villains, ghosts, and monsters, this book sheds important new light on the role these Gothic elements play throughout the Disney universe in constructing and reinforcing conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories. In doing so, this book raises fascinating questions about the appeal, marketing, and consumption of Gothic horror by adults and particularly by children, who historically have been Disneys primary audience.

In this edited collection exploring Disneys dark side, attention to Disneys Gothic clarifies the ways through which Disney media properties construct and reinforce conceptions of normalcy and deviance in relation to shifting understandings of morality, social roles, and identity categories.
Introduction: Dark Shadows in the House of Mouse

Lorna Piatti-Farnell and Jeffrey Andrew Weinstock

Part 1: Dark Beginnings and Gothic Technologies

Chapter 1: Silly Spookiness: The Skeletons of Early Disney

Murray Leeder

Chapter 2: From Gothic to Gags: Disneys Comic Deconstruction of Death

Terry Lindvall

Chapter 3: Hidden Histories: The Many Ghosts of Disneys Haunted Mansion

Jeffrey Andrew Weinstock

Chapter 4: Monsters on the Mouse-Tube: The Gothic Horror Cinematic Tradition
and the Disney Channel Original Movie

Jay Bamber

Chapter 5: Sinister Surveillance: Threatened Youth in Disney's Watcher in the
Woods and Something Wicked This Way Comes

Carl H. Sederholm and Kathy Merlock Jackson

Chapter 6: The Game is Playing Itself: Fear, Technology, and the Disney
Slasher

Gwyneth Peaty

Part 2: Monsters and Magic

Chapter 7: Disneys Tetratologies: Animated Discourses on Monsters and Heroes


Kevin J. Wetmore

Chapter 8: Who is the monster and who is the man?: Disneys Medieval Gothic
in The Hunchback of Notre Dame

J.S. Mackley

Chapter 9: Voodoo, Hoodoo, and Friends on the Other Side: Magic, Cultural
Echoes, and the Gothic Trajectories of Difference in Disneys The Princess
and the Frog

Nancy Johnson-Hunt and Lorna Piatti-Farnell

Chapter 10: The Human/Animal Divide: Feral Children, Liminalities, and the
Gothic in Disneys The Jungle Book and Tarzan

Antonio Sanna

Chapter 11: Primitive Life and Animated Death: Fantasias Rite of Spring as
Ecogothic

Christy Tidwell

Part 3: Something Wicked

Chapter 12: Maleficent: Monstrosity, Truth, and Post-Truth in Disneys
Transmedia Fairyverse

Joan Ormrod

Chapter 13: Mother Knows Best: Questioning the Moral and the Immoral in
Disneys Tangled

Angelique Nairn

Chapter 14: The Vampire Queen of the Disney Scene: The Vampiric, Gothic
Excess of Ursula from The Little Mermaid

Simon Bacon

Chapter 15: Gorgeous, Vicious and a Little Bit Mad: Queer-Gothic and
Excessive Desire in Cruella

Blair Speakman
Lorna Piatti-Farnell is professor of media and cultural studies at Auckland University of Technology.

Jeffrey Andrew Weinstock is professor of English at Central Michigan University and associate editor in charge of horror for the Los Angeles Review of Books.